The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
The Melbourne Museum is a natural and cultural history museum located in the Carlton Gardens in Melbourne, Australia.
Federation Square is a venue for arts, culture and public events on the edge of the Melbourne central business district. It covers an area of 3.2 ha at the intersection of Flinders and Swanston Streets built above busy railway lines and across the road from Flinders Street station. It incorporates major cultural institutions such as the Ian Potter Centre, Australian Centre for the Moving Image (ACMI) and the Koorie Heritage Trust as well as cafes and bars in a series of buildings centred around a large paved square, and a glass walled atrium.
State Library Victoria (SLV) is the state library of Victoria, Australia. Located in Melbourne, it was established in 1854 as the Melbourne Public Library, making it Australia's oldest public library and one of the first free libraries in the world. It is also Australia's busiest library and, as of 2018, the world's fourth-most-visited library.
Fender Katsalidis (FK) is an architecture firm which originated in Melbourne, Victoria, Australia, and now has additional studios in Sydney and Brisbane. Founded by Karl Fender and Nonda Katsalidis, the firm has been notable since the early 1990s, producing many landmark buildings in Melbourne and other Australian cities. The firm has previously been known as Nation Fender, then Nation Fender Katsalidis and later Fender Katsalidis.
Nonda Katsalidis is a Greek-Australian architect. He is currently a practising director of architecture firm Fender Katsalidis Architects in partnership with Karl Fender.
ACMI, formerly the Australian Centre for the Moving Image, is Australia's national museum of screen culture including film, television, videogames, digital culture and art. ACMI was established in 2002 and is based at Federation Square in Melbourne, Victoria.
The Ian Potter Centre: NGV Australia is an art gallery that houses the Australian part of the art collection of the National Gallery of Victoria (NGV).
John Wardle is a Melbourne-based architect. He graduated from the Royal Melbourne Institute of Technology with a degree in Architecture.
Sam Leach is an Australian contemporary artist. He was born in Adelaide, South Australia. Leach worked for many years in the Australian Tax Office after completion of a degree in Economics. He also completed a Diploma of Art, Bachelor of Fine Art degree and a Master of Fine Art degree at RMIT in Melbourne, Victoria. Leach currently resides in Melbourne. Leach's work has been exhibited in several museum shows including "Optimism" at the Queensland Art Gallery and "Neo Goth" at the University of Queensland Art Museum in 2008, in 2009 "the Shilo Project" at the Ian Potter Museum of Art and "Horror Come Darkness" at the Macquarie University Art Gallery and "Still" at Hawkesbury Regional Gallery in 2010. His work is held in public collections of regional galleries of Geelong, Gold Coast, Coffs Harbour, Newcastle and Gippsland and the collections of La Trobe University and the University of Queensland.
Bendigo Art Gallery is an Australian art gallery located in Bendigo, Victoria. It is one of the oldest and largest regional art galleries.
The Basil Sellers Art Prize is a long-term project, with biennial awards. The exhibit tours by collaboration of the Ian Potter Museum of Art, the University of Melbourne, and NETS Victoria. It is aimed at changing Australian's perception and enjoyment of art and sport.
The Monash University Museum of Art (MUMA), formerly the Monash University Gallery, is a contemporary art museum on Monash University's Caulfield campus on Dandenong Road, Melbourne, Australia.
Ian Broun Sprague (1920–1994) was an Australian twentieth-century studio potter, ceramic sculptor and graphic artist. Delayed by the Second World War and a false start in architecture, he spent (broadly) his forties adapting Australian domestic pottery to a Japanese aesthetic of contemplative use; his fifties as a sculptor in two- and three-dimensional pottery; his sixties and seventies making landscape works on paper.
Arts Project Australia Inc. is a registered charity and non-profit organisation located in Northcote, an inner northern area of Melbourne, Victoria, Australia. The organisation provides facilitation/mentoring, studio and exhibition spaces for artists with intellectual disabilities, and as such has been identified as a major centre for the promotion and exhibition of outsider art, or art that has been produced outside of the contemporary and historical mainstream. In 2016 there were approximately 130 artists attending the studio, with the work of exhibiting artists featuring alongside works from the broader contemporary art community in the annual rotating exhibition program.
Kate Beynon is an Australian contemporary artist based in Melbourne. She was the 2016 winner of the Geelong Contemporary Art Prize for the painting, Graveyard scene/the beauty and sadness of bones.
The Museum of Modern Art Australia (MOMAA), alternatively named the 'Museum of Modern Art of Australia,' or, according to McCulloch, the 'Museum of Modern Art and Design' (MOMAD), was founded by Australian art patron John Reed in 1958 in Tavistock Place, a lane-way off 376 Flinders Street, Melbourne, launched previously with a survey of Modernist Victorian women artists on 1 June 1956, organised by the Reeds who had taken on the then named Gallery of Contemporary Art. It held exhibitions of important contemporary Australian and international art of the late 1950s and early 1960s. The Museum operated until 1966 and was formally dissolved in 1981.
The Field was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, Melbourne. Launched by the director of London’s Tate gallery, Norman Reid, before an audience of 1,000 invitees, it was held between held 21 August and 28 September 1968. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentation, between silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nested in a basalt rectangular box amongst the other buildings of the new Arts Centre, each based on a geometric solid. Echoing emerging international stylistic tendencies of the time, The Field sparked immediate controversy and launched the careers of a new generation of Australian artists.
Heather B. Swann is an Australian contemporary artist known for her expressive surrealist sculptural objects, often combined with installation, performance and drawings. Her work draws on artisanal traditions, carving, modelling and tailoring materials to stretch, twist and manipulate her creaturely forms that are at once whimsical and darkly ambiguous. She has received numerous recognition for her work, and her pieces are held in prominent collections, including the National Gallery of Australia, Dubbo Regional Gallery and the Ian Potter Museum of Art.
" My work is a way of holding on to the world. My sculptures and drawings are figurative and modernist in expression, with curved forms, an insistent use of black and a marked surrealist accent."
