History
Pampa Film was founded in January 1937 by Warner Bros. in partnership with the local entrepreneur Olegario Ferrando. The company used the Lumiton facilities at first, and Lumiton was to distribute its films. Later the link with Lumiton was severed.
Luis Saslavsky directed Sueño de Una Vide Nueva for Pampa Film, released in Argentina as La fuga by Warner Bros. on 28 July 1937 with music by César Gola. It was one of the hits of the year. Jorge Luis Borges praised the romantic comedy, saying it did not "suffer from fruitless images" but flowed "the way American films do." In La fuga Amelia Bence supported Tita Merello and Santiago Arrieta. Her performance earned Bence a contract at Pampa Film and three other film appearances.
On 17 August 1939 Pampa Film released Prisioneros de la tierra , directed by Mario Soffici and starring Ángel Magaña, Francisco Petrone, Eliza Gálvez, Raúl Lange, Homero Cárpena and Roberto Fugazot. The highly successful film, based on short stories by Horacio Quiroga, has become a classic. The Argentine film historian Domingo di Núbila has called the genre launched by this film "social folkloric". It inspired many later filmmakers in Argentina, although in the short term the industry did not take up the challenge.
Amelia Bence was an Argentine film actress and one of the divas of the Golden Age of Argentine Cinema (1940–60).
Mario Soffici was an Argentine film director, actor and screenwriter of the classic era.
Pierre Bruno Hugo Fontana, otherwise known as Hugo del Carril, was an Argentine film actor, film director and tango singer of the classic era.
Manuel Romeo was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several.
Aída Alberti was an Argentine film actress of the 1940s and 1950s.
The Gaucho War is a 1942 Silver Condor award-winning Argentine historical drama and epic film directed by Lucas Demare and starring Enrique Muiño, Francisco Petrone, Ángel Magaña, and Amelia Bence. The film's script, written by Homero Manzi and Ulyses Petit de Murat, is based on the novel by Leopoldo Lugones published in 1905. The film premiered in Buenos Aires on November 20, 1942 and is considered by critics of Argentine cinema to be one of the most successful films in history. It won three Silver Condor awards, including Best Film, Best Director, and Best Adapted Screenplay, given by the Argentine Film Critics Association at the 1943 Argentine Film Critics Association Awards for the best films and performances of the previous year.
Francisco Petrone was an Argentine film actor. He is best known for his roles in the 1940s in the classic film La Guerra Gaucha (1942) and A Real Man (1943), for which he won the Silver Condor Award for Best Actor at the 1944 Argentine Film Critics Association Awards.
Ángel Magaña was an Argentine film actor who appeared in some of Argentina's notable films of the 1930s, 1940s and 1950s.
The 1943 Argentine Film Critics Association Awards ceremony was held in Buenos Aires on 10 January 1943 to honour the best films and contributors to Argentine cinema in 1942. This was the first time the awards had been presented.
Ralph Pappier was an Argentine production designer, set decorator and film director.
Lumiton was a film production company founded in Argentina in 1932 at the start of the golden age of film in that country. Its lowbrow, populist films appealed to local audiences and were highly successful in Argentina and throughout Latin America. It was the main competitor to Argentina Sono Film in the 1940s. After World War II (1939–45) Lumiton faced increased government regulation, rising costs and loss of audiences to more sophisticated Hollywood productions. The company was forced to close in 1952.
The Englishman of the Bones is a 1940 Argentine drama film based on a novel of the same name.
Sebastián Chiola was an Argentine film actor. In 1945 he won the Silver Condor Award for Best Supporting Actor for his performance in the thriller The Corpse Breaks a Date (1944).
Amanda Varela was an Argentine actress who primarily worked during the Golden Age of Argentine Cinema, performing on stage and in films of Argentina and the US. She made 9 films in Argentina and 2 in the US and appeared on stage in numerous productions in both countries. Varela is usually credited with helping her sister, Mecha Ortiz, secure her first acting roles. In the 1950s, Varela retired from acting, moved to the United States, and became a matrimonial judge.
Paulina Singerman (1911–1984) was an Argentine actress who primarily worked during the Golden Age of Argentine Cinema, performing on both stage and in films. In the later part of her career, she spent a decade performing for television. She was the younger sister of actress Berta Singerman. In 1981, she was awarded both a Diploma of Merit and a Platinum Konex for her comedy work in film and theater.
Florencio Parravicini (1876–1941) was an Argentine actor who primarily worked during the Golden Age of Argentine Cinema, performing on both stage and in films. From an aristocratic family, he was a relative of the artist Benjamín Solari Parravicini (1898-1974). He began his career singing música criolla, a Latino folk genre of music that exists in many countries throughout Latin America. He appeared in more than three hundred theatrical works and films, becoming one of the leading figures of Argentine entertainment. Facing cancer, Parravicini committed suicide in 1941.
Roberto Fernández Beyró (1909–1991) was an Argentine journalist, restaurateur, and food critic who wrote a regular column in La Nación critiquing the lack of gastronomic traditions in Argentina. He was a member of several gourmet food clubs and wrote a cookbook of simple, traditional recipes.
Estudios San Miguel was an Argentine film studio that was active in the 1940s and early 1950s. It flourished during the golden age of Cinema of Argentina, and at its peak was one of the major studios in Buenos Aires. Genres ranged from musical comedy to costume drama and gaucho thriller. Films included La guerra gaucha, co-produced with Artistas Argentinos Asociados, and the comedy Juvenilia (1943), both of which won several major awards. Eva Duarte, soon to become the first lady of Argentina as Eva Perón, appeared in two of the studio's films in 1945. The studio became overextended financially and ceased production after 1952.
Raúl del Valle was a Chilean film and theatre actor who performed for most of his career in Argentina.
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