Belisario Corenzio was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Spanish painter Jusepe de Ribera, and Battistello Caracciolo. They were referred to as the Cabal of Naples. The three painters were rumored to have poisoned their competition for painting contracts. The rumors lack documented evidence. The three painters were very popular in Naples. Corenzio frescoed the Crypt that holds the remains of Matthew the Apostle at Salerno Cathedral and it depicts scenes from the Gospel of Matthew. Corenzio was one of the most celebrated fresco painters in Naples during his time. His drawings can be found all over the world namely at the Metropolitan Museum, Museo di Capodimonte and Louvre. More recently, his life and work was studied by the Greek art historian Panayotis K. Ioannou in a comprehensive monograph.
San Gregorio Armeno is a church and a monastery in Naples, Italy. It is one of the most important Baroque complexes in Naples. The church is located on a street of the same name just south of Via dei Tribunali and a few blocks south of the church of San Paolo Maggiore, Naples
Santa Maria Donnregina Nuova is a church in central Naples, Italy. It is called Nuova ("new") to distinguish it from the older Angevin church of Santa Maria Donna Regina Vecchia.
Gesù Nuovo is the name of a church and a square in Naples, Italy. They are located just outside the western boundary of the historic center of the city. To the southeast of the spire, one can see a block away the Fountain of Monteoliveto and the piazza of the church of Sant'Anna dei Lombardi. The square is a result of the expansion of the city to the west beginning in the early 16th century under the rule of Spanish viceroy Pedro Alvarez de Toledo. The square of Gesù Nuovo contains three prominent landmarks:
The Church and Convent of the Girolamini or Gerolamini is a church and ecclesiastical complex in Naples, Italy. It is located directly across from the Cathedral of Naples on via Duomo. The facade is across the homonymous piazza and street from Santa Maria della Colonna. It is one block west of Via Duomo.
Santa Maria del Carmine is a church in Naples, Italy. It is at one end of Piazza Mercato, the centre of civic life in Naples for many centuries until it was cut off from the rest of the city by urban renewal in 1900. The church was founded in the 13th century by Carmelite friars driven from the Holy Land in the Crusades, presumably arriving in the Bay of Naples aboard Amalfitan ships. Some sources, however, place the original refugees from Mount Carmel as early as the eighth century. The church is still in use and the 75–metre bell tower is visible from a distance even amidst taller modern buildings.
Sant'Anna dei Lombardi,, and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.
Giovanni Battista Benaschi, or Beinaschi, (1636–1688) was an Italian painter and engraver active in the Mannerist and Baroque style.
The Church of Santa Maria di Costantinopoli is a 16th-century Roman Catholic church located on the street of the same name in Naples, Italy, and located a block north of the Academy of Fine Arts of Naples.
The Ospedale degli Incurabili or Complesso degli Incurabili is an ancient and prominent hospital complex located on Via Maria Longo in central Naples, Italy. Part of the complex, including the remarkable pharmacy, are now the Museo delle arti sanitarie of Naples.
The Basilica of Santa Maria della Sanità is a basilica church located over the Catacombs of San Gaudioso, on a Piazza near where Via Sanità meets Via Teresa degli Scalzi, in the Rione of the Sanità, in Naples, Italy. The church is also called San Vincenzo or San Vincenzo della Sanità, due to the cult of an icon of San Vincenzo Ferrer, also called locally O' Monacone.
Santi Apostoli is a Baroque-style church in Naples, Italy.
Santa Maria dell'Aiuto or Holy Mary of Succour is a Baroque-style church, located at Vico S Maria dell'Aiuto number 10, near the church of Santa Maria la Nova in Naples, Italy
Santa Maria della Stella is a church located on Via Stella 25 in the quartiere of its name in Naples, Italy.
Santa Maria delle Grazie Maggiore a Caponapoli or Santa Maria delle Grazie Maggiore is a church located in the historic center of Naples, Italy.
Santa Maria Regina Coeli is a Roman Catholic church in central Naples, Italy.
Santa Maria Donnalbina is a church located on the street of the same name in Naples, Italy.
The Basilica of San Giovanni Maggiore is a church in Largo San Giovanni Maggiore in central Naples, Italy.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Santa Maria del Parto a Mergellina is a church located in the quartiere of Chiaia in Naples, Italy. The church is peculiarly perched on top of a private building and accessed by a stairway, placed behind a restaurant located in piazza Mergellina.
