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Sandra Binion is a Swedish-American artist based in Chicago whose artistic practice includes fine-art exhibitions, multimedia installations involving, and performance art. Her work has been performed and exhibited at museums, galleries, theaters, and festivals in the US, Europe, and Japan. Some of the venues that have featured her work include the Evanston Art Center, Link's Hall, Kunstraum (Stuttgart), The Goodman Theatre, and Los Angeles Institute of Contemporary Art.
Her early performance art, begun in the mid-1970s is frequently affiliated with Fluxus performances. After graduating with a BFA in dance from University of Cincinnati – College-Conservatory of Music in 1975, she performed in Charlotte Moorman's Annual Avant-Garde Art Festival in 1974, 1975, and 1978. Egyptian Frieze Walk was performed in the Festival's 15th iteration in Cambridge, MA. Documentation of these performances was included in Block Museum of Art's Feast of Astonishments: Charlotte Moorman and the Avant-Garde, 1960s-1980s. [1] Her early performances of the 1970s, often challenge the separation between art and life, elevating mundane activities like ironing clothes, scrubbing steps, dining and doing laundry, and incorporating them into art performances. Her live performances often incorporate live sound performances; She has collaborated with sound artists and musicians such as Lou Mallozzi, [2] Michael Zerang, [3] and Tatsu Aoki.[ citation needed ]
Since the early 1980s, she has also created installation artwork. In 1992 she earned a MFA in Filmmaking from the School of the Art Institute of Chicago. Her installations range from single-channeled video installations to entire multi-channeled video architectural facades (such as "Seasons" installed at Hyde Park Arts Center in 2007), and often expand to incorporate media such as sound and photography, as well as scents (such as her 2016 installation of Distille).
Her recent exhibitions have emphasized her work in photography and painting, which she has been involved in throughout her career. Her early photographic-collaborations include work with Dirk Bakker. Many of her artworks make reference to literary works, including readings from novels by Marguerite Duras, [4] and most recently Gustave Flaubert's Madame Bovary.
As an arts organizer she has curated exhibitions at Experimental Sound Studio in Chicago since 2007. In 2010 she began the 70+ Visual Artist Oral Archive project with Linda L Kramer, which documents contributions and achievements of Chicago artists aged 70 and above. The archives will be stored at the Ryerson and Burnham Libraries at the Art Institute of Chicago.
Public collections that hold works by Sandra Binion include: University Art Museum of Kyoto City University of Arts (Japan), Bibliothèque patrimoniale Villon (Rouen, France), Musée Flaubert (Rouen, France), Museo della Grafica di Pisa (Italy), The Art Institute of Chicago, Chicago History Museum, Detroit Institute of Arts, Museum of Fine Arts Houston, International Center of Photography (New York), Monasterio de San Lazzaro degli Armeni (Venice, Italy), Museum of Modern Art (New York). Binion also has works in private collections in India, France, Italy, Germany, Switzerland, Japan, and the United States.
Nam June Paik was a Korean artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Alan Berliner is an American independent filmmaker. The New York Times has described Berliner's work as "powerful, compelling and bittersweet... full of juicy conflict and contradiction, innovative in their cinematic technique, unpredictable in their structures... Alan Berliner illustrates the power of fine art to transform life."
The Block Museum of Art is a free public art museum located on the campus of Northwestern University in Evanston, Illinois. The Block Museum was established in 1980 when Chicago art collectors Mary and Leigh B. Block donated funds to Northwestern University for the construction of an art exhibition venue. In recognition of their gift, the university named the changing exhibition space the Mary and Leigh Block Gallery. The original conception of the museum was modeled on the German kunsthalle tradition, with no permanent collection, and a series of changing temporary exhibits. However, the Block Museum soon began to acquire a permanent collection as the university transferred many of its art pieces to the museum. In recognition of its growing collection and its expanding programming, the Gallery became the American Alliance of Museums accredited Mary and Leigh Block Museum of Art in 1998. The Block embarked on a major reconstruction project in 1999 and reopened in a new facility in September 2000.
María Magdalena Campos-Pons is a Cuban-born artist based in Nashville, Tennessee. Campos-Pons works primarily in photography, performance, audiovisual media, and sculpture. She is considered a "key figure" among Cuban artists who found their voice in a post-revolutionary Cuba. Her art deals with themes of Cuban culture, gender and sexuality, multicultural identity as well as interracial family (Cuban-American), and religion/spirituality.
Susan Silas is a visual artist working primarily in video, sculpture and photography. Her work, through self-portraiture, examines the meaning of embodiment, the index in representation, and the evolution of our understanding of the self. She is interested in the aging body, gender roles, the fragility of sentient being and the potential outcome of the creation of idealized selves through bio-technology and artificial intelligence.
Sonia Khurana is an Indian artist. She works with lens-based media: photo, video, and the moving image, as well as performance, text, drawing, sound, music, voice, and installation.
Peter Sarkisian is an American new media artist based in Santa Fe, New Mexico. He combines video projection and sculpture to create hybrid-format, multi-media installations.
Venia Bechrakis is a visual artist who lives and works in Athens and New York City.
Marina Rosenfeld is an American composer, sound artist and visual artist based in New York City. Her work has been produced and presented by the Park Avenue Armory, Museum of Modern Art, Portikus (Frankfurt), Donaueschinger Musiktage, and such international surveys as documenta 14 and the Montreal, Liverpool, PERFORMA, and Whitney biennials, among many others. She has performed widely as an improvising turntablist, and served as co-chair of Music/Sound in the MFA program at the Milton Avery School of the Arts, Bard College, from 2007 to 2020. She has also taught at Harvard, Yale, Brooklyn College, and Dartmouth.
Raphaele Shirley is a French-American artist.
Haleh Jamali is an Iranian artist currently living and working in Scotland. She works with a wide range of media and techniques that include painting, photography, installation, video, and performance. She completed her Bachelors of Arts in Painting at the College of Fine Arts, University of Tehran, in 2005. In 2007, she received her MA in Art and Media Practice from the University of Westminster, London. Her works focus on the hidden layers beneath the visible by using the media of painting and installation.
Mona Kuhn is a German-Brazilian contemporary photographer best known for her large-scale photographs of the human form and essence. An underlying current in Kuhn's work is her reflection on our longing for spiritual connection and solidarity. As a result, her approach is unusual in that she develops close relationships with her subjects, resulting in images of remarkable intimacy. Kuhn's work shows the human body in its natural state while simultaneously re-interpreting the nude as a contemporary canon of art. Her work often references classical themes, has been exhibited internationally, and is held in several collections including the J. Paul Getty Museum, The Los Angeles County Museum of Art, the Hammer Museum and the Pérez Art Museum Miami.
Jane Jin Kaisen is a visual artist and filmmaker based in Copenhagen, Denmark.
Michèle Magema is a Congolese-French video, performance, and photography artist. She currently resides in Nevers.
Deanna Bowen is an interdisciplinary artist whose practice includes films, video installations, performances, drawing, sculpture and photography. Her work addresses issues of trauma and memory through an investigation of personal and official histories related to slavery, migration, civil rights, and white supremacy in Canada and the United States. Bowen is a dual citizen of the US and Canada. She lives and works in Montreal.
Marion Wilson is an American artist whose mixed media installations have gained critical attention.
Kathy Rae Huffman is an American curator, writer, producer, researcher, lecturer and expert for video and media art. Since the early 1980s, Huffman is said to have helped establish video and new media art, online and interactive art, installation and performance art in the visual arts world. She has curated, written about, and coordinated events for numerous international art institutes, consulted and juried for festivals and alternative arts organisations. Huffman not only introduced video and digital computer art to museum exhibitions, she also pioneered tirelessly to bring television channels and video artists together, in order to show video artworks on TV. From the early 1990s until 2014, Huffman was based in Europe, and embraced early net art and interactive online environments, a curatorial practice that continues. In 1997, she co-founded the Faces mailing list and online community for women working with art, gender and technology. Till today, Huffman is working in the US, in Canada and in Europe.
Kris Lemsalu is a contemporary artist based in Tallinn, Estonia and Vienna, Austria. She studied art at the Estonian Academy of Arts, the Royal Danish Academy of Fine Arts, and the Academy of Fine Arts Vienna. Eccentric with color and material, she uses props, costumes, and other natural materials to portray her artwork. In these installations, Lemsalu sculpts an installation that "gives birth to a world of shamanic force, visionary weirdness, and collective revival." By playing with traditions, Lemsalu blurs the origin and scenically removes their dogma. She avoids "concrete labeling, simultaneously showing us the absurdity of as well as the effectiveness of rituals. From this collective transformative euphoria emerges a belief in the possibility of human redemption." "A punk pagan trickster feminist sci-fi shaman, Kris Lemsalu gathers together both collected and crafted objects into totemic sculptures and hallucinatory environments, animated with performances by the artist and her coterie of collaborators;" her work being shown in many places, including Berlin, Copenhagen and Tokyo. In 2015, she participated in Frieze Art Fair New York, where her work Whole Alone 2 was selected among of five best exhibits by the Frieze New York jury.
Ellen Rothenberg is an American visual artist and writer whose socio-political art manifests itself in performance, installation, objects, and visual essays.
Andrea Geyer is a German and American multi-disciplinary artist who lives and works in New York City. With a particular focus on those who identify or at some point were identified as women, her works use photography, performance, video, drawing and painting to activate the lingering potential of specific events, sites, or biographies. Geyer focus on the themes of gender, class, national identity and how they are constantly negotiated and reinterpreted against a frequent backdrop of cultural meanings and memories. Geyer has exhibited at institutions such as the San Francisco Museum of Modern Art (SFMOMA), MOMA, and The Whitney Museum.
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