Sandra Seaton | |
---|---|
Born | Columbia, Tennessee, U.S. |
Occupation | Playwright, librettist |
Alma mater | University of Illinois Urbana-Champaign |
Notable works | The Bridge Party, The Will, Music History, From The Diary of Sally Hemings |
Notable awards | Mark Twain Award |
Spouse | James Seaton |
Website | |
www |
Sandra Cecelia Seaton is an American playwright and librettist. [1] She received the Mark Twain Award from the Society for the Study of Midwestern Literature in 2012. [2] [3] Seaton taught creative writing and African-American literature at Central Michigan University for 15 years as a professor of English. [2]
Seaton was born in Columbia, Tennessee, to Albert Sampson Browne Jr. and Hattye Evans, both teachers. [1] After Seaton's parents divorced, her mother remarried and the family moved to Chicago's West Side in 1949. Seaton's grandmother, Emma Louish Evans, often performed at amateur minstrel shows and had a strong influence on her granddaughter's work. Evans gave Seaton a deep pride in the work of Flournoy Miller, a family member, who wrote the book for the pioneering all black musical Shuffle Along in 1921. [1] Seaton graduated from Farragut High School in Chicago and received her Bachelor of Arts from the University of Illinois Urbana-Champaign in Arts and Letters (Creative Writing). At Illinois, she studied with John Frederick Nims, George Scouffas, and Webster Smalley. She earned a Master of Arts degree in creative writing from Michigan State University, where she studied under Linda Wagner-Martin and Robert Martin. Seaton is also a member of Alpha Kappa Alpha sorority.
She married James Seaton, literary critic and professor of English at Michigan State University; the couple has four children. [1]
Seaton is the author of 14 plays, opera librettos, a spoken-word piece, and short fiction. Ruby Dee, Adilah Barnes, Kim Staunton, Michele Shay and Linda Gravatt appeared in a 1998 production of her first play, The Bridge Party, at the University of Michigan, a work inspired by local events. [4] [5] The play is anthologized in Strange Fruit: Plays on Lynching by American Women (1998). [1] Seaton's literary works have been featured by the Michigan State University in their Michigan Writers Series. [6]
Seaton wrote the libretto for the solo opera From the Diary of Sally Hemings (2001) for the composer William Bolcom. [7] The fictional work is a depiction of the innermost thoughts of Sarah "Sally" Hemings, an enslaved woman of mixed race who is believed to have had a sexual relationship with Thomas Jefferson. Bolcom asked Seaton to create "diary" entries that would provide the text for his song cycle From The Diary of Sally Hemings. Seaton spent more than a year doing research to create a "diary" that would be historically plausible. As David Lewman pointed out in an article on Seaton's libretto, "It was a challenge. Though there is voluminous material on Jefferson and his period, there are no surviving examples of writing by Sally Hemings." [8] The work was commissioned by mezzo-soprano Florence Quivar, who sang the piece at the Library of Congress's Coolidge Auditorium, the University Musical Society in Ann Arbor, Michigan, [9] and the Herbst Theatre in San Francisco, [10] and other similar venues. In 2010, soprano Alyson Cambridge performed From the Diary of Sally Hemings at Carnegie Hall. [11]
Seaton has continued to explore the relationship between Sally Hemings and the third president in two plays, Sally, a solo play, and A Bed Made in Heaven, a multi-character play. Sally premiered in 2003 at the New York State Writers Institute featuring Zabryna Guevara. [2] Seaton's play The Will, the story of an African-American family in Tennessee during Reconstruction, was performed in Idlewild, Michigan, the historic black resort, in 2008 as part of an event that focused on the connections between African-American culture and classical music. The character of Patti was inspired by the life of Elizabeth Taylor Greenfield, the African-American opera singer of the Civil War era.
Seaton's comedy Martha Stewart Slept Here, set in an Indiana trailer park, premiered in 2008 [12] and Estate Sale, a comedy set in a Cleveland suburb, in 2011. [13] Music History, a play about African-American college students at the university of Illinois, SNCC, and the struggle for civil rights, was the focus of a 2010 symposium at Michigan State University on the ability of drama to illuminate issues of racial and social justice. [14] Seaton is also the author of "Betty Price and George Nelson, Spreading the News about Modern Design", which appeared in Modernism magazine. [15]
In 2020, Night Trip, a collaboration between Seaton and composer Carlos Simon, was performed at the Kennedy Center as part of their annual American Opera Initiative. According to critic Alex Baker of the Washington Classical Review, part of what "Sandra Seaton’s libretto...especially in the arias for Conchetta, attains a level of poetry that allows for authentic and thrilling fusion between text and score." [16] Writing for A Beast in the Jungle, Mark Rudio described Seaton's lyrics as "transcendent" and credited her and Simon for "not only rising to the challenge of creating a dramatic work that does everything it needs to in just twenty minutes, and for creating an opera that unequivocally succeeds within those extreme limitations." [17] Matthew Guerrieri, in a review for the Washington Post, praised the "candid, vernacular text" for "gradually revealing dramatic and poetic substance." [18]
Seaton taught creative writing and African-American literature at Central Michigan University for 15 years as a professor of English. [2]
Plays
Musicals
Films
Other genres
A libretto is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet.
Un ballo in maschera is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, Gustave III, ou Le bal masqué.
William Elden Bolcom is an American composer and pianist. He has received the Pulitzer Prize, the National Medal of Arts, a Grammy Award, the Detroit Music Award and was named 2007 Composer of the Year by Musical America. He taught composition at the University of Michigan from 1973 until 2008. He is married to mezzo-soprano Joan Morris.
Anthony Davis is an American pianist and composer. He incorporates several styles including jazz, rhythm 'n' blues, gospel, non-Western, African, European classical, Indonesian gamelan, and experimental music. He has played with several groups and is also a professor of music at the University of California, San Diego.
Chester Simon Kallman was an American poet, librettist, and translator, best known for collaborating with W. H. Auden on opera librettos for Igor Stravinsky and other composers.
The Stone Guest is an opera in three acts by Alexander Dargomyzhsky from a libretto taken almost verbatim from Alexander Pushkin's 1830 play of the same name which had been written in blank verse and which forms part of his collection Little Tragedies.
Simon Stephens is a British-Irish playwright and Professor of Scriptwriting at Manchester Metropolitan University. Having taught on the Young Writers' Programme at the Royal Court Theatre for many years, he is now an Artistic Associate at the Lyric Hammersmith. He is the inaugural Associate Playwright of Steep Theatre Company, Chicago, where four of his plays, Harper Regan,Motortown, Wastwater, and Birdland had their U.S. premieres. His writing is widely performed throughout Europe and, along with Dennis Kelly and Martin Crimp, he is one of the most performed English-language writers in Germany.
Treemonisha (1911) is an opera by American ragtime composer Scott Joplin. It is sometimes referred to as a "ragtime opera", though Joplin did not refer to it as such and it encompasses a wide range of musical styles. The music of Treemonisha includes an overture and prelude, along with various recitatives, choruses, small ensemble pieces, a ballet, and a few arias.
Michael Korie is an American librettist and lyricist whose writing for musical theater and opera includes the musicals Grey Gardens and Far From Heaven, and the operas Harvey Milk and The Grapes of Wrath. His works have been produced on Broadway, Off-Broadway, and internationally. His lyrics have been nominated for the Tony Award and the Drama Desk Award, and won the Outer Critics Circle Award. In 2016, Korie was awarded the Marc Blitzstein Award from the American Academy of Arts and Letters.
The Jefferson–Hemings controversy is a historical debate over whether there was a sexual relationship between the widowed U.S. President Thomas Jefferson and his slave and sister-in-law, Sally Hemings, and whether he fathered some or all of her six recorded children. For more than 150 years, most historians denied rumors that he had a slave concubine, Sally Hemings. Based on his grandson's report, they said that one of his nephews had been the father of Hemings's children. In the 21st century, most historians agree that Jefferson is the father of one or more of Sally's children.
Arnold Weinstein was an American poet, playwright, and librettist, who referred to himself as a "theatre poet".
John Newport Caird is an English stage director and writer of plays, musicals and operas. He is an honorary associate director of the Royal Shakespeare Company, was for many years a regular director with the Royal National Theatre of Great Britain and is the principal guest director of the Royal Dramatic Theatre, Stockholm (Dramaten).
Barbara Chase-Riboud is an American visual artist and sculptor, novelist, and poet.
Alyson Cambridge is an American operatic soprano. In addition to opera, she sings classical song, jazz, and American songbook and popular song. She is also known for her work as a model, actress, and host.
From the Diary of Sally Hemings is a song cycle for voice and piano. The work, commissioned by mezzo-soprano Florence Quivar and Music Accord, is a collaboration between Pulitzer Prize winning composer William Bolcom and playwright Sandra Seaton. After being contacted by Quivar, Bolcom asked Seaton to write entries for a fictional diary kept by Sally Hemings throughout her life. Seaton's text for 18 entries of the imaginary diary were then set to music by Bolcom.
Champion is an opera in two acts and ten scenes with music by Terence Blanchard and a libretto by Michael Cristofer. Based on the life of African-American welterweight boxer Emile Griffith, this opera is a joint co-commission by Opera Theatre of Saint Louis (OTSL) and Jazz St. Louis.
Sally Hemings has been represented in the media in popular culture due to her relationship with American Founding Father and president Thomas Jefferson. She has been portrayed in films and the inspiration for novels, plays and music.
Semiramide riconosciuta is a dramma per musica in two acts by Giacomo Meyerbeer. It is the composer's fifth opera and the second that he composed for a theatre in Italy. The text is an adaptation of a pre-existing libretto by Pietro Metastasio that had already been set to music by numerous other composers. The opera had its premiere at the Teatro Regio in Turin on 3 February 1819.
Maureen Therese Seaton was an American lesbian poet, memoirist, and professor of creative writing. She authored fifteen solo books of poetry, co-authored an additional thirteen, and wrote one memoir, Sex Talks to Girls, which won the 2009 Lambda Literary Award for Lesbian Memoir/Biography. Seaton's writing has been described as "unusual, compressed, and surrealistic," and was frequently created in collaboration with fellow poets such as Denise Duhamel, Samuel Ace, Neil de la Flor, David Trinidad, Kristine Snodgrass, cin salach, Niki Nolin, and Mia Leonin.
Ailís Ní Ríain is an Irish composer and playwright.