Prisoners of the Earth | |
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Prisioneros de la tierra | |
Directed by | Mario Soffici |
Written by | Ulyses Petit de Murat Darío Quiroga |
Based on | "Una bofetada", "Un peón" and "Los destiladores de naranjas" by Horacio Quiroga |
Starring | Francisco Petrone Ángel Magaña |
Cinematography | Pablo Tabernero |
Edited by | José de Nico Gerardo Rinaldi |
Music by | Lucio Demare |
Production company | |
Distributed by | Argentina Sono Film |
Release date |
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Running time | 85 minutes |
Country | Argentina |
Languages | Spanish Guaraní |
Prisoners of the Earth, also known as Prisoners of the Land, [1] (Spanish: Prisioneros de la tierra) is a 1939 Argentine drama film directed by Mario Soffici. The film premiered in Buenos Aires. The film is often cited as one of the greatest in the history of Argentine cinema, and established Soffici as a "social" filmmaker. [2] It was awarded by the Municipality of Buenos Aires as the best film of the year, and the Silver Condor Award instituted by the Argentine Association of Film Critics.
It was selected as the greatest Argentine film of all time in the polls conducted by the Museo del Cine Pablo Ducrós Hicken in 1977 and 1984, while it ranked 6th in the 2000 edition. [3] In a new version of the survey organized in 2022 by the specialized magazines La vida util, Taipei and La tierra quema, presented at the Mar del Plata International Film Festival, the film reached the 19th position. [4]
In 2019, the Museo del Cine of Argentina, with the support of Martin Scorsese's The Film Foundation and the laboratory of the Cineteca di Bologna, restored "Prisoners of the Land" from two 35mm prints of the film found both in Paris at the Cinémathèque Française and in Prague at the Czech Film Archive. The discovery of this two prints was crucial, due to the lack of a national cinematheque and protective cultural politics the original argentine negative was lost during the last century, and the only copy left in the country was a degraded 16mm. Paula Felix-Didier, head of the Museo del Cine and principal responsibility of the restoration, said about the significance of this new copy: "This is a new possibility of seeing one of the fundamental films of the history of Argentine cinema again as it had been decades ago could not be seen, and once again having a deep heritage rescue to understand the history of Argentine cinema and its evolution". [5]
This 2019 restoration was first shown at the Il Cinema Ritrovato Festival in Bologna and later, in December, it was first screened in Argentina at the MALBA, in Buenos Aires. [6]
Hardly a Criminal is a 1949 Argentine crime drama directed by Hugo Fregonese. It was written by Raimundo Calcagno and Israel Chas de Cruz. The film started the director's Hollywood film directing career. It was re-released in theatres a few times during the 21st century.
Such Is Life is a 1939 Argentine melodrama film directed by Francisco Múgica and starring Enrique Muiño, Elías Alippi, Enrique Serrano and Sabina Olmos. Based on a successful play by Nicolás de las Llanderas and Arnaldo Malfatti, it focuses on the history of a bourgeois family from Buenos Aires from the beginning of the 20th century to the present.
North Wind is a 1937 Argentine film directed by Mario Soffici.
La vuelta al nido is a 1938 Argentine psychological drama film written and directed by Leopoldo Torres Ríos and starring José Gola and Amelia Bence.
Kilómetro 111 is a 1938 Argentine musical film drama directed by Mario Soffici. The film premiered in Buenos Aires.
Los isleros is a 1951 Argentine film directed by Lucas Demare. It was entered into the 1951 Cannes Film Festival. It won the Silver Condor Award for Best Film.
The House of the Angel is a 1957 Argentine drama film directed by Leopoldo Torre Nilsson based the novel of the same name by his wife Beatriz Guido, who also co-wrote the screenplay.
The Hand in the Trap is a 1961 Argentine film directed by Leopoldo Torre Nilsson and starring Francisco Rabal, Elsa Daniel and Leonardo Favio. It was entered into the 1961 Cannes Film Festival, where it won the FIPRESCI Prize.
Este es el romance del Aniceto y la Francisca, de cómo quedó trunco, comenzó la tristeza y unas pocas cosas más…, or simply El Romance del Aniceto y la Francisca, is a 1967 Argentine romantic drama film directed and written by Leonardo Favio, based on the short story El cenizo by Jorge Zuhair Jury, Favio's older brother. The film stars Federico Luppi, Elsa Daniel, María Vaner and Edgardo Suárez.
Brief Heaven is a 1969 Argentine film directed by David José Kohon. It was entered into the 6th Moscow International Film Festival where Ana María Picchio won the award for Best Actress.
Invasión is an Argentine film released in 1969 and directed by Hugo Santiago, who had also written the script together with Jorge Luis Borges and Adolfo Bioy Casares. Its style is intermediate between classic cinema and the French nouvelle vague.
Heartbreak Tango is a 1974 Argentine drama film, directed by Leopoldo Torre Nilsson.
Gatica, el mono is a 1993 Argentine drama film directed by Leonardo Favio. It is a biopic of Argentine boxer José María Gatica.
It won the Silver Condor for Best Film. The film was selected as the Argentine entry for the Best Foreign Language Film at the 66th Academy Awards, but Leonardo Favio asked the Instituto Nacional de Cinematografía (INC) to remove it as a nominee in order to protest in delays of the Congress' approval of the Foreign Films taxes.
Los inundados is a 1961 Argentine comedy film directed by Fernando Birri.
Juan Moreira is a 1973 Argentine dramatic historical film directed by Leonardo Favio and starring Rodolfo Bebán. It is based on the homonymous novel by Eduardo Gutiérrez, which narrates the life of the famous Argentine outlaw, gaucho and folk hero Juan Moreira.
Pajarito Gómez is a 1965 Argentine comedy film directed by Rodolfo Kuhn. It was entered into the 15th Berlin International Film Festival. It was also selected as the Argentine entry for the Best Foreign Language Film at the 38th Academy Awards, but was not accepted as a nominee. The film is a satire of the promotional machine behind the Argentine pop stars of the 1960s.
Tangos, the Exile of Gardel is an Argentine-French film released on 20 March 1986, directed by Fernando Solanas, starring Marie Laforêt, Miguel Ángel Solá and Philippe Leotard. The film was selected as the Argentine entry for the Best Foreign Language Film at the 59th Academy Awards, but was not accepted as a nominee.
La muerte camina en la lluvia is a 1948 Argentine suspense film directed by Carlos Hugo Christensen and based upon the novel L'assassin habite au 21 written by Stanislas-André Steeman. It was premiered on September 7, 1948.
Last Days of the Victim is a 1982 Argentine crime thriller film directed by Adolfo Aristarain and starring Federico Luppi. It was written by Aristarain and José Pablo Feinmann, and based on Feinmann's classic novel of the same name. The film was selected as the Argentine entry for the Best Foreign Language Film at the 55th Academy Awards, but was not accepted as a nominee.
The 100 Greatest Films of Argentine Cinema, also known as the Survey of Argentine cinema, are a series of opinion polls carried out to establish a list of the greatest films of Argentine cinema of all time. The original survey was carried out by the Museo del Cine Pablo Ducrós Hicken in the years 1977, 1984, 1991 and 2000. In 2022, a new edition was held, organized by the film magazines La vida útil, Taipei and La tierra quema, with support from INCAA, the Mar del Plata International Film Festival, the FestiFreak International Film Festival of La Plata, the Casa de la Cultura of General Roca and the Museo del Cine Pablo Ducrós Hicken.