Sandra Sider | |
---|---|
Nationality | American |
Education | New York University Institute of Fine Arts, University of North Carolina, Chapel Hill, Columbia University |
Movement | Quilt art |
Sandra Sider (born 1949, in Alabama) is an American quilt artist, author, and curator. She holds a PhD in comparative literature from University of North Carolina, Chapel Hill, specializing in Renaissance studies. She also holds an M.A. in art history from the New York University Institute of Fine Arts.
Sider served as curator for the Texas Quilt Museum from 2012 until 2021, and as editor in chief of Art Quilt Quarterly from 2017 until 2023.
She has taught art history at the Cooper Union for the Advancement of Science and Art, in New York City, and at the Fashion Institute of Technology, Adelphi University, and the University of Colorado online. From 2019 through 2022, she taught History of Textiles for the MFA Textiles program at Parsons School of Design. Her publications include several books and numerous articles pertaining to Renaissance history, visual culture, and contemporary quilt art, including Maps, Charts, Globes: Five Centuries of Exploration, published by The Hispanic Society of America, where she was Curator of Manuscripts and Rare Books from 1985 until 1994; Handbook to Life in Renaissance Europe, published by Facts on File in 2005, with an online second edition in 2023; Pioneering Quilt Artists, 1960–1980: A New Direction in American Art; her monograph series The Studio Quilt published via Amazon from 2010 to 2013; and, 1000 Quilt Inspirations, published by Quarry. Sider has also published translations of two Spanish poets: Journeys of a Mystic Soul in Poetry and Prose: Cecilia del Nacimiento: (ACMRS Press, 2012); and Selected Sonnets of Sor Juana Inés de la Cruz(Peregrina Publishers, 1991). Her most recent book is Quarantine Quilts: Creativity in the Midst of Chaos (Schiffer 2021).
Since the mid 1990s, many of Sider's quilt constructions have employed fabric processed with photographic printing. "The quilts are assembled from blocks of fabric on each of which a segment of the photographic image has been printed with a process called cyanotype. Imparting an image to a fabric by means of an iron stain, this process is compared to that of making blueprints. It requires that the cloth be sensitized to light to accept the image from a negative. What develops is a reversal of the positive-negative relationship, with elements that would normally be dark appearing light. Seeming to glow from an imperceptible light source, the images have an unsettling effect." [1]
Sider's body of work references traditional quilting with the use of block forms and repetition, but also pays homage to more recent artworks by employing techniques and approaches often associated with postmodern art characteristics. "Each block, adding to the visual complexity, contains part of an image, sometimes varying in scale from one to another rather than a whole picture. The result is an ambiguous fragmentation that keeps the eye moving to collect information. In applying photographic methods to piecework, Sider seems to have absorbed the ubiquitous influence of innovative 20th-century artists – most notably, Robert Rauschenberg and Andy Warhol – as well as the language of traditional quilts. Like many other artists working in the genre known as the "contemporary art quilt," Sider mixes the visual conventions of historic quilts with present-day design approaches to two-dimensional space." [1]
Her most recent solo exhibition, exclusively of cyanotype quilt art, took place in 2023 at Artifact Gallery in New York City.
Sandra Sider has been a proponent for increased museum acquisitions of art quilts. Sider states, "To my mind, the only way to accomplish a major change in attitudes of museum curators is to flood them with the possibility of establishing art quilts as an exciting collecting category" [2]
Through survey information gathered from 140 museums in the United States, Sider found that there are more than 1800 art quilts in museum collections. Some of these museums include the American Folk Art Museum, Baltimore Museum of Art, Denver Art Museum, Fine Arts Museum of San Francisco, Indianapolis Museum of Art, Philadelphia Museum of Art, Shelburne Museum, Solomon R. Guggenheim Museum, and the Renwick Gallery – Smithsonian American Art Museum.
Sandra Sider has advocated for museum curators to have better access to quantifiable information about the art quilt medium. "Acquisition committees can be quite demanding, and museums have limited budgets specifically reserved for various mediums. When an artist, collector, or dealer attempts to sell or donate a quilt to a museum, the acquisitions committee usually asks the curator, "How does this work fit into our collection? How would it fit into an exhibition or publication?" That curator needs to be able to come into the acquisitions meeting with solid information about other works in the same medium, and she or he hardly ever has enough time to make an exhaustive foray into the collection." [2]
Sider has noted a recent trend of increasing museum acquisitions of Art Quilts. "My survey inquired about quilts owned by museums dated after 2000. The total was nearly 25 percent of all art quilts in my survey....Almost all of the museums answering my inquiry are interested in acquiring 21st century quilt art..." [2]
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design. Quilts may contain valuable historical information about their creators, "visualizing particular segments of history in tangible, textured ways".
The cyanotype is a slow-reacting, economical photographic printing formulation sensitive to a limited near ultraviolet and blue light spectrum, the range 300 nm to 400 nm known as UVA radiation. It produces a monochrome, blue coloured print on a range of supports, often used for art, and for reprography in the form of blueprints. For any purpose, the process usually uses two chemicals: ferric ammonium citrate or ferric ammonium oxalate, and potassium ferricyanide, and only water to develop and fix. Announced in 1842, it is still in use.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
A photogram is a photographic image made without a camera by placing objects directly onto the surface of a light-sensitive material such as photographic paper and then exposing it to light.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas, rather than traditional patterns. Quilt art generally has more in common with the fine arts than it does with traditional quilting. Quilt art is typically hung or mounted.
Deborah Willis is a contemporary African-American artist, photographer, curator of photography, photographic historian, author, and educator. Among her awards and honors, she is a 2000 MacArthur Fellow. She is currently Professor and Chair of the Department of Photography and Imaging at Tisch School of the Arts of New York University. In 2024, she was elected to the American Philosophical Society.
Catherine Jansen has been inventing, exploring and creating photographic processes that merge state of the art technology with traditional photography since the late 1960s.
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Amalia K. Amaki is an African-American artist, art historian, educator, film critic and curator who recently resided in Tuscaloosa, Alabama, where she was Professor of Modern and Contemporary Art at the University of Alabama at Tuscaloosa from 2007 to 2012.
Michael Francis James is an American artist, educator, author, and lecturer. He is best known as a leader of the art quilt movement that began in the 1970s. He currently lives and maintains a studio in Lincoln, Nebraska.
Katherine Westphal was an American textile designer and fiber artist who helped to establish quilting as a fine art form.
Linda MacDonald was born in 1946, in Berkeley, California. She is a multimedia artist who was at the forefront of the studio quilt art movements. She has been called a "fine artist [who works] with quilting techniques."
Joyce J. Scott is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture.
Mary Catherine Lamb was an American textile artist, whose quilts reframed traditional Roman Catholic iconography. Recycling vintage textiles popular during the mid-20th Century, she both honored and affectionately skewered her Catholic upbringing.
Ruth Maddison is an Australian photographer. She started photography in the 1970s and continues to make contributions to the Australian visual arts community.
Therese May is an American artist who was an early participants in the art quilt movement that began in the 1960s. She is known for her mixed media quilts and is featured in several contemporary quilting histories.
Jean Ray Laury was an American artist and designer. She was one of the first fine artists to move to quilting as a medium of choice in the late 1950s. Her quilts followed neither traditional method nor pattern; they were bold, modern, colorful collages, often laced with humor and satire. Penning over twenty books and teaching over 2,000 workshops, Laury helped women see the creative possibilities in everyday objects and awake their sense of inspiration. Laury has been called a "foremother of a quilt revival", and "one of the pioneers" of non-traditional quilts.
Barbara Lee Smith is an American mixed media artist, writer, educator, and curator. She creates large scale landscapes and abstract works using a three step process of painting, collage, and machine stitching.
Bisa Butler is an American fiber artist who has created a new genre of quilting that has transformed the medium. Although quilting has long been considered a craft, her interdisciplinary methods—which create quilts that look like paintings—have catapulted quilting into the field of fine art. She is known for her vibrant, quilted portraits celebrating Black life, portraying both everyday people and notable historical figures. Her works now count among the permanent collections at the Smithsonian National Museum of African American History and Culture, the Art Institute of Chicago, Pérez Art Museum Miami and about a dozen other art museums nationwide. She has also exhibited at the Smithsonian Museum of American History, the Epcot Center, the National Underground Railroad Freedom Center, and many other venues. In 2020, she was commissioned to quilt cover images for Time magazine, including the "Person of the Year" issue and its "100 Women of the Year" issue. With a multi-year wait list for private commissions, one of Butler's quilts sold at auction in 2021 for $75,000 USD.
Joan Schulze is an American artist, lecturer, and poet. Schulze's career spans over five decades: she is best known for her work of contemporary quilts, fiberarts, and collage. Schulze has been named a “pioneer of the art quilt movement,” and her influence has been compared to that of Robert Rauschenberg’s. Her work is in galleries and private collections worldwide including the Renwick Gallery/Smithsonian Institution in Washington DC, the Museum of Arts and Design in New York, & the Oakland Museum of California.