Ruud Janssen | |
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| Born | July 29, 1959 |
| Occupation | Mail Artist |
Ruud Janssen (born July 29, 1959, in Tilburg) is a Dutch Fluxus and mail artist currently living in Breda in the Netherlands.
Ruud Janssen | |
|---|---|
| | |
| Born | July 29, 1959 |
| Occupation | Mail Artist |
Ruud Janssen (born July 29, 1959, in Tilburg) is a Dutch Fluxus and mail artist currently living in Breda in the Netherlands.
Janssen studied physics and mathematics before he became active with mail art in 1980, doing several international mail art projects. From 1994 till 2001 he conducted interviews with Fluxus and mail artists. In later years, Janssen focused on acrylic painting and individual correspondences.
Janssen was selected to publish an essay as one of eleven contemporary "New Fluxus" artists who are seen to 'inhabit the site of Fluxus, developing and interpreting the Fluxus tradition in a new way.' in a special double issue of the journal Visible Language on Fluxus.
In 1994, Janssen [1] began a series of mail-interviews. He interviewed Fluxus [2] and mail art personalities by using all the communication-forms that were available (fax, e-mail, envelope, personal meeting, telephone). The question traveled by one form and the answer could be sent back in another form. This concept resulted in a series of mail-interviews. These interviews were published in booklet-form and the complete texts are also available online. [3] In 2008, a selection of the mail-interviews were published in book form. [4]
In 1997 Janssen had a solo exhibition of his mail art work and interviews in Guy Bleus' E-Mail Art Archives (Provincial Center for Visual Arts, now Z33) in Hasselt, Belgium. [5] [6]
Janssen publishes articles, magazines and booklets with his TAM-Publications and participates in international mail art projects, collaborations and exhibitions.
He founded IUOMA (International Union of Mail-Artists) in 1988 and is also the curator of the TAM-Rubberstamp Archive, the result of a Mail Art collection that has been accumulated by him from 1983 till now. The archive [7] contains art prints, original rubber stamps, magazines and literature.[ citation needed ]
In 2003 Janssen and Litsa Spathi founded the Fluxus Heidelberg Center for which they are building up a collection of Fluxus material and where they also publish their own works. [8]
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties".
An artistamp or artist's stamp is a postage stamp-like art form used to depict or commemorate any subject its creator chooses. Artistamps are a form of Cinderella stamps in that they are not valid for postage, but they differ from forgeries or bogus Illegal stamps in that typically the creator has no intent to defraud postal authorities or stamp collectors.
Mail art, also known as postal art and correspondence art, is an artistic movement centered on sending small-scale works through the postal service. It developed out of what eventually became Ray Johnson's New York Correspondence School and the Fluxus movements of the 1960s. It has since developed into a global, ongoing movement.
Dick Higgins was an American artist, composer, art theorist, poet, publisher, printmaker, and a co-founder of the Fluxus international artistic movement. Inspired by John Cage, Higgins was an early pioneer of electronic correspondence. Higgins coined the word intermedia to describe his artistic activities, defining it in a 1965 essay by the same name, published in the first number of the Something Else Newsletter. His most notable audio contributions include Danger Music scores and the Intermedia concept to describe the ineffable inter-disciplinary activities that became prevalent in the 1960s.
Shōzō Shimamoto was a Japanese artist. Having studied with Jirō Yoshihara, the future Gutai leader, from 1947, Shimamoto was a key founding member of Gutai along with Yoshihara and fifteen others in August, 1954. He was close to the leader Yoshihara and actively engaged in the early activities and group administrations. He worked with a wide variety of techniques, such as poking holes in layered newspaper, throwing bottles of paint at canvases, experimenting with film and stage performances, and composing sound art. He was particularly noted for his innovative performance art. Indeed, when Yoshihara turned to focus more on painting, upon his meeting with the French art critic Michel Tapié, Shimamoto continued to urge the leader to pursue this direction, wanting to work with Allan Kaprow, for example.
Ryosuke Cohen is a mail artist. He was responsible for the Brain Cell mail art project, which he began in June 1985 and retains thousands of members in more than 80 countries, e.g. Hans Braumüller, Theo Breuer, Michael Leigh or Litsa Spathi. In August 2001 he began the Fractal Portrait Project. He has taught art to school children for more than 25 years.
Artists' books are works of art that utilize the form of the book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects.
Ken Friedman is a design researcher. He was a member of Fluxus, an international laboratory for experimental art, architecture, design, and music. Friedman joined Fluxus in 1966 as the youngest member of the classic Fluxus group. He has worked closely with other Fluxus artists and composers such as George Maciunas, Dick Higgins, and Nam June Paik, as well as collaborating with John Cage and Joseph Beuys. He was the general manager of Dick Higgins's Something Else Press in the early 1970s. In the 1990s, Friedman's work as a management consultant and designer led him to an academic career, first as Professor of Leadership and Strategic Design at the Norwegian School of Management in Oslo, then as Dean of the Faculty of Design at Swinburne University of Technology in Melbourne. Friedman is currently University Distinguished Professor at Swinburne and Chair Professor of Design Innovation Studies at Tongji University.
Cecil Touchon is a contemporary American collage artist, painter, published poet and theorist living in Santa Fe, New Mexico. Co-founder of the International Post-Dogmatist Group, Touchon is director of the group's Ontological Museum, Founder of the International Museum of Collage, Assemblage and Construction and founder of the International Society of Assemblage and Collage Artists. Cecil Touchon is best known for his Typographic Abstraction works that 'Free the letters from their burden of being bearers of meaning".
Rod Summers, born in Dorset, England, is a sound, visual, conceptual artist, performance poet, dramatist, mail artist and book artist, publisher, archivist, and lecturer on intermedia. He is based in Maastricht, Netherlands.
Kommissar Hjuler works as a sound recordist in the field of Noise and Post-industrial music, visual artist, film maker and police officer at Flensburg, a town on the German border with Denmark. He often works together with his wife Mama Baer as Kommissar Hjuler und Frau. As self-taught artist he began making music in 1999 and visual art in 2006. He is considered to work in the field of neo dada, whereas his output also contains elements of fluxus, art brut.
Artpool Art Research Center is an archive, research space, specialist and media library in Budapest, Hungary, dedicated to international contemporary and avant-garde arts, such as Artist's books, artistamp, mail art, visual poetry, sound poetry, conceptual art, fluxus, installation, performance.
Vittore Baroni, is an Italian mailartist, music critic and explorer of countercultures. Since the mid-1970s he has been one of the most active and respected promoters and documenters of mail art.
John Held Jr. , is an American mailartist, author and performance artist who has been an active participant in alternative art since 1975, particularly in the fields of rubber stamp art, zine culture, and artistamps. He is one of the most prominent and respected promoters and chroniclers of mail art.
Guy Bleus is a Belgian artist, archivist and writer. He is associated with olfactory art, visual poetry, performance art and the mail art movement.
Anna Banana is a Canadian artist known for her performance art, writing, and work as a small press publisher. She has been described as an "entrepreneur and critic", and pioneered the artistamp, a postage-stamp-sized medium. She has been prominent in the mail art movement since the early 1970s, acting as a bridge between the movement's early history and its second generation. As a publisher, Banana launched Vile magazine and the "Banana Rag" newsletter; the latter became Artistamp News in 1996.
Mark Bloch is an American conceptual artist, mail artist, performance artist, visual artist, archivist and writer whose work combines visuals and text as well as performance and media to explore ideas of long-distance communication, including across time.
Umbrella was an art newsletter or informal magazine that ran for three decades, from 1978 to 2008. Its focus was on artist's books and related media, and it has been credited as an important factor in the emergence and visibility of artist's books from Southern California.
Chuck Welch, also known as the CrackerJack Kid or Jack Kid, was born in Kearney, Nebraska in 1948. He wrote "Eternal Network: A Mail Art Anthology", with a foreword by Ken Friedman, which was published and edited by University of Calgary Press in 1995. The Eternal Network and the Crackerjack Kid were mentioned in a review of mail art titled "Pushing the Envelope" in 2001, and the archivist and curator Judith Hoffberg wrote about him in her publication Umbrella. His awards include a Fulbright Grant and NEA Hilda Maehling Fellowship.
Joel S. Cohen is an American graphic artist and cofounder, along with Diane E. Milder, of Ragged Edge Press, an independent offset printing company in New York City. Principally recognized for his creative mail art projects and artistic collaborations with Thomas Kerr and Kurt Vonnegut, Cohen has been creating, printing, and distributing progressive political art since the early 1970s.
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