Samantha Owens | |
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Awards | Fellow of the Australian Academy of the Humanities, John Simkin Medal |
Academic background | |
Alma mater | Victoria University of Wellington |
Thesis | |
Doctoral advisor | Peter Walls |
Samantha Kim Owens FAHA is a New Zealand oboe player, musicologist and music historian. She is a Fellow of the Australian Academy of the Humanities, and was awarded the Lilburn Research Fellowship for 2025.
Owens completed a PhD on the Württemberg court chapel and it musicians, at Victoria University of Wellington. [1] In 2001, Owens joined the faculty of the School of Music at the University of Queensland, where she worked until 2015, at which point she moved to the New Zealand School of Music at Victoria University of Wellington. [2] She rose to full professor in 2019 and gave her inaugural professorial lecture in 2023. [3] [2] Owens remains an honorary professor at the University of Queensland. [2] Owens became a freelance musicologist in 2024. [2] She is also known as an oboe player. [4]
Owens research covers music performance and culture, including the history of German music and musicians in Australasia, court music in Germany in the early modern period, the history of the oboe, and professional women musicians in the 17th and 18th centuries. [2] [5] She has written and edited a number of books and monographs, and her editions of musical works by Johann Sigismund Kusser have been performed in Ireland, London and Germany. [6]
Owens was elected a Fellow of the Australian Academy of the Humanities in 2012. [5] Owens has twice held a Von Humboldt Fellowships, and has been a visiting fellow at the Martin Luther University Halle-Wittenberg, the Bach Archive in Leipzig, the Herzog August Library in Wolfenbuettel, and at Clare Hall, University of Cambridge. [5] [7] [8]
In 2012, Owens was awarded the Australian and New Zealand Society of Indexers medal, for the index of the Boydell Press 2011 book Music at German Courts: Changing Artistic Priorities. [6] [2]
Owens was awarded the Lilburn Research Fellowship for 2025, for a project on the history of brass bands in New Zealand. [4] [9]