Rush Rehm

ISBN 0-7156-2916-6

The Play of Space: Spatial Transformation in Greek Tragedy, Princeton University Press, 2002, ISBN   9781400825073

Marriage to Death: The Conflation of Wedding and Funeral Rituals in Greek Tragedy, Princeton University Press, 1994, ISBN   9780691029160

Greek Tragic Theatre, Routledge, 1992, ISBN   978-0415118941

A new addition, Understanding Greek Tragic Theatre, will be published in June 2016.

Aeschylus' Oresteia: A Theatre Version, Melbourne: Hawthorne Press, 1978.

Articles and reviews, contributions to edited volumes

• 1980. “On Time and Timing: Waiting for Godot and the Theatre,” Viewpoints, ed. B. McFarlane, Melbourne (1980) 66– 81
• 1981. From Performance: Iliad” (translation), Scripsi, (Spring 1981) 108–12
• “1985. Aeschylus and Performance,” Themes in Drama, ed. J. Redmond, CUP (1985) 229–48
• 1988. “The Staging of Suppliant Plays,” Greek, Roman, and Byzantine Studies 29 (1988) 263–307
• 1989. Aeschylus: The Commerce of Tragedy and Politics,” in Syracuse, The Fairest Greek City, ed. B.D. Wescoat (Rome 1989) 31–34
• 1989. "Medea and the Logos of the Heroic." Eranos 87: 97-115.
• 1995. “Theatre de Complicité: An Appreciation,” TheatreForum 6 (1995) 88–96
• 1996. “Choral Presence, Absence, and Interaction in Euripides,” Arion (Spring 1996) 45–60
• 1996. “Public Spaces, Private Voices: Sophocles’ Electra and Euripides’ Suppliant Women,” Drama 4 (Stuttgart 1996) 49–61
• 2000. “Before, Behind, Beyond: Tragic Space in Euripides’ Heracles,” in Euripides, edd M. Cropp, K. Lee, and D. Sansone (Chicago 2000) 363–75
• 2002. “Supplices, the Satyr Play – Mee’s Big Love,” American Journal of Philology 123 (2002) 111–18
• 2004. Introduction. In Oedipus Coloneus by Sophocles. Ed. P. E. Easterling. Trans. Richard Claverhouse Jebb. London: British Classical Press. ISBN   978-1-85399-646-7.
• 2005. Review in Translation and Literature 14.1: 86. Weblink
• 2005. "Female Solidarity: Timely Resistance in Greek Tragedy," in Rebel Women, ed. S. Wilmer. London: Methuen, 177–92.
• 2006. "Antigone and Family Values," Antigone's Answer: Essays on Death and Burial, Family and State in Classical Athens, ed. C.B. Patterson. Helios Supplement, 187–218.
• 2006. "Sophocles on Fire - To Pyr in Philoctetes," in Sophocles and the Greek Language: Aspects of Diction, Syntax, and the Greek Language, eds. I.J.F. de Jong and A. Rijksbaron. Leiden: Brill, 95-107.
• 2006. "Cassandra - The Prophetess Unveiled," in Agamemnon in Performance, eds. E. Hall and F. McIntosh. Oxford: Oxford University Press, 343–58.
• 2007. "Festivals and Audiences in Athens and Rome," in Cambridge Companion to Greek and Roman Theatre, ed. M. Walton and M. McDonald, 184–218.
• 2007, paperback 2010. "If you are a woman": Theatrical Womanizing in Sophocles' Antigone and Fugard, Kani, and Ntshona's The Island," in Classics in Post-Colonial Worlds, eds. C. Gillispie and L. Hardwick. Cambridge: Cambridge University Press, 2007/2010, 211-27.
• 2008. "The Future of Dramatic Literature," in Text and Presentations 28, ed. S. Constantinidis, 216–218.
• 2009. Review in Classical World 102, 501–2, on How to Stage Greek Tragedy Today by S. Goldhill.
• 2009. Review in Sophocles and the Greek Tragic Tradition, eds. S. Goldhill and E. Hall, in Ancient History Bulletin 23, 108–12.
• 2009. "Tragedy and Privilege," in The Play of Texts and Fragments: Essays in Honour of Martin Cropp, eds. J.R.C. Cousland and J.R. Hume, Mnemosyne, Supplement 314. Leiden and Boston: Brill, 235–53.
• 2009. Review in Sophocles and Alcibiades: Athenian Politics in Ancient Greek Literature by M. Vickers, in Comparative Drama, 402–5.
• 2010. Review in Performance and Culture by K.V. Hartigan, Text & Presentation, 2010. Comparative Drama Conference, 166–8.
• 2012. "Aeschylus" and "Sophocles," in Space in Ancient Greek Literature: Studies in Ancient Greek Narrative, Mnemosyne Supplement, Vol. 339, ed. I.J.F. de Jong. Leiden and Boston: Brill, 307-23 and 325–39.
• 2012. "Ritual in Sophocles," in Brill Companion to Sophocles, ed. A. Markantonatos. Leiden and Boston: Brill, 411–28.
• 2013. Review in Antigone, translated by David Mulroy, Digresses.
• 2015. "Eclectic Encounters: Staging Greek Tragedy in America, 1973-2009," in The Oxford Handbook of Greek Drama in the Americas, eds. K. Bosher, F. Macintosh, J. McConnell, and P. Rankine. Oxford: Oxford University Press, 758–75.
• 2015. Review in Space, Place, and Landscape in Ancient Greek Literature and Culture, eds. K. Gilhuly and N. Worman, in Classical Philology.
• 2016. “Beckett on Aging: A Short Introduction,” in Samuel Beckett Today/Aujourd’hui 28 (2016) 161–7 
• 2017. “Aeschylus in the Balance: Weighing Corpses and the Problem of Translation,” in Aeschylus’  Tragedies: The CulturalDivide and the Trauma of Adaptation, edd. S.E. Constantinidis and B.  Heiden (Brill 2017) 131–46
• 2018. “Antigone and the Rights of the Earth," in Looking at Antigone, ed. D. Stuttard (Bloomsbury 2018) 93–106
• 2020. “Ritual in Euripides,” in Brill Companion to Euripides, ed. A. Markantonatos (Leiden and Boston, 2020) 821–40
• 2021. There is the sea – who can drain it dry?’: Natural and Unnatural Cycles in Agamemnon,” in Looking at Agamemnon, ed. D. Stuttard (Bloomsbury 2021) 119–34
• 2021. “Disorienting Aeschylus’s Persians” in Dramaturgias 17 (October 2021) Aeschylus, ed. M.Mota (Laboratório de Dramaturgia (LADI) da Universidade de Brasilias) 111–25 https://periodicos.unb.br/index.php/dramaturgias/issue/archive
• 2022. “Land, Sea and Freedom: Nature in Aeschylus’ Persians,” in Looking at Persians, ed. D. Stuttard (Bloomsbury: London, 2022) 99–114
• 2022. “Mimo wszystko nie ustepowaly: Medea, Hekabe i Helena Eurypidesa,” in Eurypides Innowator, eds. K. Bielawskiego i W. Staniewskiego (Osrodek Praktyk Teatralnych „Gardzienice” Warszawa 2022) 283–93
• 2022. “Did Horses Perform in the Athenian Theater?” in Hippos, ed. J. Neils (American School of Classical Studies, Athens: 2022) 252–55
• 2024. “Fated Arrivals: Greek Tragedy and Migration,” in Theatre and Migration, eds. Y. Meerzon and S. Wilmer (Palgrave Macmillan; London, 2024) 195–206
• 2024. “Telling Stories, Moving Audiences: The Structure of Greek Tragedy,” in Looking at Greek Tragedy, ed. D. Stuttard (Bloomsbury: London, forthcoming 2024)
• 2025. “Sun, Sea, and Fish: Parthenon East Metope 14 and Greek Tragedy,” in Athenian Technē: Objects, Images, and Monuments in Context, eds. D.K. Rogers, T.J. Smith, and A.R. Steiner (Brill: Leiden: forthcoming 2025)
• 2025. “Caught in the Reins: Horses and Hippolytus,” in Looking at Hippolytus, ed. D. Stuttard (Bloomsbury: London, forthcoming 2025)

See also

• Theatre of ancient Greece
• Stanford University School of Humanities and Sciences

References

1. D'Souza, Karen (9 July 2011). "Back story: Rush Rehm, director of Stanford Summer Theater". Inside Bay Area. Retrieved 22 September 2014.

External links

• SRT webpage

Maurice Pate (Rush) Rehm
Born	1949 (age 75–76) United States
Occupation(s)	Professor, actor
Academic background
Alma mater	Princeton University

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