Samantha Everton is a contemporary Australian artist, who lives and works in Melbourne. She is primarily a photographic artist and creates images with dreamlike and theatrical qualities.
Everton was raised in Emerald, a small town in central Queensland. She grew up with one biological brother and three adopted siblings from South East Asia. Everton's multicultural family gave her an awareness of issues pertaining to race and culture and how people react to difference and departure from normativity. [1] Her works often include motifs of innocence and thematic references to childhood.
Everton studied photography at the Royal Melbourne Institute of Technology, and graduated at the top of her class in 2003. At the start of her photographic career she worked as a cadet photographer for the Melbourne Times , and volunteered in Photographic studios. [2] She has since held group and solo exhibitions worldwide, and has had her images published in several magazines, including Vogue and the New Yorker Magazine . She has also won multiple prestigious awards, including First and third prize at the 2010 Paris International Photography Awards, the 2005 Australian Leica Documentary Photographer of the year award, and the 2003 AIPP Australian Professional Photography awards. [3] Samantha has also collaborated and worked on the cover of Mao's Last Dancer by Li Cunxin.
David Royston Bailey is an English photographer and director, most widely known for his fashion photography and portraiture, and role in shaping the image of the Swinging Sixties.
Guy Bourdin, was a French artist and fashion photographer known for his provocative images. From 1955, Bourdin worked mostly with Vogue as well as other publications including Harper's Bazaar. He shot ad campaigns for Chanel, Charles Jourdan, Pentax and Bloomingdale's.
Lois Greenfield is an American photographer best known for her unique approach to photographing the human form in motion. Born in New York City, she attended Hunter College Elementary School, the Fieldston School, and Brandeis University. Greenfield majored in Anthropology and expected to become an ethnographic filmmaker but instead, she became a photojournalist for local Boston newspapers. She traveled around the world on various assignments as a photojournalist but her career path changed in the mid-1970s when she was assigned to shoot a dress rehearsal for a dance concert. Greenfield has since specialized in photographing dancers in her photo studio as part of her exploration of the expressive potential of movement.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Zhang Jingna is a Chinese-born Singaporean photographer widely known as "zemotion." Her works have appeared on multiple editions of Vogue, Elle and Harper's Bazaar. She was named on the Forbes 30 Under 30 Asia list 2018.
Olive Cotton was a pioneering Australian modernist photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.
Brian Duffy was an English photographer and film producer, best remembered for his fashion and portrait photography of the 1960s and 1970s.
Julie Rrap is an Australian contemporary artist who was raised on the Gold Coast in Queensland She was born Julie Parr, and reversed her name to express her sense of opposition. Since the mid-1970's she has worked in photography, painting, sculpture, video and performance. Julie's work expresses her interest in images of the body, especially the female body. She has participated in many exhibitions in Australia and abroad, won many awards, and is represented in major public and private collection in Australia and New Zealand, as well as in Belgium, Netherlands, Switzerland, Italy, France, and the U.S.A.
Susan Fereday is an Australian artist, writer, curator and educator. She holds a doctorate from Monash University, Melbourne. She was born in Adelaide, South Australia.
Gianni Forte is an Italian artist, born in Rome (Italy). He works in visual media, mainly photography and he is a member of the Royal Photographic Society (ARPS).
Joyce Olga Evans, B.A., Dip. Soc. Stud. was an Australian photographer active as an amateur from the 1950s and professional photographic artist from the 1980s, director of the Church Street Photography Centre in Melbourne (1976–1982), art curator and collector, and tertiary photography lecturer.
Polly Borland is an Australian photographer who formerly resided in England from 1989 to 2011, and now lives in Los Angeles, United States. She is known both for her editorial portraits and for her work as a photographic artist.
Ruth Maddison is an Australian photographer born in 1945. She started photography in the 1970s and continues to make contributions to the Australian visual arts community.
Sandy Edwards is an Australian photographer born in 1948. Edwards specialises in documentary photography and photographic curation. Born in Bluff, New Zealand in 1948 Edwards arrived in Sydney in 1961. Edwards was at the forefront of a group of progressive photographers in the 1970s and 80s who were driven to create documentary work that recorded social conditions and had the intent to change these conditions. Edwards' work largely drew from feminist ideals and the media's representation of women as well as the portrayal of Aboriginal communities in Australia.
Debra Phillips is an Australian artist. Her main practice is photography but she also works across other forms such as sculpture and moving image. She has been an exhibiting artist since the 1980s, is a part of many collections, and has won multiple awards for her work. Phillips resides in Sydney and is a senior lecturer at The College of Fine Arts, University of New South Wales.
Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories. Her work has been included in major Australian exhibitions such as Melbourne Now (2013) at the National Gallery of Victoria and Know My Name (2021/22) at the National Gallery of Australia. Hawke's work is represented in the collections of numerous significant institutions including the National Gallery of Victoria, National Gallery of Australia, Queensland Art Gallery, State Library of Victoria, City of Melbourne, Horsham Regional Gallery, Monash Gallery of Art, the Women's Art Register, and the Jewish Museum of Australia. Hawkes has collaborated with the Pram factory and Circus Oz, and was the first administrator of the Women's Theatre Group in the 1970s.
Ruth Miriam Hollick was an Australian portrait and fashion photographer who was one of Melbourne's leading Pictorialist photographers during the 1920s.
Lynne Roberts-Goodwin is an Australian photographer, video and installation artist. As one of Australia's leading contemporary artists, she has influenced a generation of visual arts practitioners depicting nature and the landscape. Her photographic work has been described as "grounded in a deep concern for nature and humanity". She has received numerous awards, and her work is held in private and public collections nationally and internationally.
Jacky Redgate is an Australian-based artist who works as a sculptor, an installation artist, and photographer. Her work has been recognised in major solo exhibitions surveying her work has been included in many group exhibitions in Australia, Japan and England. Her works are included in major Australian galleries including the National Gallery and key state galleries.
Katrin Koenning is a German-born Australian photographer, photojournalist and videographer whose work has been exhibited and published since 2007.