Roger Wagner (born 1957) is an English artist and poet.
Born in 1957 in London, Roger Wagner won an open scholarship to read English Literature at Lincoln College, Oxford in 1975. While a student he attended classes at the Ruskin School of Drawing, where he now teaches, and in 1977 edited The Oxford Art Journal, the forerunner of the present academic journal that began the following year. From 1978 to 1981 he studied at The Royal Academy Schools under Peter Greenham, and subsequently returned to Oxford where he now lives and works.
In 1985 he had his first exhibition with Anthony Mould who has represented him ever since. Alongside the paintings were wood-engravings from his first book of illustrated poems Fire Sonnets. An exhibition in 1988, In a Strange Land, included a book of that title which included poems and a translation of psalm 137 illustrated with wood-engravings of the London docklands. Several more recent exhibitions have included successive volumes of The Book of Praises: an illustrated translation of the psalms, the first volume of which appeared in 1994. This was the year of his retrospective exhibition at the Ashmolean Museum in Oxford, whose attendance figures broke all records. [1] In 2004 the Ashmolean had a second exhibition of his work to celebrate the acquisition of his large painting Menorah which now hangs on permanent loan in St Giles Church.
In 2012 he made his first stained glass window, opposite John Piper’s window in St Mary’s Iffley, followed by a font cover made in collaboration with Nicholas Mynheer. Both were nominated for the ACE prize for art in a sacred context. In 2014 he painted the first portrait of the new Archbishop of Canterbury, Justin Welby, which now hangs alongside Thomas Lawrence’s portraits in Auckland Castle. In 2016 Oxford University Press published The Penultimate Curiosity co-authored with Andrew Briggs, the Professor of Nanomaterials at Oxford.In 2019 The Canterbury Press published The Nearer You Stand, Poems and Images. In 2020 The Canterbury Press published The Book of Praise, Translations from the Psalms. In 2022 he was elected an Honorary Fellow of Lincoln College Oxford.
Wagner’s work has been described as ‘totally unlike any other modern artist’. [2] In 1988 the poet Peter Levi wrote of his second exhibition that ‘Nothing could be less expected than his paintings; they are completely careless of fashion. In some ways they are very old fashioned indeed, but in the most important way modern. He has the power to create a myth’. [3]
An early influence was the painting of Giorgio de Chirico whom he met in Venice in 1973. Chirico described his own style as ‘metaphysical’ and though very different the same term could be applied to Wagner’s work. This has been described as ‘imbued with Fra Angelico, Blake, Palmer and Traherne’, [4] but it also often imbued with what Samuel Johnson described as a characteristic of the metaphysical poets in which ‘the most heterogeneous ideas are yoked by violence together’. [5] Thus Rowan Williams has described Wagner’s ‘fusion of Jewish and Christian symbols with the cooling towers of Didcot power station – Jewish victims of the Shoah wandering in the neighbourhood of a distantly seen, conventionally depicted crucifixion, the background dominated by the immense towers arranged in the pattern of the ceremonial candlestick, the menorah that gives this 1993 painting its title.’, as this is ‘very dense imagining indeed, but it manages a representation of the creatively and theologically uncanny that is haunting’. [6]
An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek ἐπίγραμμα epígramma "inscription" from ἐπιγράφειν epigráphein "to write on, to inscribe", and the literary device has been employed for over two millennia.
Edward Lear was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.
The Ashmolean Museum of Art and Archaeology on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel.
Gabriel Charles Dante Rossetti, generally known as Dante Gabriel Rossetti, was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.
Roger Eliot Fry was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public awareness of modern art in Britain, and emphasised the formal properties of paintings over the "associated ideas" conjured in the viewer by their representational content. He was described by the art historian Kenneth Clark as "incomparably the greatest influence on taste since Ruskin ...In so far as taste can be changed by one man, it was changed by Roger Fry". The taste Fry influenced was primarily that of the Anglophone world, and his success lay largely in alerting an educated public to a compelling version of recent artistic developments of the Parisian avant-garde.
Giuseppe Maria Alberto Giorgio de Chirico was an Italian artist and writer born in Greece. In the years before World War I, he founded the scuola metafisica art movement, which profoundly influenced the surrealists. His best-known works often feature Roman arcades, long shadows, mannequins, trains, and illogical perspective. His imagery reflects his affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, and for the mythology of his birthplace.
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." In ancient times, it might refer more broadly to a description of any thing, person, or experience. The word comes from the Greek ἐκ ek and φράσις phrásis, 'out' and 'speak' respectively, and the verb ἐκφράζειν ekphrázein, 'to proclaim or call an inanimate object by name'.
Arnold Böcklin was a Swiss symbolist painter.
Frank Samuel Herbert Kendon was an English writer, poet and academic. He was also an illustrator, and journalist.
Metaphysical painting or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917.
Gai Qi, courtesy name Bowen 伯蕰, art names Qiliang 七郎 and Yuhu Waishi 玉壶外史, was a poet and painter born in western China during the Qing dynasty. As an artist, he was active in Shanghai. His paintings mainly concerns plants, beauty, and figures. However he also did numerous landscapes. In poetry he preferred the rhyming ci form and added such poems to his paintings.
Nikos Egonopoulos was a Greek painter and poet. He is one of the most important members of "Generation of the '30s", as well as a major representative of the surrealist movement in Greece. His work as a writer also includes critique and essays.
Sonnet 101 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. The three other internal sequences include the procreation sonnets (1–17), the Rival Poet sequence (78–86) and the Dark Lady sequence (127–154). While the exact date of composition of Sonnet 101 is unknown, scholars generally agree that the group of Sonnets 61–103 was written mainly in the first half of the 1590s and was not revised before being published with the complete sequence of sonnets in the 1609 Quarto.
Sonnet 105 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.
Mariana is an 1851 oil-on-panel painting by John Everett Millais. The image depicts the solitary Mariana from William Shakespeare's Measure for Measure, as retold in Tennyson's 1830 poem "Mariana". The painting is regarded as an example of Millais's "precision, attention to detail, and stellar ability as a colorist". It has been held by Tate Britain since 1999.
Paul Evdoros Alexander Joannides is an emeritus professor of the History of Art in the University of Cambridge and fellow of Clare Hall.
Jamie McKendrick is a British poet and translator.
Landscape with Ascanius Shooting the Stag of Sylvia is a painting of 1682 in oil on canvas by Claude Lorrain, a painter from the Duchy of Lorraine who spent his career in Rome. It was painted in Rome for Prince Lorenzo Onofrio Colonna (1637–1689), Claude's most important patron in his last years, and is now in the Ashmolean Museum, Oxford. It is signed, dated with the year, and inscribed with the subject, as Claude sometimes did with his less common subjects.
Clive Hicks-Jenkins is a Welsh artist known especially for narrative paintings and artist's books. His paintings are represented in all the main public collections in Wales, as well as others in the United Kingdom, and his artist's books are found in libraries internationally. A retrospective exhibition comprising some 200 works from across the artist's career loaned from public and private collections was held by the National Library of Wales in 2011 to coincide with his sixtieth birthday. A substantial multi-author book devoted to his work was published by Lund Humphries in 2011, in which Simon Callow called him "one of the most individual and complete artists of our time".
"Y Llafurwr", known in English as "The Ploughman" or "The Labourer", is a poem in the form of a cywydd by the 14th-century Welsh poet Iolo Goch. Often compared with William Langland's Middle English Piers Plowman, it presents a sympathetic portrayal of the meek and godly ploughman; no other Welsh bardic poem takes an ordinary working man as its subject. It has been called the most notable of Iolo's poems, comparable with the finest works of Dafydd ap Gwilym, and its popularity in the Middle Ages can be judged from the fact that it survives in seventy-five manuscripts. It is included in The Oxford Book of Welsh Verse.