Otto Koloman Wagner was an Austrian architect, furniture designer and urban planner. He was a leading member of the Vienna Secession movement of architecture, founded in 1897, and the broader Art Nouveau movement. Many of his works are found in his native city of Vienna, and illustrate the rapid evolution of architecture during the period. His early works were inspired by classical architecture. By mid-1890s, he had already designed several buildings in what became known as the Vienna Secession style. Beginning in 1898, with his designs of Vienna Metro stations, his style became floral and Art Nouveau, with decoration by Koloman Moser. His later works, 1906 until his death in 1918, had geometric forms and minimal ornament, clearly expressing their function. They are considered predecessors to modern architecture.
The Belvedere is a historic building complex in Vienna, Austria, consisting of two Baroque palaces, the Orangery, and the Palace Stables. The buildings are set in a Baroque park landscape in the third district of the city, on the south-eastern edge of its centre. It houses the Belvedere museum. The grounds are set on a gentle gradient and include decorative tiered fountains and cascades, Baroque sculptures, and majestic wrought iron gates. The Baroque palace complex was built as a summer residence for Prince Eugene of Savoy.
A sanatorium, also sanitarium or sanitorium, is a historic name for a specialised hospital for the treatment of specific diseases, related ailments, and convalescence. Sanatoriums are often in a healthy climate, usually in the countryside. The idea of healing was an important reason for the historical wave of establishments of sanatoria, especially at the end of the 19th and early 20th centuries. One sought, for instance, the healing of consumptives especially tuberculosis or alcoholism, but also of more obscure addictions and longings of hysteria, masturbation, fatigue and emotional exhaustion. Facility operators were often charitable associations, such as the Order of St. John and the newly founded social welfare insurance companies.
Klosterneuburg, frequently abbreviated to Kloburg by locals, is a town in the Tulln District of the Austrian state of Lower Austria. It has a population of about 27,500. The Stift Klosterneuburg, which was established in 1114 and soon after given to the Augustinians, is of particular historical importance.
The Wiener Werkstätte, established in 1903 by the graphic designer and painter Koloman Moser, the architect Josef Hoffmann and the patron Fritz Waerndorfer, was a productive association in Vienna, Austria that brought together architects, artists, designers and artisans working in ceramics, fashion, silver, furniture and the graphic arts. The Workshop was "dedicated to the artistic production of utilitarian items in a wide range of media, including metalwork, leatherwork, bookbinding, woodworking, ceramics, postcards and graphic art, and jewelry." It is regarded as a pioneer of modern design, and its influence can be seen in later styles such as Bauhaus and Art Deco.
The Vienna Secession is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession exhibitions hall designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called Ver Sacrum, which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the Secession Building. In its current form, the Secession exhibition gallery is independently led and managed by artists.
Kirche am Steinhof, also called the Church of St. Leopold, is the Roman Catholic oratory of the Otto-Wagner-Spital in the area of Steinhof in Vienna, Austria. The building, designed by Otto Wagner, is considered one of the most important Art Nouveau churches in the world.
The Österreichische Galerie Belvedere is a museum housed in the Belvedere palace, in Vienna, Austria.
Koloman Moser was an Austrian artist who exerted considerable influence on twentieth-century graphic art. He was one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte.
The Stoclet Palace is a mansion in Brussels, Belgium. It was designed by the Austrian architect Josef Hoffmann for the Belgian financier Adolphe Stoclet. Built between 1905 and 1911 in the Vienna Secession style, it is located at 279–281, avenue de Tervueren/Tervurenlaan, in the Woluwe-Saint-Pierre municipality of Brussels. Considered Hoffman's masterpiece, the residence is one of the 20th century's most refined and luxurious private houses.
Portrait of Adele Bloch-Bauer I is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.
Paulus Manker is an Austrian film director and actor, as well as an author and screenplay writer.
Josef Hoffmann was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte. His most famous architectural work is the Stoclet Palace, in Brussels, (1905–1911) a pioneering work of Modern Architecture, Art Deco and peak of Vienna Secession architecture.
Alma is an example of site-specific promenade theatre created by Israeli writer Joshua Sobol based on the life of Alma Mahler-Werfel. It opened in 1996, under the direction of Austrian Paulus Manker, at a former Jugendstil sanatorium building designed by architect Josef Hoffmann located in Purkersdorf near Vienna; and subsequently toured to locations in Venice, Lisbon, Los Angeles, Petronell, Berlin, Semmering, Jerusalem, and Prague.
Ernst Schwadron (1896–1979) was an Austrian architect and interior designer.
Gustav Nebehay was an Austrian art dealer and patron of the arts.
The Burning Child is a 2019 American-Austrian feature documentary film directed by Joseph Leo Koerner and Christian D. Bruun. Created by Harvard art historian Joseph Koerner, the film explores Viennese architectural Modernism through the story of Koerner's father, painter Henry Koerner, who escaped Vienna after Adolf Hitler's annexation of Austria. Part documentary, part personal narrative, part dream sequence, the film explores themes of home, landscape, memory, trauma, repetition, and exile. The film began streaming on Amazon Prime in 2022. A new German version of the film, titled Wohnungswanderung,is underway. A director's cut was screen May 7 2024 as the inaugural film presentation at the newly expanded Wien Museum.
The Art Deco movement of architecture and design appeared in Brussels, Belgium, immediately after World War I when the famed architect Victor Horta began designing the Centre for Fine Arts, and continued until the beginning of World War II in 1939. It took its name from the International Exposition of Modern Decorative and Industrial Arts held in Paris in 1925. At the end of World War II, Art Deco in Brussels faded to make way for the modernist and international architectural styles that would mark the postwar period.
Yella Hertzka was an Austrian women's rights and peace activist, school director, and music business executive. She began working in women's humanitarian and social improvement projects in 1900. Co-founding the Neuer Wiener Frauenklub in 1903, she served as its president from 1909 to 1933. From 1904 she participated in the international women's rights movements, supporting women's suffrage and pacifism. In 1919, she attended the Zürich congress of the Women's International League for Peace and Freedom (WILPF). She was a co-founder of the Austrian section of the WILPF, organized its 1921 Vienna Congress, and attended every international WILPF congress held between 1919 and 1948. She worked to free prisoners of war after World War I and during World War II helped those wanting to emigrate or oppose the draft.
