External links
- Salon des Tuileries, Le Palais de Bois, 1928 catalogue
- Gazette des Sept Arts, dir. Canudo, n. 8, Numéro consacré au premier Salon des Tuileries, 20 May 1923
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The Salon des Tuileries was an annual art exhibition for painting and sculpture, created June 14, 1923, co-founded by painters Albert Besnard and Bessie Davidson, sculptor Antoine Bourdelle, architect Auguste Perret, [1] and others.
The first year's exhibition was conducted in former barracks at the Porte Maillot of the city gates of Paris, near the Bois de Boulogne in a "Palais du Bois" hastily constructed by the Perret brothers. Its location varied afterwards. The Salon, together with the 1884 Société des Artistes Indépendants, the 1903 Salon d'Automne and others, was organized in opposition to the Academy's official Salon system. Annual exhibitions continued at least into the 1950s.
Participating artists included:
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Antoine Bourdelle, born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture.
Auguste Perret was a French architect and a pioneer of the architectural use of reinforced concrete. His major works include the Théâtre des Champs-Élysées, the first Art Deco building in Paris; the Church of Notre-Dame du Raincy (1922–23); the Mobilier National in Paris (1937); and the French Economic, Social and Environmental Council building in Paris (1937–39). After World War II he designed a group of buildings in the centre of the port city of Le Havre, including St. Joseph's Church, Le Havre, to replace buildings destroyed by bombing during World War II. His reconstruction of the city is now a World Heritage Site for its exceptional urban planning and architecture.
The Salon, or rarely Paris Salon, beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. From 1881 onward, it was managed by the Société des Artistes Français.
The Salon d'Automne, or Société du Salon d'automne, is an art exhibition held annually in Paris. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.
The Société des Artistes Indépendants or Salon des Indépendants was formed in Paris on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "sans jury ni récompense". Albert Dubois-Pillet, Odilon Redon, Georges Seurat and Paul Signac were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the Salon d'Automne. This is where artworks were often first displayed and widely discussed. World War I brought a closure to the salon, though the Artistes Indépendants remained active. Since 1920, the headquarters has been located in the vast basements of the Grand Palais.
René Iché was a 20th-century French sculptor.
Société Nationale des Beaux-Arts was the term under which two groups of French artists united, the first for some exhibitions in the early 1860s, the second since 1890 for annual exhibitions.
The Louvre Palace, often referred to simply as the Louvre, is an iconic French palace located on the Right Bank of the Seine in Paris, occupying a vast expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a defensive castle, it has served numerous government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793.
The Pavillon de Flore, part of the Palais du Louvre in Paris, France, stands at the southwest end of the Louvre, near the Pont Royal. It was originally constructed in 1607–1610, during the reign of Henry IV, as the corner pavilion between the Tuileries Palace to the north and the Louvre's Grande Galerie to the east. The pavilion was entirely redesigned and rebuilt by Hector Lefuel in 1864–1868 in a highly decorated Napoleon III style. Arguably the most famous sculpture on the exterior of the Louvre, Jean-Baptiste Carpeaux's Triumph of Flora, was added below the central pediment of the south facade at this time. The Tuileries Palace was burned by the Paris Commune in 1871, and a north facade, similar to the south facade, was added to the pavilion by Lefuel in 1874–1879. Currently, the Pavillon de Flore is part of the Musée du Louvre.
Józef Hecht, also known as Joseph Hecht, was a printmaker and painter. Born and educated in Poland, he made Paris his base from 1920. Trained in classical engraving techniques, Hecht was a founder of "Atelier 17", and had a profound influence on 20th-century printmakers.
Eugène Dodeigne was a French sculptor living and working at Bondues (Nord-Pas-de-Calais).
Jeanne-Henriette Tirman was a French woman painter and printmaker.
Adrien Karbowsky was a French painter, decorator and architect. He is known for his Art Nouveau murals and tapestry designs.
The Galerie Barbazanges was an art gallery in Paris that exhibited contemporary art between 1911 and 1928. The building was owned by a wealthy fashion designer, Paul Poiret, and the gallery was used for Poiret's "Salon d'Antin" exhibitions. The gallery showed the work of avant-garde artists such as Picasso, Modigliani, Gauguin, Matisse, Chagall, and Dufy.
Adelheid Fanny Martha Stettler was a Swiss painter and engraver. She was one of the founders of the Académie de la Grande Chaumière, and was co-principal of the school from 1909 until 1945.
Alice Dannenberg, was an early 20th century French painter of Russian origin who cofounded an art school in Paris, the Académie de la Grande Chaumière.
Margaret Cossaceanu, born Margareta Cosăceanu, later Margaret Cossaceanu-Lavrillier was a French sculptor of Romanian origin.
The Art Deco movement of architecture and design appeared in Paris in about 1910–12, and continued until the beginning of World War II in 1939. It took its name from the International Exposition of Modern Decorative and Industrial Arts held in Paris in 1925. It was characterized by bold geometric forms, bright colors, and highly stylized decoration, and it symbolized modernity and luxury. Art Deco architecture, sculpture, and decoration reached its peak at 1939 Exposition Internationale des Arts et Techniques dans la Vie Moderne, and in movie theaters, department stores, other public buildings. It also featured in the work of Paris jewelers, graphic artists, furniture craftsmen, and jewelers, and glass and metal design. Many Art Deco landmarks, including the Théâtre des Champs-Élysées and the Palais de Chaillot, can be seen today in Paris.
