San Basilio, Córdoba

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San Basilio quarter, Cordoba San Basilio locator map.svg
San Basilio quarter, Córdoba

San Basilio (Spanish : Barrio de San Basilio) is one of the neighbourhoods in the Centro district of Córdoba, Spain. It is bordered by the River Guadalquivir to the southeast. [1] The district was specifically included in the Historic centre of Córdoba as part of the UNESCO World Heritage site. [2] Among its historic monuments are the Alcázar de los Reyes Cristianos and the Royal Stables of Córdoba.

Spanish language Romance language

Spanish or Castilian, is a Western Romance language that originated in the Castile region of Spain and today has hundreds of millions of native speakers in the Americas and Spain. It is a global language and the world's second-most spoken native language, after Mandarin Chinese.

Guadalquivir river in Spain

The Guadalquivir is the fifth longest river in the Iberian Peninsula and the second longest river with its entire length in Spain. The Guadalquivir river is the only great navigable river in Spain. Currently it is navigable from the Gulf of Cádiz to Seville, but in Roman times it was navigable to Córdoba.

Historic centre of Córdoba cultural property in Córdoba, Spain

The historic centre of Córdoba, Spain is one of the largest of its kind in Europe. In 1984, UNESCO registered the Mosque–Cathedral of Córdoba as a World Heritage Site. A decade later, it expanded the inscription to include much of the old town. The historic centre has a wealth of monuments preserving large traces of Roman, Arabic, and Christian times.

Contents

History

San Basilio is named after the saint to whom the parish of Nuestra Señora de la Paz (Our Lady of Peace) was dedicated. It has a history going back to the years immediately following Córdoba's conquest by the Spaniards in 1236. At the beginning of the 15th century, it was decided to combat the city's lagging population by accommodating crossbowmen and their families there, especially as they could also man the surrounding defences. [3]

The quarter has three main streets which run parallel to each other: Postera, Enmedio and San Basilio. Unlike the winding streets elsewhere in the city centre, they are perfectly straight, introducing a more rational approach to urban planning. By contrast, the generally two-storey, whitewashed houses have an Arabic look, arranged as they are around central courtyards or patios forming a neighbourhood known as "Los Patios Cordobeses". From the late 14th century, the area was occupied by Jewish converts who created a ghetto. An attempt to banish them failed, thanks to mediation by the Catholic monarchs in 1479. However, as a result of poor sanitation, they were later moved to nearby San Nicolas de la Villa. [3]

One of the most interesting structures in San Basilio is the Torre de Belén, a fine example of a former defensive gate providing access to a walled enclosure. The parish Church of San Basilio, on the site of a monastery founded in 1590, is built in the 17th-century Baroque style with period furnishings. [4] The 18th-century convent "Cofradía de Nuestra Señora de la Paz" houses the richly decorated altarpiece from the former "Convento de Santa Clara". [3]

Torre de Belén

The Torre de Belén is located in the San Basilio neighbourhood of Córdoba, Spain. It forms part of the Historic centre of Córdoba, a UNESCO World Heritage site. The tower is a fine example of a former defensive gate providing access to a walled enclosure.

Baroque cultural movement, starting around 1600

The Baroque is a highly ornate and often extravagant style of architecture, music, painting, sculpture and other arts that flourished in Europe from the early 17th until the mid-18th century. It followed the Renaissance style and preceded the Rococo and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain and Portugal, then to Austria and southern Germany. By the 1730s, it had evolved into an even more flamboyant style, called rocaille or Rococo, which appeared in France and central Europe until the mid to late 18th century.

Altarpiece artwork (painting, sculpture or relief) behind the altar

An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation.

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References

  1. "Distrito Centro" (PDF) (in Spanish). Ayuntamiento de Córdoba. Retrieved 2 January 2014.
  2. "Historic Centre of Cordoba". UNESCO. Retrieved 30 December 2013.
  3. 1 2 3 "El Alcázar Viejo" (in Spanish). Arte en Córdoba. Retrieved 2 January 2013.
  4. "Iglesia de San Basilio" (in Spanish). Córdoba: ciudad de encuento. Retrieved 2 January 2014.

Coordinates: 37°52′30″N04°47′00″W / 37.87500°N 4.78333°W / 37.87500; -4.78333

Geographic coordinate system Coordinate system

A geographic coordinate system is a coordinate system that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are often chosen such that one of the numbers represents a vertical position and two or three of the numbers represent a horizontal position; alternatively, a geographic position may be expressed in a combined three-dimensional Cartesian vector. A common choice of coordinates is latitude, longitude and elevation. To specify a location on a plane requires a map projection.