Ron Frenz | |
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Born | Ronald Wade Frenz February 1, 1960 Pittsburgh, Pennsylvania, U.S. |
Area(s) | Writer, Penciller |
Notable works | |
catskillcomics |
Ronald Wade Frenz (born February 1, 1960) [1] is an American comics artist known for his work for Marvel Comics. He is well known for his 1980s work on The Amazing Spider-Man, particularly introducing the hero's black costume, and later for his work on Spider-Girl whom he co-created with writer Tom DeFalco. Frenz and DeFalco had earlier co-created the New Warriors in the pages of Thor .
Frenz began working for Marvel Comics in the early 1980s. Frenz's early work includes such titles as Ka-Zar the Savage , Star Wars , [2] The Further Adventures of Indiana Jones , and Marvel Saga . [3] His first credited story for Marvel was published in Ka-Zar the Savage #16 (July 1982). [4]
Frenz has a history of working on comic book series in which the characters were not in their original costumes/identities. Spider-Man wore his black costume, Thor took on a new secret identity and look, and Superman changed costumes and powers while Frenz was the regular artist on their titles. [5]
Frenz became the regular artist on The Amazing Spider-Man in 1984 and the stories he pencilled included "The Kid Who Collects Spider-Man" in issue #248 (Jan. 1984) [6] [7] and the first appearance of Spider-Man's black costume in issue #252 (May 1984). [8] Among the new characters introduced during his run were the Puma in issue #256 (Sept. 1984) [9] and Silver Sable in #265 (June 1985). [10] Frenz and Tom DeFalco revealed that the "black suit" was an alien creature in issue #258 (Nov. 1984). [11] Frenz drew The Amazing Spider-Man Annual #18 (1984), a story written by Stan Lee, which featured the wedding of Spider-Man supporting characters J. Jonah Jameson and Marla Madison. [12] Frenz had originally been brought onto the series as a short-term substitute for John Romita Jr., but was retained when it became apparent that he meshed well with series writer DeFalco. Frenz recounted:
Initially, I was hired to only do six issues, while Romita, Jr. went off to get X-Men up and running. And he was supposed to come back and do both X-Men and The Amazing Spider-Man. And six issues in, I found out from [editor] Danny Fingeroth that JR had come into the office and said he'd seen the stuff that Tom and I were doing, and Danny said, "Yeah, I'm really happy with what they're doing." And JR said, "You are, aren't you?" And Danny said, "Yeah, I think they're really gelling as a team." And JR said, "If you're really happy with these guys, give it to them." And the first time I met JR, I thanked him for my run on Spider-Man. [13]
Jim Owsley, editor of the Spider-Man titles at the time, has noted that "Frenz was passionate about Spider-Man, verging on fanatical." [14] In 1986, Frenz and DeFalco were removed from The Amazing Spider-Man by Owsley. [13] [14] Frenz and DeFalco became the creative team on Thor in 1987 [4] and introduced the Eric Masterson character in Thor #391 (May 1988). [15] Eric Masterson later became the superhero known as Thunderstrike and received his own series by DeFalco and Frenz in 1993. [16]
In 1995, Frenz moved to DC Comics and became the artist on Superman . [4] The following year, he was one of the many creators who contributed to the Superman: The Wedding Album one-shot wherein the title character married Lois Lane. [17] Superman received a new costume, designed by Frenz himself, and new superpowers in Superman vol. 2 #123 (May 1997). [18] Frenz drew part of the Superman Red/Superman Blue one-shot which launched the storyline of the same name which ran through the various Superman titles. [19]
Frenz returned to Marvel with the Spider-Man: Hobgoblin Lives limited series, written by Roger Stern, in 1997. [20] DeFalco and Frenz reunited and introduced Spider-Girl in What If ...? vol. 2 #105 (Feb. 1998). [21] Spider-Girl became an ongoing series in October 1998 [22] and ran until issue #100 (Sept. 2006). [23] A new series, The Amazing Spider-Girl, was launched the following December, [24] Frenz drew all 30 issues until the series' cancellation in 2009. [25]
On June 4, 2009, Ron Frenz was the recipient of the 2009 Nemo Award for Excellence in the Cartoon Arts. [26]
In 2017, Ron Frenz and long-time inking collaborator Sal Buscema began working on The Blue Baron, written by Darin Henry and published by Sitcomics. [27] In 2021, Frenz also started to pencil another Sitcomics title: The Heroes Union.
He rejoined Tom DeFalco to co-create and pencil The R.I.G.H.T. Project for Apex Comic Group, again inked by Sal Buscema. [28] The one-shot comicbook was crowdfunded via Indiegogo and sent to its backers in February 2022.
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Tom DeFalco is an American comic book writer and editor well known for his association with Marvel Comics, with long runs on Amazing Spider-Man, Thor, and Fantastic Four.
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Stern and guest-artist Ron Frenz tell the heartfelt tale of a little boy who might be Spider-Man's biggest fan. Spidey visits the boy and has a nice talk with him (and naturally, there is a twist to the tale).
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has generic name (help)CS1 maint: multiple names: authors list (link)Eric Masterson was an architect working on a construction site in this issue by Tom Defalco and Ron Frenz.
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has generic name (help)CS1 maint: multiple names: authors list (link)The behind-the-scenes talent on the monumental issue appropriately spanned several generations of the Man of Tomorrow's career. Written by Dan Jurgens, Karl Kesel, David Michelinie, Louise Simonson, and Roger Stern, the one-shot featured the pencils of John Byrne, Gil Kane, Stuart Immonen, Paul Ryan, Jon Bogdanove, Kieron Dwyer, Tom Grummett, Dick Giordano, Jim Mooney, Curt Swan, Nick Cardy, Al Plastino, Barry Kitson, Ron Frenz, and Dan Jurgens.
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has generic name (help)CS1 maint: multiple names: authors list (link)