Rosaura at 10 O'Clock

Last updated
Rosaura at 10 O'Clock
Rosaura at 10 O'Clock.jpg
Theatrical release poster
Directed by Mario Soffici
Written byJacoba Tracero
Based on Rosa at Ten O'Clock by Marco Denevi
Produced byCarmelo Vecchione
Starring Juan Verdaguer
Narrated byMerche Platono
Cinematography Aníbal González Paz
Distributed by Argentina Sono Film S.A.C.I
Release date
  • 6 March 1958 (1958-03-06)
Running time
100 minutes
Country Argentina
LanguageSpanish

Rosaura at 10 O'Clock (Spanish : Rosaura a las diez) is a 1958 Argentine crime drama mystery film directed by Mario Soffici and starring Juan Verdaguer and Susana Campos. It was entered into the 1958 Cannes Film Festival. [1] It is based on a 1955 novel of the same name written by Marco Denevi.

Contents

It was selected as the fourth greatest Argentine film of all time in a poll conducted by the Museo del Cine Pablo Ducrós Hicken in 2000. [2] In a new version of the survey organized in 2022 by the specialized magazines La vida util, Taipei and La tierra quema, presented at the Mar del Plata International Film Festival, the film reached the 21 position. [3]

Plot

The story begins at La Madrileña, a boardinghouse in Buenos Aires. The owner, Mrs. Milagros, lives there with her three daughters along with Camilo Canegato, a shy, short-statured, middle-aged, painter and portrait restorer; David Réguel, a law school student; and several others.

After residing at the house for 12 years, Camilo begins to receive perfumed, love letters from a woman named Rosaura with the 10pm mail. Also, he has a painting of the young and beautiful Rosaura hidden in his room. Mrs. Milagros and her daughters read the passionate letters without Camilo's knowledge and later discover the painting. They are astonished that such a young beauty could fall in love with the shy painter. They also learn of Rosaura's life with her aunt and wealthy, domineering father who is forcing her to marry a man she doesn't love.

One evening, Rosaura unexpectedly arrives at the house asking for Camilo. Mrs. Milagros immediately recognizes her from the painting and enthusiastically welcomes her. Camilo, however, is shocked beyond words to see her and treats her coldly. Mrs. Milagros invites her to live in the house free of charge but David suspects something ugly between Camilo and Rosaura after getting to know her. Despite this, Rosaura stays and she and Camilo soon marry.

Tragedy strikes when Rosaura is found dead in the hotel room where she and Camilo spend their first night as a married couple. David, who followed the couple in a cab, discovers Rosaura's body and races back to the house to announce that Camilo has killed her. The police investigate by questioning the boarders and by reading an unmailed letter written by Rosaura to her aunt.

They discover Rosaura's name was really Maria, a young woman Camilo met several years ago who was the niece of his laundry lady. Maria's aunt gave a picture of her to Camilo and he quickly became enamored. Seeing this, Maria's aunt encouraged her to offer Camilo sex for money which he readily agreed to. The final time Camilo sought Maria for her services her aunt said she had died but in reality she had been sentenced to prison for an unspecified crime.

After five years in jail, Maria appeared at the door of an old girlfriend's apartment and asked to live with her. She agreed but soon discovered her friend was part of a prostitution ring and was working for a man named the Turk. Later, two pimps who worked for the Turk tried to force Maria into prostitution. She refused and received a beating from one of them because of it. The group tried to hold her prisoner in the apartment but Maria escaped the next morning by picking the lock to the apartment's door. She then went to La Madrileña looking for Camilo, not out of love, but to ask him for money so she could travel back to her province to be with her aunt.

After questioning Camilo, police discover the love letters were written by Camilo himself to impress Matilde, the adult daughter of Mrs. Milagros, for whom he had romantic feelings. Also, Camilo's photo of Maria served as the model for the painting of the fictional Rosaura. Maria's arrival at the boarding house and the love letters were mere coincidence.

Camilo also says, on their wedding night Maria taunted him and reminded him that he will have to pay her alimony if he divorces her. Enraged, Camilo began to strangle her but couldn't bring himself to kill her. He then ran out of the hotel and into the street in a daze to find David waiting outside. David had followed the couple out of fear for Maria's safety.

Coincidentally, the hotel that Camilo and Maria checked into was owned by the Turk, whom Maria had never met, and it was the Turk who checked them in.

The police conclude the Turk and/or his pimps killed Maria. With the investigation complete, the police arrest the Turk, the pimps and Maria's friend. Camilo is then cleared of suspicion.

Cast

Related Research Articles

<i>Outside the Law</i> (1937 film) 1937 film by Manuel Romero

Outside the Law is a 1937 Argentine thriller film directed and written by Manuel Romero. The film premiered on 12 May 1940 in the United States. The film starred José Gola, Luis Arata, Roberto Blanco, and Irma Córdoba

<i>The Phantom Lady</i> (film) 1945 Argentine film

The Phantom Lady is a 1945 Argentine film directed by Luis Saslavsky. At the 1946 Argentine Film Critics Association Awards the film won Silver Condor Awards for Best Film, Best Director, Best Adapted Screenplay and Best Music. It is based on a seventeenth-century comedy with the same name by Pedro Calderón de la Barca, translated as The Phantom Lady. However, the film alters the play considerably - the plot is heavily rewritten, and the style of dialogue is completely changed. Calderon's comedy is written in verse, while the screenplay of the film is in prose and contains scenes not found in the play. The final scene includes a fierce storm from which the hero rescues the heroine and declares his love for her, a scene added to the film.

<i>Los Isleros</i> 1951 Argentine film

Los isleros is a 1951 Argentine film directed by Lucas Demare. It was entered into the 1951 Cannes Film Festival. It won the Silver Condor Award for Best Film.

<i>The House of the Angel</i> 1957 Argentine film

The House of the Angel is a 1957 Argentine drama film directed by Leopoldo Torre Nilsson based the novel of the same name by his wife Beatriz Guido, who also co-wrote the screenplay.

La caída is a 1959 Argentine drama film directed by Leopoldo Torre Nilsson. It won the Silver Condor Award for Best Film was entered into the 9th Berlin International Film Festival.

<i>The Hand in the Trap</i> 1961 Argentine film

The Hand in the Trap is a 1961 Argentine film directed by Leopoldo Torre Nilsson and starring Francisco Rabal, Elsa Daniel and Leonardo Favio. It was entered into the 1961 Cannes Film Festival, where it won the FIPRESCI Prize.

<i>Chronicle of a Boy Alone</i> 1965 film

Chronicle of a Boy Alone, also known as Chronicle of a Lonely Child, is a 1965 Argentine film directed by Leonardo Favio. It won the Silver Condor Award for Best Film.

<i>El romance del Aniceto y la Francisca</i> 1967 film directed and written by Leonardo Favio

Este es el romance del Aniceto y la Francisca, de cómo quedó trunco, comenzó la tristeza y unas pocas cosas más…, or simply El Romance del Aniceto y la Francisca, is a 1967 Argentine romantic drama film directed and written by Leonardo Favio, based on the short story El cenizo by Jorge Zuhair Jury, Favio's older brother. The film stars Federico Luppi, Elsa Daniel, María Vaner and Edgardo Suárez.

Brief Heaven is a 1969 Argentine film directed by David José Kohon. It was entered into the 6th Moscow International Film Festival where Ana María Picchio won the award for Best Actress.

<i>Gatica, el mono</i> 1993 film by Leonardo Favio

Gatica, el mono is a 1993 Argentine drama film directed by Leonardo Favio. It is a biopic of Argentine boxer José María Gatica.
It won the Silver Condor for Best Film. It was selected as the Argentine entry for the Best Foreign Language Film at the 66th Academy Awards, but Leonardo Favio asked the Instituto Nacional de Cinematografía (INC) to remove it as a nominee in order to protest in delays of the Congress' approval of the Foreign Films taxes.

<i>The Truce</i> (1974 film) 1974 film

The Truce is a 1974 Argentine romantic drama film directed by Sergio Renán and based on the 1960 novel of the same name by Mario Benedetti. It was the first Argentine film to be nominated for an Academy Award.

Sur (South) is a 1988 Argentine drama film written and directed by Fernando E. Solanas. The film features Susú Pecoraro, Miguel Ángel Solá, Philippe Léotard, Lito Cruz, Ulises Dumont among others.

<i>Los inundados</i> 1961 Argentine film

Los inundados is a 1961 Argentine comedy film directed by Fernando Birri.

Man on Pink Corner is a 1962 Argentine film directed by René Múgica, based on the story by Jorge Luis Borges. It was shown at the Cannes and San Sebastián film festivals.

<i>Juan Moreira</i> (1973 film) 1973 Argentine film

Juan Moreira is a 1973 Argentine dramatic historical film directed by Leonardo Favio and starring Rodolfo Bebán. It is based on the homonymous novel by Eduardo Gutiérrez, which narrates the life of the famous Argentine outlaw, gaucho and folk hero Juan Moreira.

<i>Tangos, the Exile of Gardel</i> 1985 film

Tangos, the Exile of Gardel is an Argentine-French film released on 20 March 1986, directed by Fernando Solanas, starring Marie Laforêt, Miguel Ángel Solá and Philippe Leotard. The film was selected as the Argentine entry for the Best Foreign Language Film at the 59th Academy Awards, but was not accepted as a nominee.

<i>Malambo</i> (1942 film) 1942 Argentine film

Malambo is a 1942 Argentine drama film directed by Alberto de Zavalía and starring Delia Garcés and Oscar Valicelli. At the 1943 Argentine Film Critics Association Awards, screenwriter Hugo Mac Dougall won the Silver Condor Award for Best Original Screenplay for his work on the film.

<i>La fuga</i> (1937 film) 1937 film

La fuga is a 1937 Argentine drama film directed by Luis Saslavsky and starring Santiago Arrieta.

<i>Rosa at Ten OClock</i>

Rosaura at Ten O'Clock is a 1955 Argentine novel written by Marco Denevi. It was the author's first novel and was translated into several languages, as well adapted for theater, cinema and television. With this work, Denevi began a recognized literary career in the national and international arena. In 1964, it was translated into English as Rosa at Ten O'Clock.

<span class="mw-page-title-main">The 100 Greatest Films of Argentine Cinema</span> List of the greatest films of Argentine cinema

The 100 Greatest Films of Argentine Cinema, also known as the Survey of Argentine cinema, are a series of opinion polls carried out to establish a list of the greatest films of Argentine cinema of all time. The original survey was carried out by the Museo del Cine Pablo Ducrós Hicken in the years 1977, 1984, 1991 and 2000. In 2022, a new edition was held, organized by the film magazines La vida útil, Taipei and La tierra quema, with support from INCAA, the Mar del Plata International Film Festival, the FestiFreak International Film Festival of La Plata, the Casa de la Cultura of General Roca and the Museo del Cine Pablo Ducrós Hicken.

References

  1. "Festival de Cannes: Rosaura at 10 O'Clock". festival-cannes.com. Retrieved 2009-02-13.
  2. "Las 100 mejores del periodo 1933-1999 del Cine Argentino". La mirada cautiva (3). Buenos Aires: Museo del Cine Pablo Ducrós Hicken: 6–14. 2000. Archived from the original on 21 November 2022. Retrieved 21 November 2022 via Encuesta de cine argentino 2022 on Google Drive.
  3. "Top 100" (in Spanish). Encuesta de cine argentino 2022. 11 November 2022. Retrieved 13 November 2022.