San Giovanni Evangelista | |
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![]() San Giovanni Evangelista | |
Religion | |
Affiliation | Roman Catholic |
Province | Venice |
Location | |
Location | Venice, Italy |
Geographic coordinates | 45°26′17″N12°19′34″E / 45.438°N 12.326°E Coordinates: 45°26′17″N12°19′34″E / 45.438°N 12.326°E |
Architecture | |
Completed | 15th-century |
The church of San Giovanni Evangelista is a 15th-century religious building in the San Polo sestiere of the Italian city of Venice. It stands across a courtyard from the Scuola Grande di San Giovanni Evangelista.
Construction on the church has taken place in three phases, the first in 1425. Reconstruction has taken place in 1645 and again recently to repair earthquake damage. [1]
San Giovanni Evangelista was historically decorated by a series of frescoes, depicting both biblical and classical themes. Some art from San Giovanni has been removed for display at international museums or scholarly research. [2]
It is located on the Calle del Magazzen close to the Scuola Grande di San Rocco. The church accepts visitors between Monday to Friday 9.30am to 12.30pm. [3]
Gentile Bellini was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life.
The Church of Saint Roch is a Roman Catholic church dedicated to Saint Roch in Venice, northern Italy. It was built between 1489 and 1508 by Bartolomeo Bon the Younger, but was substantially altered in 1725. The façade dates from 1765 to 1771, and was designed by Bernardino Maccarucci. The church is one of the Plague-churches built in Venice.
Vittore Carpaccio was an Italian painter of the Venetian school, who studied under Gentile Bellini. He is best known for a cycle of nine paintings, The Legend of Saint Ursula. His style was somewhat conservative, showing little influence from the Humanist trends that transformed Italian Renaissance painting during his lifetime. He was influenced by the style of Antonello da Messina and Early Netherlandish art. For this reason, and also because so much of his best work remains in Venice, his art has been rather neglected by comparison with other Venetian contemporaries, such as Giovanni Bellini or Giorgione.
Giovanni di Niccolò Mansueti was an Italian painter.
Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
The Scuola Grande di San Rocco is a building in Venice, northern Italy. It is noted for its collection of paintings by Tintoretto and generally agreed to include some of his finest work.
San Giovanni Teatino is a comune and town in the Province of Chieti in the Abruzzo region of Italy. Until 1894 this comune was known as Forcabobolina. Situated on a hill overlooking the valley of the river Pescara (Aterno-Pescara), in recent years the place has undergone an industrial development, especially in the area of Sambuceto. Abruzzo Airport is also located in a portion of the municipal territory, close to the border with Pescara. In fact, the municipality is virtually divided into two, San Giovanni Teatino (Alto), which is the historic village on the hill, and the aforementioned Sambuceto, an ever-growing urban settlement, home to a large shopping area and an important industrialized area.<>
Giuseppe Angeli was an Italian painter of the late-Baroque, known for depicting both genre and religious subjects.
Charitable institutions attached to churches in Rome were founded right through the medieval period and included hospitals, hostels, and others providing assistance to pilgrims to Rome from a certain "nation", which thus became these nations' national churches in Rome. These institutions were generally organised as confraternities and funded through charity and legacies from rich benefactors belonging to that "nation". Often also they were connected to national "scholae", where the clergymen were trained. The churches and their riches were a sign of the importance of their nation and of the prelates that supported them. Up to 1870 and Italian unification, these national churches also included churches of the Italian city states.
The Scuole Grandi were confraternity or sodality institutions in Venice, Italy. They were founded as early as the 13th century as charitable and religious organizations for the laity. These institutions had a capital role in the history and development of music. Inside these Scuole were born at the beginning of 16th century the first groups of bowed instrument players named "Violoni".
The Scuola Grande di San Giovanni Evangelista is a confraternity building located in the San Polo sestiere of the Italian city of Venice. Founded in the 13th century by a group of flagellants it was later to become one of the five Scuole Grandi of Venice. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. The Scuola Grande di San Giovanni Evangelista is notable for housing a relic of the true cross and for the series of paintings it commissioned from a number of famous Venetian artists depicting Miracles of the Holy Cross. No longer in the school, these came into public ownership during the Napoleonic era and are now housed in the Gallerie dell'Accademia. The scuola is open to visitors on a limited number of days, detailed on the official website.
Edelweiss Emission is a Swiss independent record label that was founded in 1989. It is dedicated to classical and ancient music.
Christ Carrying the Cross is a 1505 oil painting attributed to either the Italian Renaissance master Titian or Giorgione. It is located in the Scuola Grande di San Rocco in Venice, Italy.
The Procession in St. Mark's Square is a painting by Italian Renaissance artist Gentile Bellini, dating from 1496. It is now housed in the Gallerie dell'Accademia in Venice.
The Miracle of the Cross at the Bridge of S. Lorenzo is a painting by Italian Renaissance artist Gentile Bellini, dating from 1500. It is now housed in the Gallerie dell'Accademia in Venice.
The Miracle of the Cross at the Ponte di Rialto, also known as The Healing of the Madman is a painting by Italian Renaissance artist Vittore Carpaccio, dating from c. 1496. It is now housed in the Gallerie dell'Accademia in Venice.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.
Chiesa di San Giovanni Evangelista Organ Case is a set of four tempera on canvas paintings produced by Moretto da Brescia, c. 1535. The inner sides show stories from the life of John the Baptist and scenes from the life of John the Evangelist. They now hang on the walls of the chancel of the church for which they were painted, San Giovanni Evangelista in Brescia.
Massacre of the Innocents is an oil painting by Moretto da Brescia, executed in 1531-1532, originally painted on panel but later transferred to canvas. It is on display on a side altar in San Giovanni Evangelista church in Brescia.
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