Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. It emerged from the culture and sound palette of electronic styles such as ambient techno, acid house, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists associated with it include Aphex Twin, Autechre, Squarepusher, Venetian Snares, Boards of Canada, Amon Tobin, Telefon Tel Aviv, μ-Ziq, the Black Dog, the Future Sound of London, and Luke Vibert.
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally.
Richard "Richie" Hawtin is a British-Canadian electronic musician and DJ. He became involved with Detroit techno's second wave in the early 1990s, and has been a leading exponent of minimal techno since the mid-1990s. He became known for his recordings under the Plastikman and F.U.S.E. aliases. Under the latter, he released his debut album Dimension Intrusion (1993) as part of Warp's Artificial Intelligence series.
Minimal techno is a subgenre of techno music. It is characterized by a stripped-down aesthetic that exploits the use of repetition and understated development. Minimal techno is thought to have been originally developed in the early 1990s by Detroit-based producers Robert Hood and Daniel Bell. By the early 2000s the term 'minimal' generally described a style of techno that was popularized in Germany by labels such as Kompakt, Perlon, and Richie Hawtin's M-nus, among others.
Industrial techno is a subgenre of techno and industrial dance music that originated in the 1990s. Characteristically, it incorporates influences from the bleak, noisy sound and aesthetics of early industrial music acts, particularly Cabaret Voltaire and Throbbing Gristle. American industrial music label Wax Trax! also had a profound influence over the genre's development.
Anthony Child, better known as Surgeon, is an English electronic musician and DJ. Child releases music on his own labels Counterbalance and Dynamic Tension. Established imprints, such as Tresor, Soma, and Harthouse, have also released Surgeon's original material and remixes. He has also been recognized as one of the first wave of DJs to use Ableton Live and Final Scratch to supplement his DJ sets.
Oliver Dene Jones, known as Skream, is an English electronic music producer based in Croydon. Skream has released records on several British record labels, such as Tempa, Tectonic, and Big Apple Records, and has performed throughout Europe, the US, Canada, Australia, and Japan, as well as the UK. Skream is considered an early and influential exponent of the dubstep genre.
Karl O'Connor, known professionally as Regis, is an Irish-born British techno musician and record label owner.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with an unprecedented backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Buraka Som Sistema was an electronic dance music project from Portugal, specializing in a fusion of techno beats with the African zouk and kuduro genre. It is generally credited with creating the "zouk bass" and "progressive kuduro" variant and has received an MTV European Music Award. In 2015 Buraka Som Sistema said they would be taking an hiatus starting in 2016, and on 1 July 2016 they performed live for the last time in Lisbon.
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG, EBM and hip hop. It flourished in Western Europe during the late-1980s.
Owsla is an American record label and creative collective. It was founded by Skrillex, Tim Smith, Kathryn Frazier, and Clayton Blaha in 2011. Skrillex announced the label on August 17, 2011. The label's first release was Porter Robinson's Spitfire.
Downwards Records is a record label founded by the techno DJs and producers Regis and Female in Birmingham, England in 1993. The label was initially established to release the set of tracks that fellow Birmingham DJ and producer Surgeon had recorded in the small studio that ex-Napalm Death drummer Mick Harris had built in his downstairs toilet.
David Charles Sumner, who records as Function, is an American techno DJ and producer.
John Juan Mendez, who recorded as Silent Servant, was an American techno DJ and music producer.
The Birmingham sound is a subgenre of techno that emerged in Birmingham, England in the early 1990s. It is most commonly associated with the city's House of God club night, the Downwards Records label, and the local DJs and producers Regis, Surgeon and Female. It is characterised by a hard, fast and uncompromising style that strips the music of the bassline funk that characterised the techno of Detroit and Berlin, leaving only "huge slabs of unrelentingly unchanging minimalism".
Birmingham's culture of popular music first developed in the mid-1950s. By the early 1960s the city's music scene had emerged as one of the largest and most vibrant in the country; a "seething cauldron of musical activity", with over 500 bands constantly exchanging members and performing regularly across a well-developed network of venues and promoters. By 1963 the city's music was also already becoming recognised for what would become its defining characteristic: the refusal of its musicians to conform to any single style or genre. Birmingham's tradition of combining a highly collaborative culture with an open acceptance of individualism and experimentation dates back as far back as the 18th century, and musically this has expressed itself in the wide variety of music produced within the city, often by closely related groups of musicians, from the "rampant eclecticism" of the Brum beat era, to the city's "infamously fragmented" post-punk scene, to the "astonishing range" of distinctive and radical electronic music produced in the city from the 1980s to the early 21st century.
Jamie Roberts, better known by his stage name Blawan, is an English DJ and record producer from South Yorkshire. He is best known for his track "Why They Hide Their Bodies Under My Garage?" and his remix of the Radiohead track "Bloom", which appeared on their album TKOL RMX 1234567 (2011). He came to prominence with his debut release Fram on the label Hessle Audio and signed to R&S Records. He also started a hardware-only project Karenn, with fellow R&S producer Pariah.
EDM trap is a fusion genre of hip hop, rave music and EDM, that originated in the early 2010s on peaking popularity of big room house and trap music genres. It blends elements of trap, which is an offshoot of Southern hip hop, with elements of electronic dance music like build-ups, drops, sound designs, productions and breakdowns. As it was popularized, it increasingly began incorporating more pop elements.
