The Museum of Contemporary Art Australia (MCA), formerly the Museum of Contemporary Art, Sydney, is located on George Street in The Rocks neighbourhood of Sydney. The museum is housed in the Stripped Classical/Art Deco-styled former Maritime Services Board (MSB) building on the western side of Circular Quay. A modern wing was added in 2012.
Artbank is an art rental program established in 1980 by the Australian Government. It supports contemporary Australian artists and encourages a wider appreciation of their work by buying artworks which it then rents to public and private sector clients.
Janet Laurence is an Australian artist, based in Sydney, who works in photography, sculpture, video and installation art. Her work is an expression of her concern about environment and ethics, her "ecological quest" as she produces art that allows the viewer to immerse themselves to strive for a deeper connection with the natural world. Her work has been included in major survey exhibitions, nationally and internationally and is regularly exhibited in Australia, Japan, Germany, Hong Kong and the UK. She has exhibited in galleries and outside in site-specific projects, often involving collaborations with architects, landscape architects and environmental scientists. Her work is held in all major Australian galleries as well as private collections in Australia and overseas.
Mike Parr is an Australian performance artist and printmaker. Parr's works have been exhibited in Australia and internationally, including in Brazil, Cuba, France, Germany, Hungary, Japan, Korea, Taiwan and the United States.
Peter Sebastian Graham is a contemporary Australian artist, painter, printmaker and sculptor. He was born in 1970 in Sydney, New South Wales. He moved with his family in 1983 to Melbourne, Victoria, where he currently lives and works.
Glenn Barkley is an Australian artist, independent curator and writer based in Sydney, Australia. As an artist he is represented by Sullivan+Strumpf, Sydney, Niagara Galleries, Melbourne and Mindy Solomon Gallery, Miami and his works are held in institutional collections such as the National Gallery of Australia, Canberra and Artbank.
Kate Beynon is an Australian contemporary artist based in Melbourne. She was the 2016 winner of the Geelong Contemporary Art Prize for the painting, Graveyard scene/the beauty and sadness of bones.
Raquel Ormella is an Australian artist focusing on multimedia works such as posters, banners, videography and needlework. Ormella’s work has been showcased in many exhibitions in galleries and museums, including the Shepparton Art Museum and the Art Gallery of New South Wales. Working in Sydney and Canberra, Ormella’s pieces are known to encompass themes of activism and social issues in many forms and has received praise.
Jess Johnson is a New York-based New Zealand contemporary artist who works in drawing, installation, animation, and virtual reality. Her drawings depict alternative realms while her collaborations with Simon Ward and Andrew Clarke adapt the world of her drawings into video animations and virtual reality.
Claire Field is an Australian artist and curator.
Mikala Dwyer is an Australian artist born in 1959 in Sydney. She is a contemporary sculptor who was shortlisted with fellow artist Justene Williams to represent Australia at the 2019 Venice Biennale.
Barbara Cleveland is an Australian contemporary performance art collective who primarily work on Gadigal land in Sydney, Australia. Barbara Cleveland's works examine the histories of visual and performing arts and are informed by queer and feminist theories.
Lauren Brincat is an Australian contemporary artist.
Louise Weaver is a contemporary Australian artist working in an array of media including sculptural installations, paintings, drawings, printmaking, collage, textiles, movement and sound. She is best known for her installation and sculptures of animals. Weaver's works have been exhibited in Australia and New Zealand and are featured in major collections both nationally and internationally.
Kerrie Poliness is a contemporary Australian artist, known for her rule-based painting and drawing works that revisit the ideas and practices of conceptual art.
Sanné Mestrom is an Australian experimental and conceptual artist who works mainly in the mediums of installation and sculpture. Mestrom has a research-based practice and incorporates notions of "play" into social aspects of urban design. Since 2011, Mestrom has remade and reinterpreted motifs from the twentieth century modernist art canon. She has earned many grants and has been commissioned to execute public art, sculptures in situ. She has studied in Korea and Mexico, and is a senior lecturer at Sydney College of Art.
Jan Nelson is an Australian artist who works in sculpture, photography and painting. She is best known for her hyper real images of adolescents. She has exhibited widely in Australia as well as Paris and Brazil. Her works are in the collections of Australian galleries including the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales, Museum of Contemporary Art, Sydney and the Gallery of Modern Art Brisbane, as well as major regional galleries. She represented Australia in the XXV biennale in São Paulo, Brazil.
Hoda Afshar is an Iranian documentary photographer who is based in Melbourne. She is known for her 2018 prize-winning portrait of Kurdish-Iranian refugee Behrouz Boochani, who suffered a long imprisonment in the Manus Island detention centre run by the Australian government. Her work has been featured in many exhibitions and is held in many permanent collections across Australia.
Judith Wright in Meanjin (Brisbane) is a multidisciplinary artist whose practice spans installation, video, sculpture, painting, drawing, printmaking and assemblage.
Justine Varga is an artist based in Sydney, Australia, and Oxford, United Kingdom. She is known for her interrogation of the photographic medium. Varga's approach is exemplified by her award-winning portrait Maternal Line, one of several awards the artist has received for her photography.
