The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
Federation Square is a venue for arts, culture and public events on the edge of the Melbourne central business district. It covers an area of 3.2 ha at the intersection of Flinders and Swanston Streets built above busy railway lines and across the road from Flinders Street station. It incorporates major cultural institutions such as the Ian Potter Centre, Australian Centre for the Moving Image (ACMI) and the Koorie Heritage Trust as well as cafes and bars in a series of buildings centred around a large paved square, and a glass walled atrium.
State Library Victoria (SLV) is the state library of Victoria, Australia. Located in Melbourne, it was established in 1854 as the Melbourne Public Library, making it Australia's oldest public library and one of the first free libraries in the world. It is also Australia's busiest library and, as of 2018, the world's fourth-most-visited library.
The Joseph Brown Collection comprises works of art donated to the National Gallery of Victoria in 2004 by the collector and art dealer Joseph Brown. The collection is displayed in the Ian Potter Centre, part of the NGV. More than 150 works are on display at the centre.
Deborah Halpern is an Australian sculptor, mosaic artist and ceramic artist, notable for her public artworks in Melbourne.
The Bar is a 1954 painting by Australian artist John Brack. The subject of the painting directly references Édouard Manet's 1882 work A Bar at the Folies-Bergère. It depicts a barmaid working in an Australian pub at the time of the "six o'clock swill". As in Manet's work, the patrons of the bar are shown in a reflection behind the barmaid. The work is considered a companion piece to Brack's 1955 work Collins St., 5 pm.
Janet Laurence is an Australian artist, based in Sydney, who works in photography, sculpture, video and installation art. Her work is an expression of her concern about environment and ethics, her "ecological quest" as she produces art that allows the viewer to immerse themselves to strive for a deeper connection with the natural world. Her work has been included in major survey exhibitions, nationally and internationally and is regularly exhibited in Australia, Japan, Germany, Hong Kong and the UK. She has exhibited in galleries and outside in site-specific projects, often involving collaborations with architects, landscape architects and environmental scientists. Her work is held in all major Australian galleries as well as private collections in Australia and overseas.
Bates Smart is an architectural firm with studios in Melbourne and Sydney, Australia. Founded in 1853 by Joseph Reed, it is known as one of Australia's oldest architectural firms. Over the decades, the firm's multidisciplinary practices involving architecture, interior design, urban design, strategy, sustainability and research, have been responsible for some of Australia’s most well-known and loved buildings.
LAB Architecture Studio was a firm of architects and urban designers based in Melbourne, Australia with international offices in London and Shanghai.
Gareth Sansom is an Australian artist, painter, printmaker and collagist and winner of the 2008 John McCaughey Memorial Prize of $100,000.
The Melbourne Arts Precinct is home to a series of galleries, performing arts venues and spaces located in the Southbank district of Melbourne, Victoria, in Australia. It includes such publicly-funded venues as Arts Centre Melbourne, National Gallery of Victoria, and Southbank Theatre, along with various offices and training institutions of arts organisations.
Collins St., 5 pm is a 1955 painting by Australian artist John Brack. The painting depicts office workers walking along busy Collins Street in Melbourne after finishing work for the day—"Blank-faced office workers hurry by like sleep-walkers, thinking only of the pubs or their homes in the suburbs". Brack conceived the work after reading T. S. Eliot's 1922 poem The Waste Land. It is considered a companion piece to Brack's earlier work The Bar.
Ursula Hoff was an Australian scholar and prolific author on art. She enjoyed a long career at the National Gallery of Victoria in Melbourne, where she was deputy director from 1968 to 1973. Her involvement then continued when she was appointed London Adviser of the Felton Bequest (1975–83), a major charitable foundation dedicated to the NGV.
Klytie Pate was an Australian studio potter who emerged as an innovator in the use of unusual glazes and the extensive incising, piercing and ornamentation of earthenware pottery. She was one of a small group of Melbourne art potters which included Marguerite Mahood and Reg Preston who were pioneers in the 1930s of ceramic art nationwide. Her early work was strongly influenced by her aunt, the artist and printmaker, Christian Waller.
The Ian Potter Museum of Art at the University of Melbourne in Melbourne, Australia was established in 1972. It houses the art collection of the University of Melbourne. Current director, Kelly Gellatly, was appointed in 2013. It is not to be confused with the Ian Potter Centre, another art gallery in Melbourne, run by the National Gallery of Victoria.
Arts Project Australia Inc. is a registered charity and non-profit organisation located in Northcote, an inner northern area of Melbourne, Victoria, Australia. The organisation provides facilitation/mentoring, studio and exhibition spaces for artists with intellectual disabilities, and as such has been identified as a major centre for the promotion and exhibition of outsider art, or art that has been produced outside of the contemporary and historical mainstream. In 2016 there were approximately 130 artists attending the studio, with the work of exhibiting artists featuring alongside works from the broader contemporary art community in the annual rotating exhibition program.
Mel O’Callaghan is an Australian-born contemporary artist who works in video, performance, sculpture, installation, and painting. Her work has been exhibited in solo and group exhibitions around the world and received a number of awards for her artistic practice, and her work is held in a various collections in Australia and France.
The Field, held August 21–September 28, 1968, was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, launched by the director of London’s Tate gallery, Norman Reid, before an audience of 1000 invitees. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentation, between silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nested in a basalt rectangular box amongst the other buildings of the new Arts Centre, each based on a geometric solid. Echoing emerging international stylistic tendencies of the time, The Field sparked immediate controversy and launched the careers of a new generation of Australian artists.
Jan Nelson is an Australian artist who works in sculpture, photography and painting. She is best known for her hyper real images of adolescents. She has exhibited widely in Australia as well as Paris and Brazil. Her works are in the collections of Australian galleries including the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales, Museum of Contemporary Art, Sydney and the Gallery of Modern Art Brisbane, as well as major regional galleries. She represented Australia in the XXV biennale in São Paulo, Brazil.
Simone LeAmon is an Australian designer, artist and curator. LeAmon is currently the inaugural Hugh D.T Williamson Curator of Contemporary Design and Architecture at the National Gallery of Victoria, Melbourne and an Adjunct Professor, Design and Social Context, RMIT University.
