Andrea del Castagno or Andrea di Bartolo di Bargilla was an Italian painter from Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti.
The Palazzo Pitti, in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker.
Palazzo Mozzi or Palazzo de' Mozzi is an early Renaissance palace, located at the end of the Piazza de' Mozzi that emerges from Ponte alle Grazie and leads straight to the palace where via San Niccolò becomes via de' Bardi in the Quartiere of Santo Spirito in the Oltrarno section of Florence, region of Tuscany, Italy. The 13th-century palace housed the gallery of the highly successful antiquarian Stefano Bardini, of which the remnants were left to the commune, where they assembled the Museo Bardini or Mozzi Bardini, displaying Florentine art and artifacts up to the early Renaissance. The gardens elaborated against the hillside behind the palace were added mainly by Bardini.
San Piero Patti is a comune (municipality) in the Metropolitan City of Messina in the Italian region Sicily, located about 140 kilometres (87 mi) east of Palermo and about 50 kilometres (31 mi) southwest of Messina.
San Marco is a religious complex in Florence, Italy. It comprises a church and a convent. The convent, which is now the Museo Nazionale di San Marco, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola. Also housed at the convent is a famous collection of manuscripts in a library built by Michelozzo. Furthermore, the church houses the tomb of Pico Della Mirandola, Renaissance philosopher and so called father of humanism.
Museo Nazionale di San Marco is an art museum housed in the monumental section of the medieval Dominican friary dedicated to St Mark, situated on the present-day Piazza San Marco, in Florence, a region of Tuscany, Italy.
Francesco Granacci was an Italian Renaissance painter active primarily in his native Florence. Though little-known today, he was regarded in his time and is featured in Giorgio Vasari's Lives of the Artists.
Sister Plautilla Nelli (1524–1588) was a self-taught nun-artist and the first known female Renaissance painter of Florence. She was a nun of the Dominican convent of St. Catherine of Siena located in Piazza San Marco, Florence, and was heavily influenced by the teachings of Savonarola and by the artwork of Fra Bartolomeo.
Annigoni: Portrait of an Artist is a 1995 documentary film about the life and times of Italian portrait painter Pietro Annigoni.
The Last Supper (1493–1496) is a fresco by the Italian Renaissance painter Pietro Perugino, located in the refectory, now museum, of the former Convent of Fuligno located on Via Faenza #42 in Florence, region of Tuscany, Italy.
The Last Supper (1480) is a fresco depicting the Last Supper of Jesus by the Italian Renaissance artist Domenico Ghirlandaio; it is located in the refectory of the Convent of the Ognissanti on Borgo Ognissanti #42 in central Florence, region of Tuscany, Italy. It is one of three Last Supper frescoes painted by Ghirlandaio in Florence, the others being for the Badia di Passignano (1476) and for the Cenacolo di San Marco (1486).
The Last Supper (1445–1450) is a fresco by the Italian Renaissance artist Andrea del Castagno, located in the refectory of the convent of Sant'Apollonia, now the Museo di Cenacolo di Sant'Apollonia, and accessed through a door on Via Ventisette Aprile at the corner with Santa Reparata, in Florence, region of Tuscany. The painting depicts Jesus and the Apostles during the Last Supper, with Judas, unlike all the other apostles, sitting separately on the near side of the table, as is common in depictions of the Last Supper in Christian art.
The Church of the Santuccio or Chiesa del Santuccio, is a small, Renaissance-style, Roman Catholic church located on Via Roma 69 in Siena, Italy. The church was once was part of the adjacent monastery of Santa Maria degli Angeli, occupied since 1362 by Augustinian nuns. The frescoed church is not part of the Polo Museale della Toscana, an association of museums of the Tuscan region.
San Domenico is a Romanesque and Gothic-style, Roman Catholic church located in the Piazza of the same name, with a north flank of the nave parallel to Corso Silvani Fedi, in Pistoia, region of Tuscany, Italy.
The Polo Museale del Lazio is an office of Italy's Ministry of Cultural Heritage. Its seat is in Rome in the Palazzo Venezia.
The Porta Romana, once known as the Porta San Pier Gattolino was the southernmost gate in the 13th-century walls of the Oltrarno section of Florence, region of Tuscany, Italy. It stands at the confluence of a number of roads: accessed from north by Via Romana, Via de' Serragli, and Viale Francesco Petrarca. In addition, a central road along the Boboli Gardens begins near the gate, and allowed the inhabitants of the Pitti Palace to exit and enter Florence with minimal travel on city streets. Beyond the gates are the Via del Poggio Imperiale and Via Senese. The latter led to Siena and points south such as Rome, hence the name. When the majority of the defensive walls of Florence were razed in the 19th century, only a few, and sometimes partial gate structures were left standing including San Gallo Gate, Tower of San Niccolò, and this gate with a snippet of merlonated wall.
San Mattia was a former Roman Catholic monastery and church located at 14 via Sant'Isaia in Bologna, region of Emilia Romagna, Italy. The church was dedicated to Saint Matthias.
The Chiostro della Scalzo or is a cloister in Florence, Italy that originally led to a chapel once belonging to a religious company known as the Compagnia del diciplinati di San Giovanni Battista or della Passione di Cristo. The term "scalzo" makes reference to the barefoot brother who carried the Cross during its public processions.
Holy Trinity with Saints or Saints Jerome, Paula and Eustochium's Vision of the Holy Trinity is a 1453–1454 fresco by Andrea del Castagno, painted for Gerolamo Corboli just after the same artist's Saint Julian the Hospitaller with Christ the Redeemer in the neighbouring chapel and the lost frescoes of Sant'Egidio. It is still in its original position in Santissima Annunziata, Florence, whilst a sinopia of the three saints is now in the Museo del Cenacolo di Sant'Apollonia, also in Florence.
The Santa Maria degli Angeli Crucifixion is a fresco lunette by Andrea del Castagno, created c. 1455, now in the Museo del Cenacolo di Sant'Apollonia in Florence. At far left and right are Romuald and Benedict of Nursia. It was originally sited in the cloister of the monastery of Santa Maria degli Angeli, Florence, where several authors wrote of seeing it, including the anonymous Gaddiano and Vasari, with the latter mentioning it in both editions of his Lives of the Artists as "at the top of cloister over the garden". Giuseppe Richa wrote that it was rediscovered by a Camaldolese monk of the monastery. Milanesi, Cavalcaselle and Crowe did not judge it to be an autograph work, perhaps since they saw it in a poorly-lit setting, but it is now held to be an autograph work. Its dating is uncertain - Salmi and Horster place it late in his career, which is the majority opinion.
