This article may rely excessively on sources too closely associated with the subject , potentially preventing the article from being verifiable and neutral.(May 2025) |
Sally Heller | |
|---|---|
| Born | Sally Heller 1956 (age 69–70) New Orleans, Louisiana, US |
| Education | University of Wisconsin, Virginia Commonwealth University |
| Known for | painting, collage, installation |
| Website | sallyheller |
Sally Heller born (1956) in New Orleans, LA. She is known for the use of everyday materials to make large installations that are often site-specific. [1]
Having resided since 1980 in New Orleans and New York City, highlights of Heller's many solo exhibitions have taken place in prominent regional centers of art around the USA as well as in New York City.
A 1980 exhibition at the Contemporary Art Center in New Orleans was the first public exposure of her work. "Louisiana Major Works Show," curated by Linda L. Cathcart, was a major exhibition featuring 40 Louisiana artists, held at the Barnwell Garden & Art Center in Shreveport. The exhibition was notable for being a significant traveling exhibition of regional work.
In 1993 she created a permanent relief in the NYC subway system Trains of Thought. [2]
Presented in 2004 Hanging by a Thread was as an ambitious mid career exhibition featuring Heller's work of the previous five years. Through fluid sculpture, Heller challenges perceptions of feminist, continuity, and mass- production culture. Contemporary Arts Center, New Orleans [3]
In 2005 Calamitrees, Heller's exhibition at Montserrat College of Art, Beverly, Massachusetts was a large installation that referred to hurricane Katrina [4]
In Heller's 2005 Material Minutiae, installation, the creation of recognizable yet improbable landscapes constructed from cultural detritus, ubiquitous to Heller’s artistic practice, assembles a litany of mundane materials and cultural castoffs into a recognizable yet improbable environment. Richard E. Peeler Art Center, DePauw University, Greencastle, Indiana [5]
Up/Rooted, 2007, an installation and photographs at Gallery Bienvenu in New Orleans, is the artist’s statement about the delicate balance between consumerism and a vulnerable environment. [6]
2008–2025 Scraphouse, New Orleans: installation of public sculpture funded by the Joan Mitchell Foundation, New Orleans [7]
Lewdicrous, in 2012 was a collaborative feminist installation at The Front Gallery in New Orleans [8]
In Orange Alert, a 2016 exhibition at Moore College of Art and Design, Philadelphia Heller used construction materials to create an installation [9]
In 2016 Second Story, Heller created a second metal site-specific sculpture in a private park in St. Rose, LA similar to Scraphouse and again referencing hurricane Katrina. [10]
{{cite web}}: Check |url= value (help)