The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
The Melbourne Museum is a natural and cultural history museum located in the Carlton Gardens in Melbourne, Australia.
State Library Victoria (SLV) is the state library of Victoria, Australia. Located in Melbourne, it was established in 1854 as the Melbourne Public Library, making it Australia's oldest public library and one of the first free libraries in the world. It is also Australia's busiest public library and, as of 2023, the third busiest library globally.
Fender Katsalidis (FK) is an architecture firm which originated in Melbourne, Victoria, Australia, and now has additional studios in Sydney and Brisbane. Founded by Karl Fender and Nonda Katsalidis, the firm has been notable since the early 1990s, producing many landmark buildings in Melbourne and other Australian cities. The firm has previously been known as Nation Fender, then Nation Fender Katsalidis and later Fender Katsalidis.
Nonda Katsalidis is a Greek-Australian architect. He is currently a practising director of architecture firm Fender Katsalidis Architects in partnership with Karl Fender.
The Ian Potter Centre: NGV Australia is an art gallery that houses the Australian part of the art collection of the National Gallery of Victoria (NGV).
John Wardle is a Melbourne-based architect. He graduated from the Royal Melbourne Institute of Technology with a degree in Architecture.
Violet Helen Evangeline Teague was an Australian artist, noted for her painting and printmaking.
Bendigo Art Gallery is an Australian art gallery located in Bendigo, Victoria. It is one of the oldest and largest regional art galleries.
The Lyon Housemuseum is a hybrid residence and contemporary art museum located on Cotham Road, Kew, a suburb of Melbourne, Australia. The Housemuseum displays the Lyon Collection of Australian contemporary art in a purpose designed building.
The Monash University Museum of Art (MUMA), formerly the Monash University Gallery, is a contemporary art museum on Monash University's Caulfield campus on Dandenong Road, Melbourne, Australia.
The Argus Centre is a postmodernist highrise office building situated on the corner of La Trobe and Elizabeth streets, Melbourne. It was designed by architect Nonda Katsalidis whilst he was a director of AXIA Pty Ltd for client Ryssal Three. The building was constructed between 1991 and 1993 with a contract value of AUS $64 million. The current value of the building is $173.9 million.
Ian Broun Sprague (1920–1994) was an Australian twentieth-century studio potter, ceramic sculptor and graphic artist. Delayed by the Second World War and a false start in architecture, he spent (broadly) his forties adapting Australian domestic pottery to a Japanese aesthetic of contemplative use; his fifties as a sculptor in two- and three-dimensional pottery; his sixties and seventies making landscape works on paper.
Arts Project Australia Inc. is a registered charity and non-profit organisation located in Northcote, an inner northern area of Melbourne, Victoria, Australia. The organisation provides facilitation/mentoring, studio and exhibition spaces for artists with intellectual disabilities, and as such has been identified as a major centre for the promotion and exhibition of outsider art, or art that has been produced outside of the contemporary and historical mainstream. In 2016 there were approximately 130 artists attending the studio, with the work of exhibiting artists featuring alongside works from the broader contemporary art community in the annual rotating exhibition program.
The Dimity Reed Melbourne Prize is an Australian architectural award. It is awarded annually at the Victorian Architecture Awards by a jury appointed by the Victoria Chapter of the Australian Institute of Architects to architectural projects that have made a significant contribution to the public life of Melbourne, Australia. It was first awarded in 1997 to Six Degrees Architects for the small bar Meyers Place.
MPavilion is a temporary pavilion in Queen Victoria Gardens, Melbourne, erected annually since 2014. The event is sponsored by philanthropist Naomi Milgrom. Initially the project was planned for four years, but later it was extended by another two, until 2019, and then another three years to 2023. No pavilion was constructed in 2020 due to the Covid19 pandemic. The pavilions are used for various art events, after which each pavilion is gifted to the city or institution and moved to a permanent location.
STH BNK by Beulah, previously and still commonly referred to as Green Spine, is a dual skyscraper development proposed for Melbourne’s Southbank precinct by Beulah International, and designed by architectural firms UNStudio and Cox Architecture. The site currently hosts a BMW dealership.
Emily Floyd is an Australian artist working in public art, sculpture and print making. Her family were toy makers in traditional European styles — carefully crafted of wood. She learned the skills and use of machinery, which are reflected and used in many of her sculptural works. She has been commissioned to produce multiple public art sculptures in Melbourne and Sydney, Australia.
The Museum of Modern Art Australia (MOMAA), alternatively named the 'Museum of Modern Art of Australia,' or, according to McCulloch, the 'Museum of Modern Art and Design' (MOMAD), was founded by Australian art patron John Reed in 1958 in Tavistock Place, a lane-way off 376 Flinders Street, Melbourne, launched previously with a survey of Modernist Victorian women artists on 1 June 1956, organised by the Reeds who had taken on the then named Gallery of Contemporary Art. It held exhibitions of important contemporary Australian and international art of the late 1950s and early 1960s. The Museum operated until 1966 and was formally dissolved in 1981.
The Field was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, Melbourne. Launched by the director of London’s Tate gallery, Norman Reid, before an audience of 1,000 invitees, it was held between held 21 August and 28 September 1968. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentation, between silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nested in a basalt rectangular box amongst the other buildings of the new Arts Centre, each based on a geometric solid. Echoing emerging international stylistic tendencies of the time, The Field sparked immediate controversy and launched the careers of a new generation of Australian artists.
