Rosina is a 1782 comic opera by William Shield to an English-language libretto by Frances Brooke. The opera was written in 1771/72 but first performed at the Theatre Royal, Covent Garden, on 31 December 1782. [1]
It was intended to be used as a light afterpiece to a more "serious" work sung in Italian. Such works were common at the time, although Rosina is the only one that has survived in the form of a complete score. Rosina has many features associated with later English comic opera, and even modern musical comedy – including the use of English, spoken dialogue, lightness of theme, and the use of folk as well as popular melodies. At least to that degree, it may be regarded as one of the ancestors of the musical, and Shield as one of the first composers of musicals.
It was popular at the time. On 27 January 1808 the opening performance of the Sunderland Theatre featured The Cure for the Heart Ach and Rosina in a benefit performance for sailors from Tyne and Wear held prisoners of war in France. [2]
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
The Barber of Seville, or The Useless Precaution is an opera buffa in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy The Barber of Seville (1775). The première of Rossini's opera took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli.
Charles Bannister (1738–1804) was an English actor, comedian and singer.
Thomas Augustine Arne was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of The Beggar's Opera, which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas.
William Shield was an English composer, violinist and violist. His music earned the respect of Haydn and Beethoven.
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue.
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London. Along with New York City's Broadway theatre, West End theatre represents the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Famous screen actors, British and international alike, frequently appear on the London stage.
John O'Keeffe was an Irish actor and dramatist. He wrote a number of farces, amusing dramatic pieces and librettos for pasticcio operas, many of which had great success. Among these are Tony Lumpkin in Town (1778), Love in a Camp (1786), and Omai (1785), an account of the voyages of the Tahitian explorer Omai, and Wild Oats (1791).
Sir Francis Cowley Burnand, usually known as F. C. Burnand, was an English comic writer and prolific playwright, best known today as the librettist of Arthur Sullivan's opera Cox and Box.
The ballad opera is a genre of English comic opera stage play that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier comédie en vaudeville and the later Singspiel, its distinguishing characteristic is the use of tunes in a popular style with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported opera seria. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song."
Félix Marie Henri Tilkin, better known by his pen name Ivan Caryll, was a Belgian-born composer of operettas and Edwardian musical comedies in the English language, who made his career in London and later New York. He composed some forty musical comedies and operettas.
Charles Benjamin Incledon was a Cornish tenor singer, who became one of the foremost English singers of his time, especially in the singing of English theatre music and ballads in which he was considered without rival.
Rosina Brandram was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company.
A Princess of Kensington is an English comic opera in two acts by Edward German to a libretto by Basil Hood, produced by William Greet. The first performance was at the Savoy Theatre, London, on 22 January 1903 and ran for 115 performances.
Il barbiere di Siviglia, ovvero La precauzione inutile is a comic opera by Giovanni Paisiello to a libretto by Giuseppe Petrosellini, even though his name is not identified on the score's title page.
The Duenna is a three-act comic opera, mostly composed by Thomas Linley the elder and his son, Thomas Linley the younger, to an English-language libretto by Richard Brinsley Sheridan. At the time, it was considered one of the most successful operas ever staged in England, and its admirers included Samuel Johnson, William Hazlitt and George Byron.
William Reeve was an English theatre composer and organist.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.
John Henry Johnstone (1749–1828), also known as 'Jack' Johnstone or 'Irish' Johnstone, was an Irish actor, comedian and singer. He was a notable performer of Stage Irishman roles.
This is a summary of 1907 in music in the United Kingdom.