Rosemarie Haag Bletter | |
---|---|
Born | Rosemarie Haag February 27, 1939 Heilbronn, Germany |
Education | Columbia University |
Occupation | Architectural historian |
Spouses |
|
Rosemarie Haag Bletter is a German-born American architectural historian, university professor, writer, and lecturer.
Bletter was educated at Columbia University, where she received her BS, MA, and PhD. She completed a master’s thesis on the Catalan Modernista architect Josep Vilaseca and a doctoral dissertation on the work of Bruno Taut and Paul Scheerbart. [1]
Bletter has taught at Yale, Columbia, the Institute of Fine Arts, New York University, and CUNY Graduate Center. She supervised twenty-five doctoral dissertations, among them those of the scholars Barry Bergdoll, Larry Busbea, and Gabrielle Esperdy. An expert on twentieth-century European and American architecture, she was instrumental in the favorable reappraisal of Art Deco building design during the 1970s, is particularly known for her seminal writings on German Expressionist and Early Modernist architecture, as well as for her cultural analysis of the architecture of Robert Venturi and Denise Scott Brown, and as an early exponent in academia of Frank Gehry's work. [2]
Bletter was an organizer of the 1975 Brooklyn Museum exhibition "Skyscraper Style" (co-sponsored by the Architectural League of New York). It was based on her book of the same name (with the photographer Cervin Robinson), one of the first serious studies to validate American Art Deco commercial architecture. [3] With Martin Filler, among others, she was a guest curator of the 1985 Whitney Museum of American Art exhibition "High Styles: Twentieth Century American Design." [4] Bletter and Filler wrote and conducted the interviews for three documentary films produced by Michael Blackwood Productions: Beyond Utopia: Changing Attitudes in American Architecture (1983), Arata Isozaki: Early Work in Japan (1985), and Stirling (1987). [5] She also served on the advisory panel and as an essayist for the Denver Art Museum’s 2001-2004 traveling exhibition "US Design: 1975-2000." [6]
{{cite book}}
: |work=
ignored (help)Art Deco, short for the French Arts Décoratifs, and sometimes referred to simply as Deco, is a style of visual arts, architecture, and product design, that first appeared in Paris in the 1910s, and flourished in the United States and Europe during the 1920s to early 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look, Art Deco has influenced bridges, buildings, ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners.
Frank Owen Gehry is a Canadian-born American architect and designer. A number of his buildings, including his private residence in Santa Monica, California, have become world-renowned attractions.
Raymond Mathewson Hood was an American architect who worked in the Neo-Gothic and Art Deco styles. He is best known for his designs of the Tribune Tower, American Radiator Building, and Rockefeller Center. Through a short yet highly successful career, Hood exerted an outsized influence on twentieth century architecture.
The International Style or internationalism is a major architectural style that was developed in the 1920s and 1930s and was closely related to modernism and modernist architecture. It was first defined by Museum of Modern Art curators Henry-Russell Hitchcock and Philip Johnson in 1932, based on works of architecture from the 1920s. The terms rationalist architecture and modern movement are often used interchangeably with International Style, although the former is mostly used in the English-speaking world to specifically refer to the Italian rationalism, or even the International Style that developed in Europe as a whole.
The year 1966 in architecture involved some significant architectural events and new buildings.
The year 2007 in architecture involved some significant architectural events and new buildings.
Postmodern architecture is a style or movement which emerged in the late 1950s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. The movement was introduced by the architect and urban planner Denise Scott Brown and architectural theorist Robert Venturi in their 1972 book Learning from Las Vegas. The style flourished from the 1980s through the 1990s, particularly in the work of Scott Brown & Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. However, some buildings built after this period are still considered postmodern.
Ralph Thomas Walker FAIA was an American architect, president of the American Institute of Architects and partner of the firm McKenzie, Voorhees, Gmelin and its successor firms Voorhees, Gmelin & Walker, Voorhees, Walker, Foley & Smith; Voorhees, Walker, Smith & Smith; and Voorhees, Walker, Smith, Smith & Haines. Walker is best known for his designs for the Barclay–Vesey Building (1922–26) and 1 Wall Street (1928–31), but was also involved in numerous other Art Deco telecommunications buildings in the New York City area.
The Chanin Building, also known as 122 East 42nd Street, is a 56-story office skyscraper in Midtown Manhattan in New York City. It is on the southwest corner of 42nd Street and Lexington Avenue, near Grand Central Terminal to the north and adjacent to 110 East 42nd Street to the west. The building is named for Irwin S. Chanin, its developer.
Bruno Julius Florian Taut was a renowned German architect, urban planner and author of Prussian Lithuanian heritage. He was active during the Weimar period and is known for his theoretical works as well as his building designs.
Contemporary architecture is the architecture of the 21st century. No single style is dominant. Contemporary architects work in several different styles, from postmodernism, high-tech architecture and new interpretations of traditional architecture to highly conceptual forms and designs, resembling sculpture on an enormous scale. Some of these styles and approaches make use of very advanced technology and modern building materials, such as tube structures which allow construction of buildings that are taller, lighter and stronger than those in the 20th century, while others prioritize the use of natural and ecological materials like stone, wood and lime. One technology that is common to all forms of contemporary architecture is the use of new techniques of computer-aided design, which allow buildings to be designed and modeled on computers in three dimensions, and constructed with more precision and speed.
Expressionist architecture was an architectural movement in Europe during the first decades of the 20th century in parallel with the expressionist visual and performing arts that especially developed and dominated in Germany. Brick Expressionism is a special variant of this movement in western and northern Germany, as well as in the Netherlands.
Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.
Denise Scott Brown is an American architect, planner, writer, educator, and principal of the firm Venturi, Scott Brown and Associates in Philadelphia. Scott Brown and her husband and partner, Robert Venturi (1925-2018), are regarded as among the most influential architects of the twentieth century, both through their architecture and planning, and theoretical writing and teaching.
The Gray Cloth with Ten Percent White: A Ladies' Novel is an avant-garde novel by the fantasist and visionary writer Paul Scheerbart, first published in 1914. The book expresses its author's commitment to the use of glass in modern architecture, which had a significant impact on the concepts of German Expressionism.
Martin Myles Filler is an American architecture critic. He is best known for his long essays on modern architecture that have appeared in The New York Review of Books since 1985, and which served as the basis for his 2007 book Makers of Modern Architecture, published by New York Review Books.
Cervin Robinson was an American photographer and author best known for architectural photography and historical writings that span his career, active from 1957 to his death.
The Art Deco style, which originated in France just before World War I, had an important impact on architecture and design in the United States in the 1920s and 1930s. The most notable examples are the skyscrapers of New York City, including the Empire State Building, Chrysler Building, and Rockefeller Center. It combined modern aesthetics, fine craftsmanship, and expensive materials, and became the symbol of luxury and modernity. While rarely used in residences, it was frequently used for office buildings, government buildings, train stations, movie theaters, diners and department stores. It also was frequently used in furniture, and in the design of automobiles, ocean liners, and everyday objects such as toasters and radio sets.
Art Deco architecture flourished in New York City during the 1920s and 1930s. The style broke with many traditional architectural conventions and was characterized by verticality, ornamentation, and building materials such as plastics, metals, and terra cotta. Art Deco is found in government edifices, commercial projects, and residential buildings in all five boroughs. The architecture of the period was influenced by worldwide decorative arts trends, the rise of mechanization, and New York City's 1916 Zoning Resolution, which favored the setback feature in many buildings.
Horace Ginsbern was an American architect. His firm, Horace Ginsbern & Associates, was responsible for the Park Plaza Apartments the first Art Deco building in the Bronx, New York, as well as the Fish Building on the Grand Concourse. He also designed 225 East 74th Street in Manhattan, which was built by the Bricken Brothers (1937); it has been the home to many people in the arts including violinist Felix Galimir and playwright/screenwriter David Shaw.