Adam and the Serpent is a 1946 Argentine film of the classical era of Argentine cinema, directed by Carlos Hugo Christensen and written by Aldo De Benedetti. The film starred Olga Casares Pearson, Alberto de Mendoza and Olga Zubarry.
The Notice of the Day is a 2001 Argentine comedy-drama film directed and written by María Victoria Menis with Diana Iceruk. The film, which premiered on 2 August 2001 in Buenos Aires, stars Enrique Pinti and Carmen Maura. Maura was nominated for a Silver Condor Award for Best Actress in 2002 for her role in the film.
Con la música en el alma is a 1951 Argentine musical film of the classical era of Argentine cinema, directed by Luis Bayón Herrera and written by Carlos A. Petit. The tango film stars Francisco Canaro and Olga Casares Pearson.
Atrapadas, released as Condemned to Hell, is a 1984 Argentine film written and directed by Aníbal Di Salvo and starring Leonor Benedetto, Betiana Blum, Mirta Busnelli and Juan Leyrado. The story is set in a women's prison.
Educating Niní is a 1940 Argentine comedy film of the Golden Age of Argentine cinema, directed and co-written by Luis César Amadori and starring Niní Marshall, Francisco Álvarez and Pablo Palitos. The film's sets were designed by the art director Raúl Soldi. The film is notable for marking the film debut of twin teen actresses Mirtha and Silvia Legrand.
Muchachas que estudian is a 1939 Argentine comedy film directed and written by Manuel Romero during the Golden Age of Argentine cinema. The film premiered on September 6, 1939, in Buenos Aires and starred Sofía Bozán, Enrique Serrano and Delia Garcés.
La Vendedora de fantasías is a 1950 Argentine crime comedy film directed by Daniel Tinayre during the classical era of Argentine cinema. It stars Mirtha Legrand and Alberto Closas.
María Aurelia Paula Martínez Suárez, known professionally as Silvia Legrand, was an Argentine actress of the Golden Age of Argentine cinema during the 1940s and 1950s. Her birth name was Rosa Aurelia Martínez Suárez. She was born in Villa Cañás, Santa Fe Province, Argentina. She debuted & co-starred with her twin sister Mirtha Legrand, in a number of films &television programs. She was the sister of director José A. Martínez Suárez. She starred in some 20 films between 1940 and 1972.
The Female: Seventy Times Seven is a 1962 Argentine drama film directed by Leopoldo Torre Nilsson starring Isabel Sarli. It was entered into the 1962 Cannes Film Festival.
24 Hours in the Life of a Woman is a 1944 Argentine drama film of the classical era of Argentine cinema, directed by Carlos F. Borcosque and starring Amelia Bence and Roberto Escalada. It is based on the 1927 novel Twenty-Four Hours in the Life of a Woman by the Austrian author Stefan Zweig. Mario Fezia won the Silver Condor Award for Best Sound for the film.
A Butterfly in the Night is a 1977 Argentine comedy-drama film directed by and starring Armando Bo alongside Isabel Sarli.
The Headless Woman is a 1947 Argentine comedy horror film of the classical era of Argentine cinema, directed by Luis César Amadori and starring Niní Marshall. It is a parody of the horror genre. The title alludes to the trick called "The Aztec Flower" that was used in shows, which makes the head of a woman appear separated from the body and located on a vase.
Casares is a surname. Notable people with the surname include:
Las seis suegras de Barba Azul is a 1945 black and white Argentine comedy film directed by Carlos Hugo Christensen during the classical era of Argentine cinema.
Mi novia es un fantasma is a 1944 Argentine romantic comedy film of the classical era of Argentine cinema, directed by Francisco Múgica and starring Mirtha Legrand, Pepe Iglesias, and Nuri Montsé. At the 1945 Argentine Film Critics Association Awards Iglesias won the Silver Condor Award for Best Actor in a Comic Role for his performance in the film.
The Intruder is a 1939 Argentine drama film of the Golden Age of Argentine cinema directed by Julio Saraceni and starring María Esther Buschiazzo, Héctor Calcaño and Olga Casares Pearson.
Aprendiendo a vivir is a Mexican telenovela produced by Humberto Navarro and directed by Rafael Banquells for Televisa in 1984. It starred Julio Alemán, Sonia Furió, Miguel Gómez Checa, Octavio Galindo and Tina Romero.
That's the Woman I Want is a 1950 Venezuelan-Argentine comedy film directed by Juan Carlos Thorry and starring Olga Zubarry, Francisco Álvarez, Héctor Monteverde and Amador Bendayán. It was Thorry's directorial debut, though he had gone to Venezuela to act, and was commercially successful. The film has been analyzed as part of Venezuelan film history, in particular by Central University of Venezuela academic María Gabriela Colmenares.
Our Natacha is a 1944 Argentine drama film of the classical era of Argentine cinema, directed by Julio Saraceni and starring Amelia Bence, Esteban Serrador and Malisa Zini. It is based on Alejandro Casona's play of the same title.
