Domenico di Tommaso Curradi di Doffo Bigordi, professionally known as Domenico Ghirlandaio, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli.
Masolino da Panicale was an Italian painter. His best known works are probably his collaborations with Masaccio: Madonna with Child and St. Anne (1424) and the frescoes in the Brancacci Chapel (1424–1428).
The Basilica della Santissima Annunziata is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
Vincenzo Foppa was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School. He spent his career working for the Sforza family, Dukes of Milan, in Pavia, as well as various other patrons throughout Lombardy and Liguria. He lived and worked in his native Brescia during his later years.
Ridolfo di Domenico Bigordi, better known as Ridolfo Ghirlandaio was an Italian Renaissance painter active mainly in Florence. He was the son of Domenico Ghirlandaio.
San Francesco a Ripa is a church in Rome, Italy. It is dedicated to Francis of Assisi who once stayed at the adjacent convent. The term Ripa refers to the nearby riverbank of the Tiber.
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious institutes such as the Jesuits, the Theatines, and the Barnabites. These new congregations were responsible for several great preaching churches built in the Centro Storico, the others being Sant'Andrea della Valle (Theatines), San Carlo ai Catinari (Barnabites), and The Gesù and Sant'Ignazio (Jesuits).
The Basilica della Santissima Annunziata del Vastato is the Catholic cathedral of Genoa, northern Italy; its decoration employed the major baroque studios and artists in Genoa in the 17th century.
The Spanish National Church of Santiago and Montserrat, known as Church of Holy Mary in Monserrat of the Spaniards is a Roman Catholic titulus church and National Church in Rome of Spain, dedicated to the Virgin of Montserrat. It is located in the Rione Regola, at the intersection of alleyway of Via della Barchetta and the narrow Via di Monserrato, with the facade on the latter street, about three blocks northwest of the Palazzo Farnese.
Santa Maria della Scala is located in Siena, Italy. Now a museum, it was once an important civic hospital dedicated to caring for abandoned children, the poor, the sick, and pilgrims. Revenues were earned partially from bequests and donations from the citizens of Siena, particularly the wealthy. The head of the hospital was the rector who managed the lay brothers responsible for its operation.
Giotto di Bondone, known mononymously as Giotto and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".
The Chiesa della Santissima Trinità dei Pellegrini is a Roman Catholic church located on Via dei Pettinari #36 In the rione of Regola of central Rome, Italy. It stands a block away from the Palazzo Spada on Via Capo di Ferro, while a few blocks away on the Via dei Pettinari stands the Ponte Sisto.
The Baroncelli Chapel is a chapel located at the end of the right transept in church of Santa Croce, central Florence, Italy.
The Abbey of Santa Giustina is a 10th-century Benedictine abbey complex located in front of the Prato della Valle in central Padua, region of Veneto, Italy. Adjacent to the former monastery is the basilica church of Santa Giustina, initially built in the 6th century, but whose present form derives from a 17th-century reconstruction.
The Santissima Annunziata Maggiore is a basilica church located in the quartieri Pendino near Forcella, in the historic center of Naples, Italy.
Stubbekøbing Church is located in Stubbekøbing some 18 km (11 mi) northeast of Nørre Alslev on the Danish island of Falster. The basilical nave was built of limestone in the Late Romanesque period. Choir and tower are of brick, the choir built in Early Gothic style, tower and the northern chapels in the 15th century in Late Gothic style. In addition to its Renaissance altarpiece and pulpit, it has a variety of old frescos and wall decorations (1300–1500).
The church of Santa Caterina da Siena is located in the city center of Naples, Italy, and while built in the 16th century, the interior was decorated by Baroque era artists over the next two centuries.
Santa Maria della Misericordia is a Renaissance-style, Roman Catholic basilica church and Marian shrine located on Piazza San Vincenzo Maria Strambi, next to the Cathedral, in the center of Macerata, region of Marche, Italy.
Holy Trinity with Saints or Saints Jerome, Paula and Eustochium's Vision of the Holy Trinity is a 1453–1454 fresco by Andrea del Castagno, painted for Gerolamo Corboli just after the same artist's Saint Julian the Hospitaller with Christ the Redeemer in the neighbouring chapel and the lost frescoes of Sant'Egidio. It is still in its original position in Santissima Annunziata, Florence, whilst a sinopia of the three saints is now in the Museo del Cenacolo di Sant'Apollonia, also in Florence.
