Midori (美登里) is a sexologist, educator, author, artist, speaker, and coach. Midori wrote the first English language book with instruction on Japanese rope bondage and continues to write on alternative sexual practices, including BDSM and sexual fetishism, bondage, erotic fiction, and more. She teaches classes, presents at conferences, coaches individuals and professionals, and facilitates in-depth weekend intensives. She is based in San Francisco, California.
LeAnne Howe is an American author and Eidson Distinguished Professor in the Department of English at the University of Georgia, Athens. She previously taught American Indian Studies and English at the University of Minnesota and at the University of Illinois at Urbana-Champaign.
Peter Max Lawrence is a multidisciplinary contemporary artist, as well as performance artist, curator, filmmaker, and film director. He is known to work in painting, video installation, sculpture, photography and drawing. Lawrence has had art exhibitions in galleries throughout the United States and Europe. He has lived in San Francisco and Kansas City, Missouri.
Bernice Bing was a Chinese American lesbian artist involved in the San Francisco Bay Area art scene in the 1960s. She was known for her interest in the Beats and Zen Buddhism, and for the "calligraphy-inspired abstraction" in her paintings, which she adopted after studying with Saburo Hasegawa.
Jenifer K. Wofford is an American contemporary artist and art educator based in San Francisco, California, United States. Known for her contributions to Filipino-American visual art, Wofford's work often addresses hybridity, authenticity and global culture, frequently from an ironic, humorous perspective. Wofford collaborates with artists Reanne Estrada and Eliza Barrios as the artist group Mail Order Brides/M.O.B. She was also the curator of Galleon Trade, an international art exchange among California, Mexico and the Philippines.
Michelle LaVallee is a Canadian curator, artist, and educator. She is Ojibway and a member of the Chippewas of Nawash Unceded First Nation in Cape Croker, Ontario. She has BFA (2000) and BEd (2004) degrees from York University in Toronto.
Dyani White Hawk is a contemporary artist and curator of Sicangu Lakota, German, and Welsh ancestry based out of Minnesota. From 2010 to 2015, White Hawk was a curator for the Minneapolis gallery All My Relations. As an artist, White Hawk's work aesthetic is characterized by a combination of modern abstract painting and traditional Lakota art. White Hawk's pieces reflect both her Western, American upbringing and her indigenous ancestors mediums and modes for creating visual art.
Paula Wilson is an African American "mixed media" artist creating works examining women's identities through a lens of cultural history. She uses sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock. In 2007 Wilson moved from Brooklyn, New York, to Carrizozo, New Mexico, where she currently lives and works with her woodworking partner Mike Lagg.
Black Salt Collective is an American queer, women-of-color artist collective that currently consists of four California-based artists and curators: Sarah Biscarra-Dilley, Grace Rosario Perkins, Anna Luisa Petrisko, and Adee Roberson. Founded in 2012, Black Salt Collective's art practice crosses disciplines and media, including performance, video, installation, sound, painting, collage, textiles, sculpture, and printmaking.
Tanya Lukin Linklater is an artist-choreographer of Alutiiq descent. Her work consists of performance collaborations, videos, photographs, and installations.
Indira Allegra is a multidisciplinary American artist and writer based in Oakland, California.
Tarah Hogue is a Canadian curator and writer known for her work with Indigenous art. Hogue is of Métis and settler ancestry and resides in Saskatoon, Saskatchewan. She is the inaugural Curator at Remai Modern.
Rosario Cooper (1845–1917) was a yak titʸu titʸu yak tiłhini woman who was the last known speaker of tiłhini, though she had rarely spoken or heard it since her early childhood. During the last years of her life, Rosario worked with the linguist J.P. Harrington to recover what she could recall of her native language, and the pair were able to document some grammatical structure, place names, songs, and cultural knowledge before she died in 1917. Cooper is considered to be the last known speaker of Obispeño, though there has been some recent revitalization.
Dayna Danger is a Two-Spirit/queer, hard femme, Métis/Saulteaux/Polish visual artist. Danger was born and raised in Winnipeg, Manitoba on Treaty 1 territory, and now resides in Tio'tiá:ke (Montréal). Danger explores various mediums in their creations including sculpture, photography, performance and video. Danger's work explores the relationships between representation, objectification, and empowerment. They also engage with themes of intimacy, gender, sexuality, BDSM, kink, and mixed identities. Danger's artwork from their Big'Uns series was on the front cover of the Summer 2017 Canadian Art Magazine issue. A white male curator once commented that he "could not see himself" in Danger's art, and Danger's response was that "[t]his work is not for you." Later, when Danger's photo from Big'Uns was made the cover of the issue, the editor's letter for the issue was titled "This Work Is Not For You". Collaboration and creating work for underrepresented groups are among Danger's major focuses. Danger uses singular they/them pronouns.
Melissa Melero-Moose is a Northern Paiute/Modoc mixed-media artist and co-founder of Great Basin Native Artists, a collective based in Nevada. She is enrolled in the Paiute-Shoshone Tribe of the Fallon Reservation and Colony.
Tʼuyʼtʼtanat-Cease Wyss is a Skwxwú7mesh (Squamish), Stó꞉lō, Kānaka Maoli (Hawaiian), Irish-Métis, and Swiss multi-media artist, ethnobotanist, independent curator, educator, activist, and small business owner based in Vancouver, British Columbia. Tʼuyʼtʼtanat is Wyss's ancestral name, which means “woman who travels by canoe to gather medicines for all people.” Wyss's interdisciplinary practice encompasses aspects of visual art, fiber arts, ethnobotany, storytelling, and community education, among other interdisciplinary approaches, and she has been working with new media, performance, and interdisciplinary arts for more than 30 years. As a Coast Salish weaver, Wyss works with wool and cedar and uses indigenous plants in the dyeing process. Wyss also engages with beekeeping and gardening practices as part of community-led initiatives and as a way to explore aspects of land remediation - the ability of plants to remediate soil that has been contaminated with colonial toxins.
Abdullah Qureshi is a Queer Muslim Pakistani cis-male artist, social activist, curator, educator, and cultural producer. Qureshi utilizes paint, watercolor, film, and faceless depictions of his male friends to capture his personal histories, trauma, and childhood memories surrounding his identity as a Queer Muslim Pakistani man. Qureshi explores his identity in his work within an Abstract Expressionist style using large canvases.
Hushidar "Hushi" Mortezaie is an Iranian-born American fashion designer, artist, collagist, and graphic designer. He co-founded the fashion label Michael and Hushi. Mortezaie is best known for his over-the-top Persian-aesthetic collaged textiles and fashion designs, often exploring glamour, politics, and kitsch. He has lived and worked in New York City, San Francisco, and Los Angeles.
Grace Rosario Perkins is a multidisciplinary artist whose works explore the intersections of her Native American, queer and gender identities. She currently lives and works in Albuquerque, New Mexico. Although she is primarily a painter, Perkins also creates in other mediums, including video installations and masks. Perkins has been nominated for a San Francisco Museum of Modern Art (SFMoMA) Society for the Encouragement of Contemporary Art Award, a United States Arts Fellowship, a Tosa Studio Award, and a Liquitex Painter’s Residency. As well as her solo work, Perkins is a member of the Black Salt Collective.
Sarah Sense is an American Chitimacha/Choctaw visual artist known for large scale weavings of photographs, maps, and cultural ephemera to create social and political statements. Sense employs traditional weaving techniques from her Chitimacha and Choctaw family to create two-dimensional photo weavings and three-dimensional photo baskets.
