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Sarah Beddington (born 1964) is a British artist[ citation needed ] and filmmaker based in London.
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Sarah Beddington (born 1964) is a British artist[ citation needed ] and filmmaker based in London.
Beddington was born in Winchester and studied at the City and Guilds of London Art School and at Central St Martins College. [1] Beddington's work investigates the intersection between the historical and the contemporary, often in relation to journeys and migration. Beddington is interested in traces in the landscape, the power of the collective voice and walking as a means of affirming presence. Her works in film and video, as well as in fragile or ephemeral media such as etched glass and silverpoint drawing, present a minutely scrutinised sense of place that offer a poetic reading of the overlap between the historical, the mythical and the everyday, potentially opening up a space to future scenarios.
Beddington's work has been shown in many museums, galleries and film festivals including: City States, Liverpool Biennale; Les Rencontres Internationales, Centre Pompidou, Paris and Reina Sofia Museum, Madrid; Eastern Standards: Western Artists in China, MASS MoCA, USA; FIDMarseille International Film Festival; LOOP film and video festival, Angels Gallery, Barcelona; Vanishing Point, Wexner Center for the Arts, Columbus, Ohio. She has recently been shortlisted for the Artangel Open Commission and the Paul Hamlyn Foundation award in the UK and received a Bloomberg LP special commission in 2008. She had a research residency in 2014 at the Henry Moore Institute in Leeds and previous artistic residencies include International Studio and Curatorial Program (ISCP, 2002–2003) and Cité des Arts in Paris (2009–2010).
The Wexner Center for the Arts is the Ohio State University's "multidisciplinary, international laboratory for the exploration and advancement of contemporary art."
Coop Himmelb(l)au is an architecture, urban planning, design and art firm founded in 1968 by Wolf D. Prix, Helmut Swiczinsky and Michael Holzer in Vienna, Austria.
Etiyé Dimma Poulsen (born 1968) is an Ethiopian-born Danish sculptor, known for her work in ceramics.
Anri Sala is an Albanian contemporary artist whose primary medium is video.
Grant Mudford, is an Australian photographer.
Allan Sekula was an American photographer, writer, filmmaker, theorist and critic. From 1985 until his death in 2013, he taught at California Institute of the Arts. His work frequently focused on large economic systems, or "the imaginary and material geographies of the advanced capitalist world."
Olivo Barbieri is an Italian artist and photographer of urban environments.
Iwona Maria Blazwick OBE is a British art critic and lecturer. She is currently the Chair of the Royal Commission for Al-'Ula’s Public Art Expert Panel. She was the Director of the Whitechapel Art Gallery in London from 2001 to 2022. She discovered Damien Hirst and staged his first solo show at a public London art gallery, Institute of Contemporary Arts in 1992. She supports the careers of young artists.
Emily Jacir is a Palestinian artist and filmmaker.
Simon Njami is a writer and an independent curator, lecturer, art critic and essayist.
Jeffrey Shaw is a visual artist known for being a leading figure in new media art. In a prolific career of widely exhibited and critically acclaimed work, he has pioneered the creative use of digital media technologies in the fields of expanded cinema, interactive art, virtual, augmented and mixed reality, immersive visualization environments, navigable cinematic systems and interactive narrative. Shaw was co-designer of Algie the inflatable pig, which was photographed above Battersea Power Station for the 1977 Pink Floyd album, Animals.
Paul Sietsema is a Los Angeles–based American artist who works primarily in film, painting and drawing. His work addresses the production, consumption, and proliferation of cultural objects, reflecting his interest in the possibility of an artwork to mediate information or meaning in a way that engages with the aesthetics of a specific time period. In the words of Sarah Robayo Sheridan, “Paul Sietsema compounds organic and artificial detritus in all his artwork, scavenging in history’s wake to identify specific tools of cultural production and foraging for concepts of art promulgated in the words of artists and attitudes of critics. He mines film as a vestige, the medium of the mechanical age, pressing and squeezing its very obsolescence through a contemporary sieve. In so doing, the artist hovers in the switchover between a bodily inscription in the image and a fundamental reconstitution of sight and representation in the matrix of the virtual. Where body stops and image starts is a divide collapsing through a series of innovations and accidents that go back as far as the people of Pompeii trapped in an emulsion that marked their death, but which paradoxically carried forward their image into eternity.”
Contemporary African art is commonly understood to be art made by artists in Africa and the African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category [sic]" are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression?
Melik Ohanian is a French contemporary artist of Armenian origin. He lives and works in Paris and New York City. His work has been shown in many solo exhibitions including Galerie Chantal Crousel, Centre Pompidou and Palais de Tokyo in Paris, South London Gallery in London, De Appel in Amsterdam, IAC in Villeurbanne, Yvon Lambert in New York, Museum in Progress in Vienna, and Matucana 100 in Santiago de Chile.
Phyllis Baldino is an American visual artist whose art engages in a conceptual practice that merges performance art, video art, sculpture, and installation in an exploration of human perception. Her single-channel videos are distributed by Electronic Arts Intermix in New York, NY. She currently lives and works in Brooklyn, New York.
Michèle Magema is a Congolese-French video, performance, and photography artist. She currently resides in Nevers.
Firoz Mahmud is a Bangladeshi visual artist based in Japan. He was the first Bangladeshi fellow artist in research at Rijksakademie Van Beeldende Kunsten in Amsterdam. Mahmud's work has been exhibited at the following biennales: Sharjah Biennale, the first Bangkok Art Biennale, at the Dhaka Art Summit, Setouchi Triennale (BDP), the first Aichi Triennial, the Congo Biennale, the first Lahore Biennale, the Cairo Biennale, the Echigo-Tsumari Triennial, and the Asian Biennale.
Vincent Fournier is a French artist and photographer. His works explore questions of science fiction, utopian stories ,and different mythologies of the future such as the space adventure, humanoid robots, utopian architectures, and the technological transformation of the living. His vision is nourished by childhood memories, including visits to the Palais de la Découverte, which evoke the "scientific wonder". While photography remains his preferred medium, 3D printing, video and installations sometimes accompany certain projects. Vincent Fournier's images are put in tension by oppositions that disturb our gaze: reality/fiction, logic/absurdity, past/future, magic/science, natural/artificial. He explores futuristic fiction and discovers in our present, or in the past, "glimpse of the future". After graduating in sociology and visual arts, he studied at the École nationale supérieure de la photographie in Arles and obtained his diploma in 1997.
Michael Druks was an Israeli-born British artist.
Won Ju Lim is a Korean American artist. She currently divides her time between Los Angeles, CA and Boston, MA.
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