La Casta Susana | |
---|---|
Directed by | Benito Perojo |
Written by | Georg Okonkowski (libretto) Maurice Desvallières (play) Antony Mars (play) |
Produced by | Pampa Films |
Starring | Mirtha Legrand Juan Carlos Thorry Alberto Bello |
Cinematography | Pablo Tabernero |
Edited by | Kurt Land |
Music by | Jean Gilbert (operetta) |
Release date |
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Running time | 95 minutes |
Country | Argentina |
Language | Spanish |
La Casta Susana is a 1944 Argentine film of the classical era of Argentine cinema released on October 11 of that year. It is based on the operetta Die keusche Susanne .
María Susana Giménez Aubert, known as Susana Giménez, is an Argentine TV host, actress, model and businesswoman. In 2012, she was considered the biggest celebrity in Argentine television by the media firm that publishes her eponymous magazine.
Susana Natividad Rinaldi was born on December 25, 1935, in Buenos Aires, Argentina. She is an Argentine tango singer better known as "La Tana." Her recognition is notable in various films, television appearances, theatrical performances, and in the music industry.
Casta is a term which means "lineage" in Spanish and Portuguese and has historically been used as a racial and social identifier. In the context of the Spanish Empire in the Americas, the term also refers to a now-discredited 20th-century theoretical framework which postulated that colonial society operated under a hierarchical race-based "caste system". From the outset, colonial Spanish America resulted in widespread intermarriage: unions of Spaniards, indigenous people, and Africans. Basic mixed-race categories that appeared in official colonial documentation were mestizo, generally offspring of a Spaniard and an Indigenous person; and mulatto, offspring of a Spaniard and an African. A plethora of terms were used for people with mixed Spanish, Indigenous, and African ancestry in 18th-century casta paintings, but they are not known to have been widely used officially or unofficially in the Spanish Empire.
Die keusche Susanne is an operetta in three acts by Jean Gilbert. The German libretto was by Georg Okonkowski, based on the 1906 play Le fils à papa by Antony Mars and Maurice Desvallières. Jean Gilbert's son, Robert Gilbert prepared a revised version in 1953. The title alludes to the biblical story of Susanna and the Elders.
Kurt Landesberger was an Austrian born Argentine film director notable for his work during the classical era of Argentine cinema.
Luis César Amadori was an Italian-Argentine film director and screenwriter and one of the most influential directors in the cinema of Argentina of the classic era. He directed over 60 films between 1936 and 1967, writing the scripts to over 50 pictures.
Juan Carlos Thorry, born José Antonio Torrontegui, was an Argentine film actor, tango musician and director, notable for his work during the Golden Age of Argentine cinema.
Arm in Arm Down the Street is a 1966 Argentine and Spanish comedy-drama film directed by Enrique Carreras and starring Rodolfo Bebán, Evangelina Salazar and Susana Campos. It won the Silver Condor Award for Best Film, given by the Argentine Film Critics Association in 1967 for the best picture of the previous year.
Héctor Calcaño was an Argentine film actor. He appeared in nearly 70 films between 1933 and 1968. He died on 7 September 1969.
Benito Perojo González was a Spanish film director and film producer.
La verbena de la Paloma —subtitled El boticario y las chulapas y celos mal reprimidos— is an 1894 zarzuela with a libretto by Ricardo de la Vega and music by Tomás Bretón. It premiered on 17 February 1894 in Teatro Apolo, Madrid. It was later adapted for the cinema in 1921 by José Buchs, in 1935 as Paloma Fair by Benito Perojo and in 1963 as The Fair of the Dove by José Luis Sáenz de Heredia.
Events from the year 2013 in Argentina
Paloma Fair is a 1935 Spanish musical film directed by Benito Perojo and starring Miguel Ligero, Roberto Rey and Raquel Rodrigo. It is an adaptation of the 1894 Zarzuela La verbena de la Paloma and it is part of the tradition of Operetta films which was at its height during the 1930s. The film was made by Spain's largest studio of the era CIFESA, and was one of the most popular films made during the Second Spanish Republic.
Celia Geraldy was an Argentine vedette actress in film and theater. She was a femme fatale at the beginning of Argentina's golden decade of cinema.
María del Dulce Nombre Díaz Ruiz better known as Marujita Díaz was a Spanish singer and actress. She was born in Seville, Spain. Díaz was known for presenting the very popular show Música y estrellas. She also appeared in the films A Cuban in Spain (1951) and La pérgola de las flores (1965).
Pampa Film was an Argentine film production company that was active during the Golden Age of Argentine cinema in the 1930s and 1940s. It is known for its classic Prisioneros de la tierra (1939).
The Fair of the Dove is a 1963 Spanish musical comedy film directed by José Luis Sáenz de Heredia and starring Concha Velasco, Vicente Parra and Miguel Ligero. It is a remake of the film Paloma Fair.
Antony Mars was a French playwright
Ernest George Maurice Lefebvre-Desvallières was a 19th–20th-century French playwright.
The Santa Cruz Formation is a geological formation in the Magallanes/Austral Basin in southern Patagonia in Argentina and adjacent areas of Chile. It dates to the late Early Miocene epoch, and is contemporaneous with the eponymous Santacrucian age of the SALMA timescale. The Santa Cruz Formation is known for its abundance of vertebrate fossils, including South American native ungulates, as well as rodents, xenarthrans, and metatherians.