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Ron Stone | |
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Background information | |
Genres | Rock, pop |
Occupation | Artist management |
Years active | 1968-present |
Ron Stone is an American personal manager, and musician's advocate. Stone is outspoken on Internet piracy [1] and has worked to influence legislation on the issues of digital music, file sharing, and musician's intellectual property distribution rights.
After moving from The Bronx to Los Angeles, Stone opened the hippie clothing store "The Great Linoleum Clothing Experiment" in 1967, doors down from The Troubadour. Stone began his career during music’s ‘golden age’ in 1968 at Geffen and Roberts Management alongside industry names such as David Geffen, Stone's childhood friend Elliot Roberts, and Irving Azoff where Stone helped to manage the careers of Neil Young, Joni Mitchell, Eagles, Crosby, Stills, Nash and Young, Bob Dylan, The Band, Devo, America and Tom Cochrane.
Stone went on to form Gold Mountain Entertainment with Danny Goldberg and Burt Stein. They signed Bonnie Raitt and Belinda Carlisle, managing the careers of these artists, who then experienced a multi-platinum career resurgence. Later, with John Silva as a partner, Gold Mountain guided the careers of Nirvana, Beastie Boys, Beck, Rickie Lee Jones, Foo Fighters, Sonic Youth, Tracy Chapman, Ziggy Marley, The Baha Men, Joss Stone, Sophie B. Hawkins, and many others.
Currently, Gold Mountain represents Ray Davies, Joan Osborne, Lynn Goldsmith, and Fastball. Gold Mountain’s Nashville office represents Ronnie Milsap, Todd Snider, and Hard Working Americans. Stone was also the founder and president of Something Music record company in partnership with Tony Valenziano and Kevin Day from Rocket Science.
In partnership with Curb Musifilms, Ron Stone Productions produced the feature film "The Harvest." [2] Stone founded and ran World Domination Records in partnership with Dave Allen (Gang of Four and Apple/Beats) for ten years. He also founded and ran Rock-it-comics for five years. Stone’s knowledge of the Internet and new technology led him to consult on digital and copyright issues with the RIAA.
Stone leveraged his stature in the entertainment industry during the Internet boom to be a spokesman for the rights of artists whose intellectual property and content were distributed freely via peer-to-peer applications like Napster.
When commenting on how file sharing has devalued music, Stone commented: “Music for a generation has become disposable and it used to be a collectible.” Stone targeted Napster when he said “It is the single most insidious website I’ve ever seen…it’s like a burglar’s tool” [3]
With Stone's counsel, Napster was sued by the Recording Industry Association of America on behalf of record labels for enabling piracy on an 'unprecedented scale'. The legal issue is whether Napster was materially contributing to infringement of copyright, even if the company doesn't actually store the offending files. Stone says he has found unauthorized copies of all his artists songs through Napster. He, with a team of industry members, created a series of television, radio and web commercials urging the public to stop using the program. [4]
Stone currently resides in Vail, Colorado and Woodland Hills, California with his wife of 59 years.
Kazaa Media Desktop. was a peer-to-peer file sharing application using the FastTrack protocol licensed by Joltid Ltd. and operated as Kazaa by Sharman Networks. Kazaa was subsequently under license as a legal music subscription service by Atrinsic, Inc., which lasted until August 2012.
Napster was an American peer-to-peer (P2P) file sharing application primarily associated with digital audio file distribution. Founded by Shawn Fanning and Sean Parker, the platform originally launched on June 1, 1999. Audio shared on the service was typically encoded in the MP3 format. As the software became popular, the company encountered legal difficulties over copyright infringement. Napster ceased operations in 2001 after losing multiple lawsuits and filed for bankruptcy in June 2002.
Music Canada is a non-profit trade organization that was founded 9 April 1963 in Toronto to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. It was known as the Canadian Record Manufacturer's Association until 1972 and the Canadian Recording Industry Association (CRIA) until 2011.
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format.
Madster was a peer-to-peer file sharing service. It was released in Napster's wake in August 2000 and shut down in December 2002 as a result of a lawsuit by the Recording Industry Association of America.
Phil Morle, is a Partner at Main Sequence Ventures, an Australian-based venture capital firm attached to the CSIRO. Prior to this, he was the co-founder and CEO of Pollenizer, an Australia-based company that builds early stage internet companies using lean startup techniques. Prior to co-founding Pollenizer, Phil held a number of positions in the internet sector working with startups and large companies. His most renowned role was as CTO of Kazaa, a popular peer-to-peer file sharing service that was shut down in the face of legal action from record companies. Morle began his career in theater and was a founder and artistic director of Kaos Theatre in Perth for ten years.
MGM Studios, Inc. v. Grokster, Ltd., 545 U.S. 913 (2005), is a United States Supreme Court decision in which the Court ruled unanimously that the defendants, peer-to-peer file sharing companies Grokster and Streamcast, could be held liable for inducing copyright infringement by users of their file sharing software. The plaintiffs were a consortium of 28 entertainment companies, led by Metro-Goldwyn-Mayer studios.
A&M Records, Inc. v. Napster, Inc., 239 F.3d 1004 was a landmark intellectual property case in which the United States Court of Appeals for the Ninth Circuit affirmed a district court ruling that the defendant, peer-to-peer file sharing service Napster, could be held liable for contributory infringement and vicarious infringement of copyright. This was the first major case to address the application of copyright laws to peer-to-peer file sharing.
Peer-to-peer file sharing is the distribution and sharing of digital media using peer-to-peer (P2P) networking technology. P2P file sharing allows users to access media files such as books, music, movies, and games using a P2P software program that searches for other connected computers on a P2P network to locate the desired content. The nodes (peers) of such networks are end-user computers and distribution servers.
"Don't Download This Song" is the first single from "Weird Al" Yankovic's 12th studio album Straight Outta Lynwood. The song was released exclusively on August 21, 2006 as a digital download. It is a style parody of "We Are the World", "Voices That Care", "Hands Across America", "Heal the World" and other similar charity songs. The song "describes the perils of online music file-sharing" in a tongue-in-cheek manner. To further the sarcasm, the song was freely available for streaming and to legally download in DRM-free MPEG fileformat at Weird Al's Myspace page, a standalone website, as well as his YouTube channel.
Arts and media industry trade groups, such as the International Federation of the Phonographic Industry (IFPI) and Motion Picture Association of America (MPAA), strongly oppose and attempt to prevent copyright infringement through file sharing. The organizations particularly target the distribution of files via the Internet using peer-to-peer software. Efforts by trade groups to curb such infringement have been unsuccessful with chronic, widespread and rampant infringement continuing largely unabated.
File sharing is the practice of distributing or providing access to digital media, such as computer programs, multimedia, program files, documents or electronic books/magazines. It involves various legal aspects as it is often used to exchange data that is copyrighted or licensed.
Copyright infringement is the use of works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to produce derivative works. The copyright holder is usually the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement.
File sharing is the practice of distributing or providing access to digital media, such as computer programs, multimedia, documents or electronic books. Common methods of storage, transmission and dispersion include removable media, centralized servers on computer networks, Internet-based hyperlinked documents, and the use of distributed peer-to-peer networking.
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C.
In the first decade of the 21st century, the rise of digital media on the internet and computers as a central and primary means to record, distribute, store, and play music caused widespread economic changes in the music industry. The rise of digital media with high-speed internet access fundamentally changed the relationships between artists, record companies, promoters, retail music stores, the technology industry, and consumers. The rise of digital music consumption options contributed to several fundamental changes in consumption. One significant change in the music industry was the remarkable decline of conventional album sales on CD and vinyl. With the à la carte sales models increasing in popularity, consumers no longer downloaded entire albums but rather chose single songs.
Music piracy is the copying and distributing of recordings of a piece of music for which the rights owners did not give consent. In the contemporary legal environment, it is a form of copyright infringement, which may be either a civil wrong or a crime depending on jurisdiction. The late 20th and early 21st centuries saw much controversy over the ethics of redistributing media content, how much production and distribution companies in the media were losing, and the very scope of what ought to be considered piracy – and cases involving the piracy of music were among the most frequently discussed in the debate.
Arista Records LLC v. Lime Group LLC, 715 F. Supp. 2d 481, is a United States district court case in which the Southern District of New York held that Lime Group LLC, the defendant, induced copyright infringement with its peer-to-peer file sharing software, LimeWire. The court issued a permanent injunction to shut it down. The lawsuit is a part of a larger campaign against piracy by the Recording Industry Association of America (RIAA).
Metallica, et al. v. Napster, Inc. was a 2000 U.S. District Court for the Northern District of California case that focused on copyright infringement, racketeering, and unlawful use of digital audio interface devices. Metallica vs. Napster, Inc. was the first case that involved an artist suing a peer-to-peer file sharing ("P2P") software company.
The Center for Copyright Information (CCI) is an American organization focused on advocacy and initiatives in support of copyright law. The CCI aims to educate the public about copyright law; coordinates with copyright owners and Internet service providers (ISPs) about issues related to online copyright infringement; assists with the design, implementation, review, and promotion of an online infringement notification and mitigation system ; collects and disseminates online infringement data; and promotes lawful means of obtaining copyrighted works. The organization was created as a partnership between industry associations, including the Motion Picture Association of America, the Recording Industry Association of America, and five major American Internet service providers.