This article is an autobiography or has been extensively edited by the subject or by someone connected to the subject.(May 2021) |
Guy Bleus | |
---|---|
Born | Guy Bleus October 23, 1950 |
Nationality | Belgian |
Known for | olfactory art, fax art, installation, artistamp, artists books |
Movement | Mail art Performance art |
Website | http://www.mailart.be/ |
Guy Bleus (born October 23, 1950) is a Belgian artist, archivist and writer. He is associated with olfactory art, visual poetry, performance art and the mail art movement. [1]
His work covers different areas, including administration (which he calls Artministration), postal and olfactory communication. [2]
Guy Bleus was born in Hasselt, Belgium. In 1978 he founded The Administration Centre – 42.292 which became a huge art archive with the works and information of 6000 artists from more than 60 countries. [3] "Guy Bleus has one of the finest archives of mail art in Europe, if not the world." [4]
Bleus was the first artist who systematically used scents in plastic arts. In 1978 he wrote the olfactory manifesto The Thrill of Working with Odours in which he deplores the lack of interest in scents in the visual arts. [5] Since then he showed smell paintings, mailed perfumed objects and made aromatic installations ; he also created spray performances where he sprayed a mist of fragrance over the audience. [6] [7] [8]
Exploring the possibilities of communication media as art media, he investigated the postal system in Indirect correspondence (1979) and searched for an alternative postal system in Airmail by balloons. Together with Charles François he was a pioneer using a computer connected to a modem for artistic communication (in 1989). He also applied reproduction media such as Microfilm, CD-ROM and DVD-ROM for artistic reasons.
One of his performance works from the 1980s was documented in the artists' periodical Force Mental. The performance took place in the venue Il Ventuno in Hasselt, and is described as follows: "Guy Bleus wears a costume made of official stamps of 1/2fr. He cuts his moustache into a Hitler-moustache. Against the wall he hangs photocopies of Hitler's head. Enlargements whereby the moustache is growing bigger (till A3 format). Bleus sticks then stamps, the same as of which his costume is made of and stamps them with his number-stamp: 42.292. Then he sticks a naked girl full with stamps of 1/2fr and stamps them with the number stamp. Finally he cuts off his Hitler-moustache and breaks a mirror." [9]
Another fascinating performance of Bleus is called 'Value Shredder' (1982, Brussels, Gallery Entr'Act). Bleus took hundreds of real 50 Belgian franc banknotes and made a suit out of them. Wearing this suit he began his performance. He gave the audience plastic raincoats to put on and asked them to hand over their identity cards. He put the cards into a paper shredder, then tore up Mein Kampf and threw the pages into the shredder too. When everything was completely shredded he blew odours and flour over the public with a fan. Finally, he removed his suit and set it on fire. After the performance the public received an identity card from planet Mars. [10] A life-size photo of Bleus's money suit is part of the art collection of the National Bank of Belgium (NBB). [11]
To honor the Italian artist Guglielmo Achille Cavellini Guy Bleus organized the four-day "Cavellini Festival 1984" in the cities of Antwerp, Brussels, Eeklo, Hasselt, and Tienen. In the administrative performance "First President of the USE" in Brussels, capital of Europe, Bleus officially declared Cavellini the very first president of the United States of Europe. [12]
Numerous are the international art projects Bleus has organised, such as Are you experienced? L.H.F.S. (1981), [13] W.A.A.: Mail eARTh Atlas (1981–83), [14] Telegraphy (1983), [15] Aerograms (1984), Cavellini Festival 1984, [16] Art is Books (1991), Fax Performances (1992–1993), [17] Private Art Detective: Sealed Confessions, and Building Plans & Schemes (1993). [18]
He wrote and published many essays on the subject of networking art. [19] About his essay Exploring Mail Art (1984), Géza Perneckzy wrote: “The study of Guy Bleus outranks all other publications with its theoretical weight and conciseness.” [20] Moreover, he contributed to significant publications, such as Piotr Rypson’s Mail Art, Chuck Welch's Eternal Network, A Mail Art Anthology, or Vittore Baroni’s Postcards – Cartoline d’artista. He participated in many artists' periodicals. [21]
From 1994 till 1999 he opened in Hasselt the art gallery E-Mail-Art Archives. In this non-profit space more than 40 events of mail art, fax art and Internet art took place. Artists such as Ben Vautier, Shozo Shimamoto, Anna Banana, Julien Blaine, H.R. Fricker and Clemente Padin were exhibited. [22] [23] [24] [25] [26] [27]
In 1995 he edited The Artistamp Collection, [28] the first mail art catalogue on CD-ROM. With the participation of networking artists such as Vittore Baroni, Ken Friedman, John Held Jr., Ruud Janssen, György Galántai, Pawel Petasz and Géza Perneczky, he published in 1997 the first E-Mail-Art & Internet-Art Manifesto, an issue of his electronic zine. [29]
After a bureaucratic venture of 20 years he realised in 2003 (together with Jean Spiroux) the very first postage stamp on the theme mail art edited by an official Postal Service. It was an edition of 4 million copies realised by the Belgian Postal Service. [30]
In 2005–2006 Bleus organised the olfactory mail art project Scents, Locks & Kisses with 778 artists from 43 countries in the Art Museum Z33. [31] The website is a slideshow with all the works of the participating artists. [32]
A retrospective of his work was held in the Cultural Centre of Hasselt in 2010. The publication Pêle-Mêle: Guy Bleus® – 42.292 had bracts perfumed with lavender essence and included a re-edition of his ID from planet Mars of 1979. [33]
An artistamp or artist's stamp is a postage stamp-like art form used to depict or commemorate any subject its creator chooses. Artistamps are a form of Cinderella stamps in that they are not valid for postage, but they differ from forgeries or bogus Illegal stamps in that typically the creator has no intent to defraud postal authorities or stamp collectors.
Ruud Janssen is a Dutch Fluxus and mail artist currently living in Breda in the Netherlands.
Mail art, also known as postal art and correspondence art, is an artistic movement centered on sending small-scale works through the postal service. It developed out of what eventually became Ray Johnson's New York Correspondence School and the Fluxus movements of the 1960s. It has since developed into a global, ongoing movement.
Shōzō Shimamoto was a Japanese artist. Having studied with Jirō Yoshihara, the future Gutai leader, from 1947, Shimamoto was a key founding member of Gutai along with Yoshihara and fifteen others in August, 1954. He was close to the leader Yoshihara and actively engaged in the early activities and group administrations. He worked with a wide variety of techniques, such as poking holes in layered newspaper, throwing bottles of paint at canvases, experimenting with film and stage performances, and composing sound art. He was particularly noted for his innovative performance art. Indeed, when Yoshihara turned to focus more on painting, upon his meeting with the French art critic Michel Tapié, Shimamoto continued to urge the leader to pursue this direction, wanting to work with Allan Kaprow, for example.
Email art refers to artwork created for the medium of email. It includes computer graphics, animations, screensavers, digital scans of artwork in other media, and even ASCII art. When exhibited, Email art can be either displayed on a computer screen or similar type of display device, or the work can be printed out and displayed.
Ryosuke Cohen is a mail artist. He was responsible for the Brain Cell mail art project, which he began in June 1985 and retains thousands of members in more than 80 countries, e.g. Hans Braumüller, Theo Breuer, Michael Leigh or Litsa Spathi. In August 2001 he began the Fractal Portrait Project. He has taught art to school children for more than 25 years.
Guglielmo Achille Cavellini, also known as GAC, was an Italian artist and art collector. After his initial activity as a painter, in the 1940s and 1950s, he became one of the major collectors of contemporary Italian abstract art, developing a deep relationship of patronage and friendship with the artists. This experience has its pinnacle in the exhibition Modern painters of the Cavellini collection at the National Gallery of Modern Art in Rome in 1957. In the 1960s Cavellini resumed his activity as an artist, with an ample production spanning from Neo-Dada to performance art to mail art, of which he became one of the prime exponents with the Exhibitions at Home and the Round Trip works. In 1971 he invented autostoricizzazione (self-historicization), upon which he acted to create a deliberate popular history surrounding his existence. He also authored the books Abstract Art (1959), Man painter (1960), Diary of Guglielmo Achille Cavellini (1975), Encounters/Clashes in the Jungle of Art (1977) and Life of a Genius (1989).
Artpool Art Research Center is an archive, research space, specialist and media library in Budapest, Hungary, dedicated to international contemporary and avant-garde arts, such as Artist's books, artistamp, mail art, visual poetry, sound poetry, conceptual art, fluxus, installation, performance.
Vittore Baroni, is an Italian mailartist, music critic and explorer of countercultures. Since the mid-1970s he has been one of the most active and respected promoters and documenters of mail art.
John Held Jr. , is an American mailartist, author and performance artist who has been an active participant in alternative art since 1975, particularly in the fields of rubber stamp art, zine culture, and artistamps. He is one of the most prominent and respected promoters and chroniclers of mail art.
Anna Banana is a Canadian artist known for her performance art, writing, and work as a small press publisher. She has been described as an "entrepreneur and critic", and pioneered the artistamp, a postage-stamp-sized medium. She has been prominent in the mail art movement since the early 1970s, acting as a bridge between the movement's early history and its second generation. As a publisher, Banana launched Vile magazine and the "Banana Rag" newsletter; the latter became Artistamp News in 1996.
Gonzo (circus) is a Dutch-language bi-monthly culture and music magazine, first published in 1991 in Belgium. It is based in Amsterdam, Netherlands. The magazine primarily focuses on contemporary musical genres such as punk, industrial, hip hop, jazz, improvised music, modern classical music, indie rock, noise, electronic music and world music. The founders are Stefan Joosten and Dirk Vreys. Since 1995 each publication is accompanied by a compilation CD under the name Mind the Gap, featuring new artists.
Mark Bloch is an American conceptual artist, mail artist, performance artist, visual artist, archivist and writer whose work combines visuals and text as well as performance and media to explore ideas of long-distance communication, including across time.
Anna Aleksandrovna Tarshis, better known as Ry Nikonova or Rea Nikonova, was a Russian artist, poet, and writer. Many of her artworks are held in private and public collections throughout the world.
Ginny Lloyd is an American artist, noted for her work with mail art, photocopy art, performance art and photography. She organized the Copy Art Exhibition in San Francisco in 1980 with programming devoted to promoting xerography. Her work was included in the exhibition, From Bonnard to Baselitz: A Decade of Acquisitions by the Prints Collection 1978–1988 and listed annually since 1992 in Benezit Dictionary of Artists.
Luc Piron is a Belgian artist. He is a painter and printmaker. He is also a photographer and experiments with the possibilities of computer art.
Carlo Pittore born Charles J. Stanley was an American painter, educator, art activist, and publisher, whose primary study, teaching and body of work was figurative art and portrait painting. He was a pioneer in the Mail Art movement, and is noted for opening the first independent art gallery in the East Village, Manhattan. In 1987, Pittore founded "The Academy of Carlo Pittore" in Bowdoinham, Maine. He died of cancer in 2005.
Umbrella was an art newsletter or informal magazine that ran for three decades, from 1978 to 2008. Its focus was on artist's books and related media, and it has been credited as an important factor in the emergence and visibility of artist's books from Southern California.
Chuck Welch, also known as the CrackerJack Kid or Jack Kid, was born in Kearney, Nebraska in 1948. He wrote "Eternal Network: A Mail Art Anthology", with a foreword by Ken Friedman, which was published and edited by University of Calgary Press in 1995. The Eternal Network and the Crackerjack Kid were mentioned in a review of mail art titled "Pushing the Envelope" in 2001, and the archivist and curator Judith Hoffberg wrote about him in her publication Umbrella. His awards include a Fulbright Grant and NEA Hilda Maehling Fellowship.
R. Kalynn Campbell Jr, is an American artist, illustrator, cartoonist and writer/poet. He is best known for his work in the Lowbrow/Kustom Kulture movement, wherein he has been referred to as 'one of the most influential of the California Lowbrow artists'. As an illustrator, he created album/CD covers for notable bands like Megadeth, Reverend Horton Heat, and Social Distortion. His political cartoons were a fixture in Paul Krassner's 'The Realist' magazine from 1985 to 2001.