S. D. Chrostowska

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S. D. Chrostowska is a Canadian writer and intellectual historian of modern critical thought. [1] She holds a professorship in 20th century continental thought at York University [2] in Canada.

Contents

Biography and research

Sylwia Dominika Chrostowska, born to Polish parents and raised in Poland at the end of the Cold War, completed her PhD at the University of Toronto at the Centre for Comparative Literature under the supervision of historian Brian Stock. In 2014-2016 she was an Alexander von Humboldt Foundation fellow based at Humboldt University in Berlin.

Chrostowska's academic work is principally in the history of social and literary criticism (18th-20th century Europe). She writes mainly on Frankfurt School Critical Theory and on the critical dimension of utopianism and nostalgia. Her first book, Literature on Trial (2012), examined the rise of modern literary criticism in connection with the development of literature as a separate domain.

Chrostowska also writes cultural criticism spanning academic and nonacademic genres. Matches (2015), her wide-ranging collection of philosophical, critical, and literary fragments, was anthologized in Short Circuits: Aphorisms, Fragments, and Literary Anomalies (Schaffer Press, 2018). [3] In 2018 Noxious Sector Press released Something Other than Lifedeath, a book of articles focusing on her work and edited by David Cechetto. She is a member of the Paris Surrealist Group and coedits the French-language review Alcheringa: Le surréalisme aujourd’hui.

Utopia in the Age of Survival is Chrostowska’s second scholarly book and a pointed intervention into left-wing debates about utopianism, including the theory of utopia, utopian experiments, and practices that she describes as "utopianizing" in their motivation or intent. She draws especially on the writings of French Surrealism, the Situationist International, and Survivre...et vivre to excavate the utopian energies of May '68 as they wrestled with the contradiction between accelerating economic development and life being generally reduced to survival, including through rampant consumerism. "Survival" is arguably the key concept in the book for working out the conditions, both material and psychological, for a "utopian politics." A large part of the discussion centers around the meaning of the term utopia, our negative and positive attitudes toward it, and ways to pursue utopia in light of the multiple crises facing today's societies. Chrostowska argues that we should rehabilitate the idea of utopia at a time when our reality increasingly resembles dystopia. She co-curated, with Joël Gayraud, and Guy Girard, "Marvelous Utopia", the 19th International Surrealist Exhibition at Saint-Cirq-Lapopie. [4]

Fiction

Chrostowska's epistolary novel Permission is composed of anonymous messages sent to a well-known filmmaker and includes black and white images. Quill & Quire called it "one of the most intellectually bracing, technically fascinating Canadian-authored novels" of 2013. [5]

Her second novel, The Eyelid, is a critical dystopia set in near-future Paris, the capital of the world state of Greater America, and tells the story of two travelers through other people's dreams on a quest to save humanity from total insomniac dreamlessness. The book was the Editor's Choice at Quill & Quire, which praised its rare ambition and its dramatisation of the individual mind's subversive ability "to dream itself into a better existence." [6] The Toronto Star's Alex Good chose it as one of the four best new science-fiction titles. [7] According to German Sierra at Full Stop, the novella "might well become an instant cult book until it makes its way to a much deserved place at the top of any list of utopian-dystopian fiction masterworks." [8] Its unique blend of narrative and social critique stages a dialectical confrontation, typical of the novel of ideas, between dystopian and utopian currents in contemporary capitalist societies.

Books

In French

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References

  1. ↑ "Sylwiac | Faculty of Liberal Arts & Professional Studies". 24 May 2018.
  2. ↑ "S.D. Chrostowska | Faculty Profile | Faculty of Liberal Arts & Professional Studies". people.laps.yorku.ca. Retrieved 2018-04-30.
  3. ↑ Lough, James; Stein, Alex (16 April 2018). Short Circuits: Aphorisms, Fragments, and Literary Anomalies. Schaffner Press, Incorporated. ISBN   9781943156399.
  4. ↑ Funk, Mia; Xu, Ailin. "Marvelous Utopia". The Creative Process.
  5. ↑ "Permission by S.D. Chrostowska (Dalkey Archive)". quillandquire.com. Retrieved 2018-04-30.
  6. ↑ "The Eyelid". 20 February 2020.
  7. ↑ "It's the perfect time for science fiction. Here are four of the best new books". Toronto Star . 9 April 2020.
  8. ↑ "The Eyelid – S. D. Chrostowska".
  9. ↑ Via, Chris. "A Sibyl's Eye: On S. D. Chrostowska "A Cage for Every Child"". Los Angeles Review of Books.
  10. ↑ THE EYELID | Kirkus Reviews.
  11. ↑ "The Eyelid". www.publishersweekly.com. Retrieved 2020-03-28.
  12. ↑ "The Eyelid". April 2020.
  13. ↑ Via, Chris (June 2020). "The Eyelid". Leaf by Leaf . Retrieved 17 June 2020.
  14. ↑ "Literature on Trial".{{cite journal}}: Cite journal requires |journal= (help)
  15. ↑ "Canada | Product Categories | Dalkey Archive Press". www.dalkeyarchive.com. Retrieved 2018-04-30.
  16. ↑ "Matches".{{cite journal}}: Cite journal requires |journal= (help)
  17. ↑ Ryan Ruby (May 9, 2016). "The Long History of a Short Form". Lapham's Quarterly . Retrieved 28 May 2018.
  18. ↑ Jeff Bursey (February 2016). "A Literary Incendiary Device: Review of Matches by S.D. Chrostowska". Numéro Cinq . Retrieved 28 May 2018.
  19. ↑ Daniel K. Green (April 16, 2016). "A Flare for Criticism". Los Angeles Review of Books . Retrieved 28 May 2018.
  20. ↑ "Political Uses of Utopia - New Marxist, Anarchist, and Radical Democratic Perspectives | Columbia University Press". Columbia University Press. Retrieved 2018-04-30.
  21. ↑ Chrostowska, Sylwia Dominika (11 January 2019). Feux croisés - Sylwia D. Chrostowska. Klincksieck. ISBN   9782252041765.
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