The Villa Carducci-Pandolfini is a historic rural palace located on Via Guardavia, on the road between Legnaia and Soffiano. It is located in the town limits of Legnaia. The property is now part of Polo Museale of Tuscany, and open only by appointment.
The 15th-century fortified villa encloses a 14th-century tower. It is best known for its fresco of Illustrious Men and Women painted in 1455 by Andrea del Castagno for a loggia. Rediscovered in 1847, the frescoes were detached and exhibited in Florence. Moved after the flood, they are now stored in the Galleria degli Uffizi. The frescoes depict:
Presently some of the rooms retain frescoes (1472) in situ depicting the Madonna and Child, Adam and Eve and various putti and garlands. [1]
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
Andrea del Castagno or Andrea di Bartolo di Bargilla was an Italian Renaissance painter in Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in Florence Cathedral. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti.
The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately 50 kilometres (31 mi) north-west of Rome, originally commissioned and owned by the House of Farnese. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. This villa is not to be confused with two similarly-named properties of the family, the Palazzo Farnese and the Villa Farnesina, both in Rome.
The Palazzo Pitti, in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker.
The Galleria dell'Accademia di Firenze, or "Gallery of the Academy of Florence", is an art museum in Florence, Italy. It is best known as the home of Michelangelo's sculpture David. It also has other sculptures by Michelangelo and a large collection of paintings by Florentine artists, mostly from the period 1300–1600. It is smaller and more specialized than the Uffizi, the main art museum in Florence. It adjoins the Accademia di Belle Arti or academy of fine arts of Florence, but despite the name has no other connection with it.
Villa del Poggio Imperiale is a predominantly neoclassical former grand ducal villa in Arcetri, just to the south of Florence in Tuscany, Central Italy. Beginning as a villa of the Baroncelli of Florence, it was seized by the Medici, became the home of a Medici princess, and a lavish retreat for a Grand Duchess with imperial pretensions. Later given to Napoleon's sister, it was reclaimed by the hereditary rulers of Tuscany before being finally converted to a prestigious girls' school. During its long history, it has often been at the centre of Italy's turbulent history, and has been rebuilt and redesigned many times.
Giovanni Domenico Ferretti (Giandomenico), also called Giandomenico d'Imola, was an Italian Rococo style painter from Florence. According to the contemporary Giovanni Camillo Sagrestani, Ferretti was a pupil of the Bolognese painter Giuseppe Maria Crespi. Others say he worked with painter Giovanni Gioseffo dal Sole.
Cecco Bravo was an Italian painter of the Florentine Baroque school. His true name was Francesco Montelatici.
Giuseppe Nicola Nasini was an Italian painter of the Baroque period and active in Rome and Tuscany.
Pietro Dandini was an Italian painter of the Baroque period, active mainly in Florence.
Sant'Apollonia was a former Benedictine convent, founded in 1339, just north of the center of Florence, in Italy.
The Hospital of Santa Maria Nuova is the oldest hospital still active in Florence, Italy.
The Last Supper (1493–1496) is a fresco by the Italian Renaissance painter Pietro Perugino, located in the refectory, now museum, of the former Convent of Fuligno located on Via Faenza #42 in Florence, region of Tuscany, Italy.
The Basilica of St. Francis is a parish church and minor basilica in Viterbo, central Italy. The museological management of the church is run by the Polo Museale del Lazio.
The Pitti Tondo is an unfinished marble relief of the Virgin and Child by Michelangelo in round or tondo form. It was executed between 1503 and 1504 while he was residing in Florence and is now in the Museo nazionale del Bargello in Florence.
The Church of the Santuccio or Chiesa del Santuccio, is a small, Renaissance-style, Roman Catholic church located on Via Roma 69 in Siena, Italy. The church was once was part of the adjacent monastery of Santa Maria degli Angeli, occupied since 1362 by Augustinian nuns. The frescoed church is not part of the Polo Museale della Toscana, an association of museums of the Tuscan region.
The Polo Museale del Lazio is an office of Italy's Ministry of Cultural Heritage. Its seat is in Rome in the Palazzo Venezia.
The Medici Villa of Poggio a Caiano, also called Ambra, is one of the most famous Medici villas and is located in Poggio a Caiano (Prato). Today it is state owned and it houses two museums: one of the historic apartments and the Museum of Still Life.
The Oratory of San Desiderio is a prayer hall located on Via Laudesi #53 in Pistoia, region of Tuscany, Italy. It houses 16th century paintings by Sebastiano Vini, Domenico Cresti, Francesco Curradi, and Matteo Rosselli. The oratory is diagonally across from the apse of Santa Maria Nuova.
The Chiostro della Scalzo or is a cloister in Florence, Italy that originally led to a chapel once belonging to a religious company known as the Compagnia del diciplinati di San Giovanni Battista or della Passione di Cristo. The term "scalzo" makes reference to the barefoot brother who carried the Cross during its public processions.