| Santi Nazaro e Celso | |
|---|---|
 Pediment with Christ and six statues of saints | |
| Religion | |
| Affiliation | Roman Catholic |
| Province | Brescia |
| Location | |
| Location | Brescia, Italy |
| Geographic coordinates | |
| Architecture | |
| Type | Neoclassic Facade |
| Groundbreaking | 13th century |
| Completed | 1780 |
The church of Santi Nazaro e Celso is located on Corso Giacomo Matteotti, at the intersection with via Fratelli Bronzetti, in Brescia, Lombardy, Italy. The church contains the Averoldi Polyptych (1522), a masterwork of Titian.
Originally a church was found at approximately the same site in 1222, in an area that was soon enclosed by enlarged city walls. A major reconstruction began in 1746, by designs of abate Zinelli, and completed in 1781, leading to the statue-topped neoclassical facade we see today. [1] It was interrupted in 1769 by an accidental explosion of a powder magazine at nearby Porta Nazaro. Reconstruction finally ceased and worship was resumed in 1780. Seventeen years later the college of canons was suppressed, but the church remained functioning as a parish church. The organ in the church was completed by Luigi Amati in 1803.
The entrance has a bust of one of the patrons of the reconstruction, the bishop of Modone, Alessandro Fe. [2]
In addition to the polyptych, the church contains the following artworks:
Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive.
Events from the year 1522 in art.
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica church of Santi Nazaro e Celso in Brescia, northern Italy.
The church of San Clemente is an ancient Roman Catholic church located near the Piazza del Foro, in central Brescia, region of Lombardy, Italy.
The church of Sant'Afra in Brescia, also known as the church of Sant'Afra in Sant'Eufemia, is located on Corso Magenta, near Piazzale Arnaldo.
Sant'Angela Merici is a Renaissance style, Roman Catholic church located on Via Francesco Crispi, in central Brescia, region of Lombardy, Italy.
The church of Santa Maria delle Grazie in Brescia is located on at the west end of Via Elia Capriolo, where it intersects with the Via delle Grazie. Built in the 16th century and remodeled in the 17th century, it still retains much of its artwork by major regional artists, including one of its three canvases by Moretto. The other two are now held at the Pinacoteca Tosio Martinengo. The interior is richly decorated in Baroque fashion. Adjacent to the church is the Sanctuary of Santa Maria delle Grazie, a neo-gothic work.
Sant'Alessandro is a Baroque style, Roman Catholic parish church located on Via Moretto, 73/A in Brescia, region of Lombardy, Italy.
Saint Mary of the PeaceChurch is a Baroque-style, Roman Catholic church located on Via Pace in central Brescia, region of Lombardy, Italy. The church belongs to the Oratorians.
San Francesco is a Romanesque-Gothic style, Roman Catholic church and Franciscan monastery located on Via San Francesco d'Assisi in central Brescia, region of Lombardy, Italy.
San Pietro in Oliveto is a Roman Catholic church located at the end of via del Castello in central Brescia, region of Lombardy, Italy.
Adoration of the Shepherds with Saints Nazarius and Celsus is a 1540 oil on canvas painting by Moretto da Brescia in the church of Santi Nazaro e Celso in Brescia. As its title suggests, it shows Nazarius and Celsus, patron saints of the church.
The Coronation of the Virgin Altarpiece is a five panel work by Moretto da Brescia, executed c. 1534. Its central panel and upper panel are still in the church of Santi Nazaro e Celso in Brescia, whilst the two upper roundels and predella are in the same church's rectory.
Christ with Moses and Solomon is a 1541-1542 oil on canvas painting by Moretto da Brescia, displayed on the altar of the Most Holy Sacrament in the collegiate church of Santi Nazaro e Celso in Brescia, the artist's home town. It has been the altarpiece for that altar throughout the historical record, from Bernardino Faino's mention of it in 1630 to the present day.
Madonna and Child with Four Doctors of the Church is a 1540-1545 oil on canvas painting by Moretto da Brescia, now in the Städelsches Kunstinstitut in Frankfurt. From left to right it shows Saint Ambrose, Gregory the Great, Saint Jerome and Augustine of Hippo.
St Anthony of Padua with Two Saints is a c.1530 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. The other two saints shown are Antony the Great and Nicholas of Tolentino.
St Margaret of Antioch with Two Saints is a 1530 oil on panel painting by Moretto da Brescia on display on the side-altar of St Jerome in the church of San Francesco in Brescia. To the left of Margaret of Antioch is shown Saint Jerome, whilst to the right is Francis of Assisi.
Massacre of the Innocents is an oil painting by Moretto da Brescia, executed in 1531–1532, originally painted on panel but later transferred to canvas. It is on display on a side altar in San Giovanni Evangelista church in Brescia.
Maffeo Olivieri was an Italian sculptor and wood carver. Often associated with his younger brother Andrea, he was active in Lombardy, Venice and Trentino. He was known for his bronze, wood and marble creations, and considered the premier sculptor in early sixteenth century Brescia.
The Altar of San Girolamo is a sculptural complex in marble, around 780×450×80cm in dimension, designed and constructed by Gasparo Cairano and Antonio Medaglia, and situated within the Church of St Francis of Assisi in Brescia, Italy. Dated between 1506–1510, it is located in the first chapel on the right side of the nave.
