Roy Armes

Last updated

Roy Armes (born March 16, 1937 [1] ) is a British professor emeritus and film scholar who has written numerous books on the history of filmmaking and select filmmakers.

He wrote a treatise on the film Omar Gatlato [2] and books on Alain Robbe-Grillet and Alain Resnais.

Books

Related Research Articles

<span class="mw-page-title-main">Alain Resnais</span> French film director

Alain Resnais was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct short films including Night and Fog (1956), an influential documentary about the Nazi concentration camps.

<i>Last Year at Marienbad</i> 1961 film by Alain Resnais

Last Year at Marienbad, released in the United Kingdom as Last Year in Marienbad, is a 1961 French New Wave avant-garde psychological drama film directed by Alain Resnais and written by Alain Robbe-Grillet.

<span class="mw-page-title-main">Cinema of Africa</span>

Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.

<span class="mw-page-title-main">Bill Nichols (film critic)</span> American film critic and historian

Bill Nichols is an American film critic and theoretician best known for his pioneering work as founder of the contemporary study of documentary film. His 1991 book, Representing Reality: Issues and Concepts in Documentary, applied modern film theory to the study of documentary film for the first time. It has been followed by scores of books by others and by additional books and essays by Nichols. The first volume of his two-volume anthology Movies and Methods helped to establish film studies as an academic discipline. Nichols is Professor Emeritus in the Cinema Department at San Francisco State University and Chair of the Documentary Film Institute advisory board.

<i>Dakan</i> 1997 Guinean film

Dakan (Destiny) is a 1997 drama film written and directed by Mohamed Camara. It premiered at the Cannes Film Festival. Telling the story of two young men struggling with their love for each other, it has been described as the first West African feature film to deal with homosexuality.

<span class="mw-page-title-main">Arab cinema</span>

Arab cinema or Arabic cinema refers to the film industry of the Arab world. Most productions are from the Egyptian cinema. Currently, the Middle East's largest cinema chain is Vox, owned by UAE-based Majid Al Futtaim Cinemas.

<i>Kaddu Beykat</i> 1976 Senegalese film

Kaddu Beykat is a 1975 Senegalese film directed by Safi Faye. It was the first feature film made by a Black African woman to be commercially distributed and brought international recognition for its director. Centred on a romance, it chronicles the daily lives of people in a rural Senegalese village.

<span class="mw-page-title-main">Yamina Bachir</span> Algerian film director (1954–2022)

Yamina Bachir was an Algerian film director and screenwriter. Her film Rachida was screened in the Un Certain Regard section at the 2002 Cannes Film Festival. According to Roy Armes, Rachida is 'the first 35mm feature directed by an Algerian woman in Algeria'. The film was primarily financed by French and European funding companies. It was popular in Algeria and was distributed internationally in France.

Zeka Laplaine, sometimes credited as José Laplaine, is a director and actor from Ilebo in the Democratic Republic of the Congo. The child of a Portuguese father and Congolese mother, he moved to Europe when he was 18. His 1996 short film Le Clandestin was featured at the 2010 Amakula International Film Festival in Uganda. He portrayed a cowboy alongside Danny Glover in Death in Timbuktu, a film within a film in the Council of Europe Film Award-winning film, Bamako. Laplaine is a member of France's "Guilde Africaine des Realisateurs et Producteurs".

Statues Also Die is a 1953 French essay film directed by Alain Resnais, Chris Marker, and Ghislain Cloquet about historical African art and the effects colonialism has had on how it is perceived. The film won the 1954 Prix Jean Vigo. Because of its criticism of colonialism, the second half of the film was banned in France until the 1960s.

<i>Zohra</i> (film) 1922 film by Albert Samama-Chikli

Zohra is a 1922 silent 35 mm short film from Tunisia by Albert Samama ('Chikly'). It was the first indigenous North African film production. The movie script was written by Chikly's daughter, Haydée Chikly, who also edited and starred as the key female protagonist in the film.

<span class="mw-page-title-main">Haydée Tamzali</span> Tunisian screenwriter and actress (1906–1998)

Haydée Samama Chikly Tamzali was a Tunisian actress, writer, and filmmaker.

<span class="mw-page-title-main">Djamila Sahraoui</span> Algerian filmmaker (born 1950)

Djamila Sahraoui is an Algerian filmmaker.

The cinema of Gabon has had an uneven history. Though President Omar Bongo and his wife, Josephine Bongo, encouraged filmmaking in the 1970s, there was a 20-year hiatus until filmmaking started to grow again in the new millennium.

Women are involved in the African film industry in a variety of roles, though they have been underrepresented in creative positions.

Bassek Ba Kobhio is a Cameroonian filmmaker, writer and founder of the Ecrans Noirs film festival in Yaounde, Cameroon. He is also the Director of the Higher Institute of Cinema and Audiovisual Professionals of Central Africa (ISCAC) in Yaounde, the first-ever tertiary training institution for cinematography in the Central Africa sub-region.

Omar Chraïbi is a Moroccan filmmaker, producer and screenwriter.

The Violent Silence is a 1975 film directed by Moumen Smihi. The film was screened at multiple international festivals and was a critical success.

La braise or Al-Jamra is a 1982 Moroccan film directed by Farida Bourquia in her directorial debut. It was one of only two feature films made in Morocco by female directors in the 1980s, and is considered to be one of the first Moroccan feature films directed by a woman.

References

  1. Contemporary Authors, New Revision Series, on Encyclopedia.com
  2. Omar Gatlato. Flicks Books. 1998. ISBN   9780948911187.
  3. Burdick, Dolores M. (January 13, 1980). "Review of "A Critical History of British Cinema", by Armes, Roy". Performing Arts Review. 10 (1): 93–97. doi:10.1080/00315249.1980.9944034 via CrossRef.
  4. "A History of the British Cinema". Kirkus Reviews . 1978-09-01. Retrieved 2023-11-13.
  5. Hobson, Sarah; Vir, Parminder (April 13, 1988). "Roy Armes, Third World Film-making and the West. Berkeley, Cal.: University of California Press, 1987, 416 pp., 110 illustrations, US17.95 paperback (ISBN 0 520 05690 6)". Africa. 58 (2): 255–256. doi:10.2307/1160680. JSTOR   1160680 via Cambridge University Press.
  6. Roberts, Andrew (October 1989). "Roy Armes: Third World film making and the West. xiii. 381 pp. Berkeley, Los Angeles and London: University of California Press, 1987". Bulletin of the School of Oriental and African Studies. 52 (3): 620–622. doi:10.1017/S0041977X00035308. ISSN   1474-0699.
  7. Morse, Margaret (April 1, 1990). "Review: On Video by Roy Armes". Film Quarterly. 43 (3): 63–64. doi:10.2307/1212651. JSTOR   1212651 via online.ucpress.edu.
  8. Porter, Laurence M. (2007). "Review of Postcolonial Images: Studies in North African Film; African Filmmaking: North and South of the Sahara, Roy Armes". SubStance. 36 (2): 147–161. ISSN   0049-2426. JSTOR   25195130.
  9. Ahmida, Ali Abdullatif (May 2008). "Roy Armes Postconial Images: Studies in North African Cinema (Bloomington, Ind.: Indiana University Press, 2005). Pp. 272. $24.95 paper". International Journal of Middle East Studies. 40 (2): 339–340. doi:10.1017/S0020743808080707. ISSN   1471-6380.
  10. Cantone, Helena (March 22, 2009). "Roy Armes. African Filmmaking: North and South of the Sahara". African Studies Quarterly. 10 (4): NA via go.gale.com.
  11. Niang, Sada (December 2009). "Roy Armes. Dictionary of African Filmmakers. Bloomington: Indiana University Press, 2008. xiv + 398 pp. References. Index. Bibliography. $65.00. Cloth". African Studies Review. 52 (3): 211–212. doi:10.1353/arw.0.0226. ISSN   0002-0206.
  12. Stillman, Dinah Assouline (2011). "Review of Arab Filmmakers of the Middle East: A Dictionary". Bustan: The Middle East Book Review. 2 (2): 127–131. doi:10.1163/187853011x605195. ISSN   1878-5301. JSTOR   10.1163/187853011x605195.
  13. Hout, Syrine (April 2017). "Roy Armes, New Voices in Arab Cinema". Journal of Contemporary History. 52 (2): 476–478. doi:10.1177/0022009416688182p. ISSN   0022-0094.
  14. Rizi, Najmeh Moradiyan (2015-12-01). "Review: New Voices in Arab Cinema by Roy Armes". Film Quarterly. 69 (2): 90–92. doi:10.1525/fq.2015.69.2.90. ISSN   0015-1386.