The church of Santi Gregorio e Siro is a Renaissance-style Roman Catholic parish church on Via Montegrappa 15 in central Bologna, Italy. Initially this was the Church of San Gregorio, but when the nearby parish church of San Siro had been torn down, and the names were fused.
It was founded on grounds that had been expropriated by the Ghislieri family from the Bentivoglio. It was constructed by the canons of San Giorgio in Alga, an island in the lagoon of Venice; the architects were Tibaldo Tibaldi (Tibaldo Cristoforo di Tibaldi) and Giovanni Antonio, both from Milan.
In 1676, it passed to the order of Clerics Regular ministering to the sick (Chierici Regolari Ministri degli Infermi). The earthquake of 1780 damaged the church, and it was rebuilt by the architect Angelo Venturoli. Over the entry is the heraldic shield of the Ghisilieri family, and the bell-tower was adapted from a medieval tower from a family palace.
The simple exterior does not reflect the highly decorated interior, which has ceiling frescoes by Luigi Samoggia and Alessandro Guardassoni (1868), a main altarpiece is a St Gregory shows the bleeding Eucharist to the Heretic by Denys Calvaert (1581) and works by Camillo Procaccini. Among the decorations is an Eternal Father by Ludovico Carracci. The altar decoration is in marble called Formaginni di Sanremo.
Other works listed inside the church by Bianconi include: [1]
Agostino Carracci was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space. The academy helped propel painters of the School of Bologna to prominence.
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicholas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
Domenico Zampieri, known by the diminutive Domenichino after his shortness, was an Italian Baroque painter of the Bolognese School of painters.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
The Bolognese School or the School of Bologna of painting flourished in Bologna, the capital of Emilia Romagna, between the 16th and 17th centuries in Italy, and rivalled Florence and Rome as the center of painting. Its most important representatives include the Carracci family, including Ludovico Carracci and his two cousins, the brothers Agostino and Annibale Carracci. Later, it included other Baroque painters: Domenichino and Lanfranco, active mostly in Rome, eventually Guercino and Guido Reni, and Accademia degli Incamminati in Bologna, which was run by Lodovico Carracci. Certain artistic conventions, which over time became traditionalist, had been developed in Rome during the first decades of the 16th century. As time passed, some artists sought new approaches to their work that no longer reflected only the Roman manner. The Carracci studio sought innovation or invention, seeking new ways to break away from traditional modes of painting while continuing to look for inspiration from their literary contemporaries; the studio formulated a style that was distinguished from the recognized manners of art in their time. This style was seen as both systematic and imitative, borrowing particular motifs from the past Roman schools of art and innovating a modernistic approach.
Alessandro Tiarini was an Italian Baroque painter of the Bolognese School.
The Certosa di Pavia is a monastery and complex in Lombardy, northern Italy, situated near a small town of the same name in the Province of Pavia, 8 km north of Pavia. Built in 1396–1495, it was once located on the border of a large hunting park belonging to the Visconti family of Milan, of which today only scattered parts remain. It is one of the largest monasteries in Italy.
The Minor Basilica of St. Lawrence in Damaso or simply San Lorenzo in Damaso is a parish and titular church in central Rome, Italy that is dedicated to St. Lawrence, deacon and martyr. It is incorporated into the Palazzo della Cancelleria, which enjoys the extraterritoriality of the Holy See.
The Basilica of San Domenico is one of the major churches in Bologna, Italy. The remains of Saint Dominic, founder of the Order of Preachers (Dominicans), are buried inside the exquisite shrine Arca di San Domenico, made by Nicola Pisano and his workshop, Arnolfo di Cambio and with later additions by Niccolò dell'Arca and the young Michelangelo.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
Francesco Brizio (1574–1623) was an Italian painter and engraver of the Bolognese School, active in the early-Baroque.
Giovanni Luigi Valesio, also known as Giovanni Valesio or Luigi Valesio, was an Italian painter and, most prominently, an engraver of the early-Baroque, active in his native city of Bologna, and then in Rome.
The Carracci were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the Accademia degli Incamminati, and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion.
San Procolo is an early Gothic-style, Roman Catholic church and former monastery-hospital located on Via Massimo D'Azeglio #52 in central Bologna, region of Emilia Romagna, Italy.
Santi Bartolomeo e Gaetano is a Renaissance style, Roman Catholic church in central Bologna; it is located near the Due Torri adjacent to the Strada Maggiore.
Santissimo Salvatore is a Baroque-style Roman Catholic church in central Bologna, Italy.
The Palazzo Poggi is a palazzo in Via Zamboni 33, Bologna, Italy. It is the headquarters of the University of Bologna and of the rector of the university.
The Sanctuary of Santa Maria della Pioggia is a small church, located on Via Riva Reno 122, between Galliera road and Riva di Reno road in central Bologna, Italy. It was once the Oratory of San Bartolomeo di Reno.
Crucifixion with Saints or Crucifixion with Mourners and Saints Bernardino of Siena, Francis of Assisi and Petronius is a 1583 oil on canvas, now in the church of Santa Maria della Carità in Bologna. The work was originally sited in the Macchiavelli chapel in San Nicolò di San Felice, Bologna, next to Santa Maria della Carità, which was destroyed by bombing during the Second World War. It was then temporarily moved to the Soprintendenza di Bologna and finally to its current home.
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