Ronnie Foster Live: Cookin' with Blue Note at Montreux | ||||
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Live album by | ||||
Released | 1974 | |||
Recorded | July 5, 1973 | |||
Venue | Montreux Jazz Festival, Montreux, Switzerland | |||
Genre | Jazz | |||
Label | Blue Note | |||
Producer | George Butler | |||
Ronnie Foster chronology | ||||
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Ronnie Foster Live: Cookin' with Blue Note at Montreux is a live album by American jazz organist Ronnie Foster recorded at the Montreux Jazz Festival in 1973 and released on the Blue Note label. [1]
The Allmusic review awarded the album 3 stars. [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
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I, Eye, Aye is a live album by jazz multi-instrumentalist Rahsaan Roland Kirk featuring performances by Kirk recorded at the Montreux Jazz Festival in 1972 with Ron Burton, Henry "Pete" Pearson, Robert Shy and Joe Habao Texidor first released on the Rhino label in 1996 on CD and on VHS under the title "The One Man Twins."
Wonderland is an album by jazz saxophonist Stanley Turrentine, his second recorded for the Blue Note label following his return to the label in 1984, featuring four performances of tunes associated with Stevie Wonder by Turrentine with Don Grusin, Ronnie Foster, Mike Miller, Abe Laboriel, Harvey Mason, and Paulinho Da Costa with guest appearances by Wonder and Eddie del Barrio.
Montreux III is a live album by jazz pianist Bill Evans with bassist Eddie Gómez, recorded at the Montreux Jazz Festival in Switzerland in 1975 and released on the Fantasy label. The album was the third of Evans' Montreux concert recordings to be released, following Montreux II (1970) and the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968).
Alive! is an album by American jazz guitarist Grant Green featuring a performance recorded at the Cliche Lounge in Newark, New Jersey in 1970 and released on the Blue Note label. The album was Green's first official live recording. The CD reissue in 1993 added three bonus tracks.
Live at Club Mozambique is a live album by American jazz guitarist Grant Green featuring performances recorded at the Club Mozambique in Detroit on January 6 and 7, 1971, but not released on the Blue Note label until 2006.
Live at Montreux is an album by American jazz pianist Andrew Hill, a live album of a solo performance recorded at the Montreux Jazz Festival in 1975 and released on the Freedom label. The album features three of Hill's original compositions and one interpretation of a Duke Ellington tune.
Bobby Hutcherson Live at Montreux is a live album by American jazz vibraphonist Bobby Hutcherson recorded at the Montreux Jazz Festival in 1973 and released on the Blue Note label in Japan and Europe only. The album was rereleased on CD with one additional performance from the concert.
Marlena Shaw Live at Montreux is a live album by American vocalist Marlena Shaw recorded at the Montreux Jazz Festival in 1973 and released on the Blue Note label. Shaw's introduction to the track "Woman of the Ghetto" was sampled for St. Germain's album Tourist (2000), Blue Boy's "Remember Me" (1996), Ghostface Killah's song "Ghetto" (2010), and Spanish hip hop group Violadores del Verso in their song "Balantains".
On the Avenue is the third studio album by American organist Ronnie Foster recorded in 1974 and released on the Blue Note label.
Cheshire Cat is the fourth studio album by American organist Ronnie Foster recorded in 1975 and released on the Blue Note label.
Friends & Strangers is the third album by American saxophonist Ronnie Laws recorded in 1976-1977 and released on the Blue Note label. The album was certified Gold by the RIAA for sales of over 500,000 copies.
At the Jazz Corner of the World is a critically-acclaimed two-volume live album by American jazz drummer Art Blakey and The Jazz Messengers, released in 1959 on the Blue Note label. The album was originally issued on 12-inch LPs in two volumes and later re-released as a two-CD double album.
Freeflight is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at the Montreux Jazz Festival in 1971 for the Impulse! label. Additional performances from this concert were released as Outertimeinnerspace in 1972. It was also the first album to have Jamal play electric piano. The Rhodes Piano was given to him by somebody living in Switzerland, and Jamal said he would continue to play the instrument in the future as well as his standard acoustic piano.
Outertimeinnerspace is a live album by American jazz pianist Ahmad Jamal featuring performances recorded at the Montreux Jazz Festival in 1971 for the Impulse! label. Additional performances from this concert were released as Freeflight in 1971.
Live...Again: Live at Montreux is a live album by American jazz pianist Don Pullen and the African-Brazilian Connection recorded in 1993 at the Montreux Jazz Festival for the Blue Note label.
The Milt Jackson Big 4 is a live album by vibraphonist Milt Jackson featuring pianist Oscar Peterson recorded at the Montreux Jazz Festival in 1975 and released on the Pablo label.
Two Headed Freap is the debut album by American organist Ronnie Foster, recorded in 1972 and released on the Blue Note label.