Sarah Cameron Sunde | |
---|---|
Nationality | American |
Occupation | Artist |
Sarah Cameron Sunde is an American, New York based interdisciplinary environmental artist. [1] For the first 10 years of her career (1999-2010), she identified primarily as a theater maker and director, and was known internationally as the American-English translator and director of Norwegian playwright Jon Fosse's works. [2] Though she continued theater making/directing through 2017, In 2010, her work shifted primarily to that of a time-based visual artist working at the intersection of public, performance, and video art, which she continues today. At this intersection, Sunde works site-specifically with duration and scale to examine the human relationship to deep time, the more-than-human world, and the environment.
Her most notable work to date is 36.5 / A Durational Performance with the Sea, a public, video, and performance artwork made in collaboration with water and communities across the world. [3] 36.5 was made over nine years and across six continents (2013-2022). [4] The durational video work created from these performances will continue to be worked with, explored, and exhibited through the foreseeable future.
While visiting Maine in 2013, Sunde conceived a performance piece where she would stand at the edge of a body of water from low tide to low tide, allowing the water to rise from her feet, engulf her body, then fall back down again as a metaphor for sea level rise on a human being. [5] Each of the nine iterations are made up of three main components: A physical, live performance, a livestreamed performance, and a timelapse and durational video work created from each performance.
Between 2013 and 2022 she staged nine performances on six different continents (Maine, Mexico, San Francisco, the Netherlands, Bangladesh, Brazil, Kenya, Aotearoa-New Zealand). [6] Locations were chosen based on how affected they have been by sea level rise. The performances were a reaction to Hurricane Sandy, and the final performance occurred on September 14, 2022 in the New York Estuary in New York City (Astoria, Queens) [7] At each location she invites community members to join her in the performance as well as in "environmental initiatives". [5]
Notable partners and exhibitions of the work include: the Georgia Museum of Art, Athens, GA (2020), Gallatin Galleries, New York, NY (2020), Te Uru Gallery, Aotearoa-NZ (2020), Fort Jesus Museum and Cheche Gallery, Mombasa and Nairobi, Kenya (2019), Museu de Arte Moderna, MUSAS, Salvador, Brazil (2019), Britto Arts Space, Dhaka, Bangladesh (2017), and De Appel, and Oude Kerk, Netherlands (2015).
In 2017, Sunde instigated and co-founded Works on Water, [8] a nonprofit, triennial, and experimental cultural organization that supports a community of artists working on, in, and with bodies of water. Works on Water's goal is to create a space for visual artists, theater-makers, scientists, and urban planners to collaborate across sectors and think in multidisciplinary ways about water. [9]
From 2004-2014, Sunde directed and translated US debut productions [10] of the work of 2023 Literature Nobel Prize Laureate [11] Norwegian poet and playwright, Jon Fosse.
In 2004, Sunde translated and directed Fosse's Night Sings Its Songs [12] at the Culture Project in New York City, and the following year she directed The Asphalt Kiss by Nelson Rodrigues at the Off-Broadway 59E59 Theaters. [13] She directed her translation of Fosse's deathvariations [14] in 2006 and SaKaLa [15] in 2008. [16] In 2009, she directed the world premiere of Jessica Dickey's The Amish Project and at the Rattlestick Playwrights Theater. [17] In 2010, Sunde co-directed the world premiere of Marielle Heller's The Diary of a Teenage Girl at 3LD Art & Technology Center. [18] She directed her translations of Fosse's A Summer Day [19] [20] at the Cherry Lane Theatre in 2012 and Dream of Autumn [21] at Quantum Theater in Pittsburgh in 2013.
Sunde is a co-founder of both Oslo Elsewhere [22] and the Translation Think Tank. [23] She also served as the Deputy Artistic Director of New Georges from 2001-2017.
Jon Olav Fosse is a Norwegian author, translator, and playwright. In 2023, he was awarded the Nobel Prize in Literature "for his innovative plays and prose which give voice to the unsayable."
Victoria Clark is an American actress, musical theatre soprano, and director. Clark has performed in numerous Broadway musicals and in other theatre, film and television works. Her voice can also be heard on various cast albums and in several animated films. In 2008, she released her first solo album titled Fifteen Seconds of Grace. A five-time Tony Award nominee, Clark won her first Tony Award for Best Leading Actress in a Musical in 2005 for her performance in The Light in the Piazza. She also won the Drama Desk Award, Outer Critics Circle Award, and the Joseph Jefferson Award for the role. She won a second Tony Award for Best Leading Actress in a Musical in 2023 for her performance in Kimberly Akimbo.
Terri Sue "Tovah" Feldshuh is an American actress, singer, and playwright. She has been a Broadway star for fifty years, earning four Tony Award nominations. She has also received two Emmy Award nominations for Holocaust and Law & Order, and appeared in such films as A Walk on the Moon, She's Funny That Way, and Kissing Jessica Stein. In 2015–2016, she played the role of Deanna Monroe on AMC's television adaptation of The Walking Dead.
The August Wilson Theatre is a Broadway theater at 245 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, the theater was designed by C. Howard Crane and Kenneth Franzheim and was built for the Theatre Guild. It is named for Pulitzer Prize-winning playwright August Wilson (1945–2005). The August Wilson has approximately 1,225 seats across two levels and is operated by Jujamcyn Theaters. The facade is a New York City designated landmark.
The Circle in the Square Theatre is a Broadway theater at 235 West 50th Street, within the basement of Paramount Plaza, in the Midtown Manhattan neighborhood of New York City. The current Broadway theater, completed in 1972, is the successor of an off-Broadway theater of the same name, co-founded around 1950 by a group that included Theodore Mann and José Quintero. The Broadway venue was designed by Allen Sayles; it originally contained 650 seats and uses a thrust stage that extends into the audience on three sides. The theater had 751 seats as of 2022.
The Ethel Barrymore Theatre is a Broadway theater at 241 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1928, it was designed by Herbert J. Krapp in the Elizabethan, Mediterranean, and Adam styles for the Shubert family. The theater, named in honor of actress Ethel Barrymore, has 1,058 seats and is operated by the Shubert Organization. Both the facade and the auditorium interior are New York City landmarks.
The Gerald Schoenfeld Theatre, formerly the Plymouth Theatre, is a Broadway theater at 236 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Schoenfeld Theatre is named for Gerald Schoenfeld, longtime president of the Shubert Organization, which operates the theater. It has 1,079 seats across two levels. Both the facade and the auditorium interior are New York City landmarks.
The Lena Horne Theatre is a Broadway theater at 256 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1926, it was designed by Herbert J. Krapp in a Spanish Revival style and was constructed for Irwin Chanin. It has 1,069 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks.
The Broadhurst Theatre is a Broadway theater at 235 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Broadhurst Theatre is named for British-American theatrical producer George Broadhurst, who leased the theater before its opening. It has 1,218 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks.
The Samuel J. Friedman Theatre, formerly the Biltmore Theatre, is a Broadway theater at 261 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp in the neo-Renaissance style and was constructed for Irwin Chanin. It has 650 seats across two levels and is operated by the Manhattan Theatre Club (MTC). The auditorium interior is a New York City landmark, and the theater is listed on the National Register of Historic Places. Since 2008, the theater has been named for Broadway publicist Samuel J. Friedman, whose family was a major donor to MTC.
The Belasco Theatre is a Broadway theater at 111 West 44th Street, between Seventh Avenue and Sixth Avenue, in the Theater District of Midtown Manhattan in New York City. Originally known as the Stuyvesant Theatre, it was built in 1907 and designed by architect George Keister for impresario David Belasco. The Belasco Theatre has 1,016 seats across three levels and has been operated by The Shubert Organization since 1948. Both the facade and interior of the theater are New York City landmarks.
Mabel Davis "Tina" Howe was an American playwright. In a career that spanned more than four decades, Howe's best-known works include Museum, The Art of Dining, Painting Churches, Coastal Disturbances, and Pride's Crossing.
The Roundabout Theatre Company is a non-profit theatre company based in Midtown Manhattan, New York City, affiliated with the League of Resident Theatres.
Jean Isabel Smith, credited professionally as J. Smith-Cameron, is an American actress. She gained prominence for her roles in the television series Rectify (2013–2016) and Succession (2018–2023), the latter of which earned her two Primetime Emmy Award nominations.
Anna Gutto, or Anna Guttormsgaard, is a Norwegian-born American film director, writer, and actor. She wrote and directed her debut feature-length film Paradise Highway (2022), featuring Juliette Binoche and Morgan Freeman. Prior to that, she had directed episodes of the Norwegian Netflix series Home for Christmas, as well as five short films. Described as a "multi-hyphenate creative", her career has included playwriting, as well as translation and adaptation of Norwegian texts into English.
Annie Baker is an American playwright and teacher who won the 2014 Pulitzer Prize for her play The Flick. Among her works are the Shirley, Vermont plays, which take place in the fictional town of Shirley: Circle Mirror Transformation, Nocturama, Body Awareness, and The Aliens. She was named a MacArthur Fellow in 2017.
WP Theater is a not-for-profit Off-Broadway theater based in New York City. It is the nation's oldest and largest theater company dedicated to developing, producing and promoting the work of Women+ theater artists of all kinds at every stage in their careers. Currently, Lisa McNulty serves as the Producing Artistic Director and Michael Sag serves as the managing director.
Marin Ireland is an American actress. Known for her work in theatre and independent films, The New York Times deemed Ireland "one of the great drama queens of the New York stage". She has received nominations for an Independent Spirit Award and a Tony Award.
Thomas Kail is an American theatre and television director, known for directing the Off-Broadway and Broadway productions of Lin-Manuel Miranda's musicals In the Heights and Hamilton, garnering the 2016 Tony Award for Best Direction of a Musical for the latter. Kail was awarded the Kennedy Center Honor in 2018. He has also directed the television series Fosse/Verdon (2019), for which he was nominated for two Primetime Emmy Awards.
William Fitzgerald Harper, known professionally as William Jackson Harper, is an American actor and playwright. He gained acclaim for his role as Chidi Anagonye in the NBC comedy series The Good Place (2016–2020), for which he was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series.