The topic of this article may not meet Wikipedia's notability guideline for biographies .(May 2014) |
Sandra M. Castillo | |
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Born | April 29, 1962 |
Alma mater | Florida State University |
Known for | Being a poet and a professor |
Sandra M. Castillo is a poet and South Florida resident. She was born in Havana, Cuba and emigrated on one of the last of President Lyndon B. Johnson's Freedom Flights. Castillo's family's number for the Freedom Flights was 160,633. [1] Sandra Castillo is not only a poet, but also a professor at Miami Dade College and she teaches in the History Department.
She attended Florida State University, receiving both a Bachelor's and ultimately master's degree in Creative Writing.
Her work has appeared in various literary magazines, including: Puerto del Sol , Lake Effect,Borderlands, Texas Poetry Review, Nimrod International Journal,Gulf Stream, The Florida Review,The Southeast Review, and Tigertail, A South Florida Poetry Annual, as well as in various anthologies including: Paper Dance: 52 Latino Poets,A Century of Cuban-American Writers in Florida, Little Havana Blues, Touching the Fire: Fifteen Poets of Today's Latino Renaissance, Cool Salsa: On Growing Up Latino in the U.S.,Like Thunder: Poets Respond to Violence in America, American Diaspora: the poetry of displacement and Burnt Sugar Cana Quemada: Contemporary Cuban Poetry in English and Spanish.
Her chapbook entitled Red Letters was published by Apalachee Press in 1991.
Her bilingual poetry book, “Eating Moors and Christians.” where she uses food to speak about colonialism.
Her collection entitled My Father Sings to My Embarrassment (White Pine Press, 2002), was selected by Cornelius Eady who called Castillo "A tough, clear-eyed poet who is willing to gamble with passion (thank God!!) in order to get the poem where it needs to go."
In My Father Sings to My Embarrassment, Castillo delves into her Cuban childhood, and we follow her family as they "start over without a language." The poems chronicle the visit of a Cuban uncle, who is surrounded by relatives that "twenty years and English have turned into strangers," and Castillo's bittersweet return to her homeland: "Even a map cannot show you the way back to a place that no longer exists."
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