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English mythology is the collection of myths that have emerged throughout the history of England, sometimes being elaborated upon by successive generations, and at other times being rejected and replaced by other explanatory narratives. These narratives consist of folk traditions developed in England after the Norman Conquest, integrated with traditions from Anglo-Saxon mythology, Christian mythology, and Celtic mythology. Elements of the Matter of Britain, Welsh mythology and Cornish mythology which relate directly to England are included, such as the foundation myth of Brutus of Troy and the Arthurian legends, but these are combined with narratives from the Matter of England and traditions from English folklore.
Hereward the Wake was an Anglo-Saxon nobleman and a leader of local resistance to the Norman Conquest of England. His base when he led the rebellion against the Norman rulers was the Isle of Ely, in eastern England. According to legend, he roamed the Fens, which covers parts of the modern counties of Cambridgeshire, Lincolnshire and Norfolk, and led popular opposition to William the Conqueror.
The Matter of Britain is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur. The 12th-century Welsh cleric Geoffrey of Monmouth's Historia Regum Britanniae, widely popular in its day, is a central component of the Matter of Britain.
Guy of Warwick, or Gui de Warewic, is a legendary English hero of Romance popular in England and France from the 13th to 17th centuries. The story of Sir Guy is considered by scholars to be part of the Matter of England.
Havelok the Dane, also known as Havelok or Lay of Havelok the Dane, is a thirteenth-century Middle English romance considered to be part of the Matter of England. The story, however, is also known in two earlier Anglo-Norman versions, one by Geffrei Gaimar and another known as the Lai d'havelok. The name "Havelok" also has many variations in spelling, and can be found as "Haveloc", "Havelock", or "Aybloc".
Bevis of Hampton (Old French: Beuve(s) or Bueve or Beavisde Hanton(n)e; Anglo-Norman: Boeve de Haumtone; Italian: Buovo d'Antona) or Sir Bevois, was a legendary English hero and the subject of Anglo-Norman, Dutch, French, English, Venetian, and other medieval metrical chivalric romances that bear his name. The tale also exists in medieval prose, with translations to Romanian, Russian, Dutch, Irish, Welsh, Old Norse and Yiddish.
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."
Tail rhyme is a family of stanzaic verse forms used in poetry in French and especially English during and since the Middle Ages, and probably derived from models in medieval Latin versification.
Apollonius of Tyre is the hero of a short ancient novel, popular in the Middle Ages. Existing in numerous forms in many languages, all are thought to derive from an ancient Greek version now lost.
The term Middle English literature refers to the literature written in the form of the English language known as Middle English, from the late 12th century until the 1470s. During this time the Chancery Standard, a form of London-based English, became widespread and the printing press regularized the language. Between the 1470s and the middle of the following century there was a transition to early Modern English. In literary terms, the characteristics of the literary works written did not change radically until the effects of the Renaissance and Reformed Christianity became more apparent in the reign of King Henry VIII. There are three main categories of Middle English literature, religious, courtly love, and Arthurian, though much of Geoffrey Chaucer's work stands outside these. Among the many religious works are those in the Katherine Group and the writings of Julian of Norwich and Richard Rolle.
Medieval French literature is, for the purpose of this article, Medieval literature written in Oïl languages during the period from the eleventh century to the end of the fifteenth century.
Amis et Amiles is an old French romance based on a widespread legend of friendship and sacrifice. In its earlier and simpler form it is the story of two friends, one of whom, Amis, was sick with leprosy because he had committed perjury to save his friend. A vision informed him that he could only be cured by bathing in the blood of Amiles's children. When Amiles learnt this he killed the children, who were, however, miraculously restored to life after the cure of Amis.
The Brut or Roman de Brut by the poet Wace is a loose and expanded translation in almost 15,000 lines of Norman-French verse of Geoffrey of Monmouth's Latin History of the Kings of Britain. It was formerly known as the Brut d'Engleterre or Roman des Rois d'Angleterre, though Wace's own name for it was the Geste des Bretons, or Deeds of the Britons. Its genre is equivocal, being more than a chronicle but not quite a fully-fledged romance.
"Bisclavret" is one of the twelve Lais of Marie de France written in the 12th century. Originally written in French, it tells the story of a werewolf who is trapped in lupine form by the treachery of his wife. The tale shares a common ancestry with the comparable Lay of Melion, and is probably referenced in Sir Thomas Malory's Le Morte d'Arthur with the tale of Sir Marrok, who has a similar story.
King Horn is a Middle English chivalric romance dating back to the middle of the thirteenth century. It survives in three manuscripts: London, British Library, MS. Harley 2253; Oxford, Bodleian Library, MS. Laud. Misc 108; and Cambridge, Cambridge University Library, MS. Gg. iv. 27. 2. It is thought to be based on the Anglo-Norman Romance of Horn (1170). The story was retold in later romances and ballads, and is considered part of the Matter of England. The poem is currently believed to be the oldest extant romance in Middle English.
In the history of England, the High Middle Ages spanned the period from the Norman Conquest in 1066 to the death of King John, considered by some historians to be the last Angevin king of England, in 1216. A disputed succession and victory at the Battle of Hastings led to the conquest of England by William of Normandy in 1066. This linked the Kingdom of England with Norman possessions in the Kingdom of France and brought a new aristocracy to the country that dominated landholding, government and the church. They brought with them the French language and maintained their rule through a system of castles and the introduction of a feudal system of landholding. By the time of William's death in 1087, England formed the largest part of an Anglo-Norman empire, ruled by nobles with landholdings across England, Normandy and Wales. William's sons disputed succession to his lands, with William II emerging as ruler of England and much of Normandy. On his death in 1100 his younger brother claimed the throne as Henry I and defeated his brother Robert to reunite England and Normandy. Henry was a ruthless yet effective king, but after the death of his only male heir William Adelin, he persuaded his barons to recognise his daughter Matilda as heir. When Henry died in 1135 her cousin Stephen of Blois had himself proclaimed king, leading to a civil war known as The Anarchy. Eventually Stephen recognised Matilda's son Henry as his heir and when Stephen died in 1154, he succeeded as Henry II.
Matter of England, romances of English heroes and romances derived from English legend are terms that 20th century scholars have given to a loose corpus of Medieval literature that in general deals with the locations, characters and themes concerning England, English history, or English cultural mores. It shows some continuity between the poetry and myths of the pre-Norman or "Anglo-Saxon" era of English history as well as themes motifs and plots deriving from English folklore. The term Matter of England was coined in reference to the earlier Three Matters as termed by the French author Jean Bodel; the Matter of Britain, of France and of Rome.
Pontus and Sidonia is a medieval prose romance, originally composed in French in ca. 1400, possibly by Geoffroy IV de la Tour Landry or by another member of the La Tour family. It is about Pontus, the son of the king of Galicia, who falls in love with Sidonia, daughter of the king of Brittany. The text is associated with the lords of La Tour because it derives the ancestors of that family, whose ancestral possessions were in Brittany, from members of the train of prince Pontus. The story is based on an earlier work, the Anglo-Norman chanson de geste Horn et Rimenhild.
Richard Coer de Lyon is a Middle English romance which gives a fictionalised account of the life of Richard I, King of England, concentrating on his crusading exploits. It influenced Shakespeare's King John and Walter Scott's The Talisman.
The Folie Tristan d’Oxford, also known as the Oxford Folie Tristan, The Madness of Tristan, or Tristan’s Madness, is a poem in 998 octosyllabic lines written in Anglo-Norman, the form of the Norman language spoken in England. It retells an episode from the Tristan legend in which Tristan disguises himself as a madman to win his way back to Ysolt. The poem can be dated to the period 1175–1200, but the name of the author is unknown. It is not to be confused with the Folie Tristan de Berne, a different medieval poem on the same subject, each work taking its name from the city in which the manuscript is now kept.
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