Sarah Milroy | |
---|---|
Born | Sarah Nichol 1957 Vancouver, BC |
Known for | curator, museum director, writer |
Spouse | Tom Milroy |
Awards | Order of Canada (2022) |
Sarah Milroy CM (born 1957) [1] is the executive director and chief curator of the McMichael Canadian Art Collection in Kleinburg, Ontario, responsible for the 2021 exhibition and editor of the book Uninvited: Canadian women artists in the modern moment (2021), as well as co-editing with Ian Dejardin, the previous director, Tom Thomson: North Star (2023) [2] and contributing to numerous books on art, including Mary Pratt, From the Forest to the Sea: Emily Carr in British Columbia, David Milne: Modern Painting and co-editing Early Days: Indigenous Art at the McMichael. She is a champion of the art of Canada. [3] [4]
Milroy was born in Vancouver, the third daughter of Elizabeth Nichol (née Fellowes), who founded Vancouver's Equinox Gallery in 1972 [5] and John Lang Nichol, a Liberal politician and senator who served in the Second World War and was made a Companion of the Order of Canada. [3] [6] She grew up in Vancouver but travelled to Montreal to study English literature at McGill University (BA 1979), [7] then to Newnham College at Cambridge University in England (NC 1980), [8] and Hunter College in New York where she received a master's in art history. [3] She planned to be a teacher, but an exhibition of Paraskeva Clark in 1982 changed her focus. Having written about the show for the journal Canadian Forum , she decided to write about art. [3]
From 1984 to 1996, she wrote for the journal Canadian Art , and in 1991 became its editor and publisher. [9] She also contributed to the CBC as a visual arts correspondent. In 1996, she began working for the Globe and Mail covering the visual arts in Vancouver. She became the newspaper's chief art critic in 2001 and remained there until 2011, afterwards working as an independent art critic and curator. [4]
She co-curated three international exhibitions for the Dulwich Picture Gallery in London in collaboration with its then Sackler director, Ian Dejardin (afterwards executive director of the McMichael Canadian Art Collection until 2023): From the Forest to the Sea: Emily Carr in British Columbia (shown at the Art Gallery of Ontario, 2015); Vanessa Bell (2016) and David Milne: Modern Painting (2018) shown in Canada at the Vancouver Art Gallery and the McMichael Canadian Art Collection. [4] Milroy also wrote essays for catalogues, often for shows she curated or co-curated, on artists such as Greg Curnoe (2001) and Jack Chambers (2011), both for the Art Gallery of Ontario, [9] as well as Mary Pratt (2013), Lionel LeMoine FitzGerald (2019), [10] Gathie Falk (2022) [11] and others. [12]
In 2018, Milroy was made chief curator at the McMichael [4] and she and the museum worked to continue broadening the collection guidelines and rebalancing the narrative, bringing in black, Indigenous and people of colour artists, as well as focusing on women artists. [3] For instance, she and Dejardin balanced and co-curated A Like Vision: the Group of Seven & Tom Thomson, works selected from the gallery's collection by members of the Group of Seven, to mark the 100th anniversary of its founding and an exhibition of Tom Thomson, [13] (both also edited the accompanying book catalogues for the shows) with Uninvited: Canadian Women Artists in the Modern Moment, this time curated by Milroy, a show which also had a major book catalogue edited by her, on 40 modernist Canadian women painters, each one accompanied in the text by a scholarly essay by Canadian art historians.
Uninvited upheld the accomplishments of women artists and was widely reviewed as offering a wider and more inclusive picture of the visual arts in Canada during a pivotal modern period. [3] [13] [14] [15] [16] In 2020, she also curated the significant landmark show Early Days: Indigenous Art at the McMichael and co-edited with Bonnie Devine and John Geoghegan its massive catalogue titled Early Days: Indigenous Art from the McMichael with mostly indigenous contributors writing about the Indigenous objects chosen from the more than 1,500 owned by the McMichael, published in 2023. [17] In 2023, under Milroy's directorship, the McMichael Canadian Art Collection hired its first Associate Curator: Indigenous Art and Culture. [18]
Milroy has served as a member of the Canada Committee of Human Rights Watch, a board member of the Art Canada Institute, [12] and a member of the Editorial Advisory board of the Inuit Art Quarterly. [19]
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
The McMichael Canadian Art Collection (MCAC) is an art museum in Kleinberg, Ontario, Canada. The museum is located on a 40-hectare (100-acre) property in Kleinburg, an unincorporated village in Vaughan. The property includes the museum's 7,900-square-metre (85,000 sq ft) main building, a sculpture garden, walking trails, and a cemetery for six members of the Group of Seven.
Yvonne McKague Housser, (1897–1996) was a Modernist Canadian painter, and a teacher.
Ian A. C. Dejardin is an art historian who was director of the Dulwich Picture Gallery in Dulwich, England. In August 2016 Dulwich Picture Gallery announced that he would be leaving to become chief executive of the McMichael Canadian Art Collection in Ontario in April 2017. He is married to Eric Pearson, his partner since 1987, and lives in Toronto, Canada.
Mary Anne Barkhouse is a jeweller and sculptor residing in Haliburton, Ontario, Canada. She belongs to the Nimpkish band of the Kwakiutl First Nation.
Gathie Falk is a Canadian painter, sculptor, installation and performance artist based in Vancouver, British Columbia. Since the 1960s, she has created works that consider the simple beauty of everyday items and daily rituals.
Shuvinai Ashoona is an Inuk artist who works primarily in drawing. She is known for her detailed pen and pencil drawings depicting northern landscapes and contemporary Inuit life.
Denyse Thomasos was a Trinidadian-Canadian painter known for her abstract-style wall murals that conveyed themes of slavery, confinement and the story of African and Asian Diaspora. "Hybrid Nations" (2005) is one of her most notable pieces that features Thomasos' signature use of dense thatchwork patterning and architectonic images to portray images of American superjails and traditional African weavework.
Heather L. Igloliorte is an Inuk scholar, independent curator and art historian from Nunatsiavut.
Bess Larkin Housser Harris (1890–1969) was a Canadian painter who participated in Group of Seven exhibitions and was a member of the Canadian Group of Painters.
Georgiana Uhlyarik-Nicolae, also known as Georgiana Uhlyarik is a Romanian-born Canadian art curator, art historian, and teacher. She is currently the Fredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario (AGO). She has been part of the team or led teams that created numerous exhibitions, on subjects such as Betty Goodwin, Michael Snow, and Kathleen Munn among others and collaborated with art organizations such as the Tate Modern, and the Jewish Museum, New York.
Catharine Margaret Mastin is a Canadian curator. She is a specialist in modern and contemporary art with an emphasis on gender and women's art practices. She has worked at the Art Gallery of Windsor in Ontario and the Glenbow Museum in Calgary, Alberta. At the Art Gallery of Windsor, she was curator, arts administrator and executive director (2010-2020). She is an Adjunct Member of the Faculty of Graduate Studies in Art History at York University. Mastin also curated the exhibition "Franklin Carmichael: Portrait of a Spiritualist", an exhibition organized by the National Gallery of Canada, Ottawa which toured Canada between 1999 and 2001.
Angus Trudeau was an Anishinaabe artist whose inspiration was drawn from the world of Manitoulin Island, Lake Huron, Ontario where he lived. His paintings and model ships combine memory and history, tradition, and modern art.
Ian M. Thom is a Canadian curator, author, and art historian, well known for his exhibitions and major catalogues and books on Canadian Art and international art. In his 30-year duration at the Vancouver Art Gallery, his unceasing dedication to Canadian art and the Vancouver Art Gallery collection, has contributed to better understanding the achievements of Canadian and world art.
Tobi Bruce has been the Director of Exhibitions and Collections and Senior Curator at the Art Gallery of Hamilton since 2015. She is a Canadian art historian who places curatorial collaboration at the centre of her practice.
Alicia Boutilier is the Chief Curator and Curator of Canadian Historical Art at the Agnes Etherington Art Centre in Kingston. She has been Curator of Canadian Historical Art since 2008 and was appointed Chief Curator in 2017. In 2020, she served as the Interim Director at the gallery and received a special recognition award from Queen's University at Kingston for her work as a team leader, adapting to the new realities caused by Covid. She is a Canadian art historian with wide-ranging concerns, among them women artists, the building of collections, and the combination of art with craft.
Anna Victoria Hudson is an art historian, curator, writer and educator specializing in Canadian Art, Curatorial and Indigenous Studies who is the Director of the Graduate Program in Art History & Visual Culture at York University, Toronto.
Jean Blodgett was an American-born curator and prolific writer devoted to Inuit art who spent her career in Canada. She was known as a force in her field, the curator who began the serious art historical study of Inuit art in the early 1970s, at a time when few worked on the subject. Her books were popular. Kenojuak went through six editions.
Ben Reeves is a Canadian contemporary artist whose paintings reflect his experience of the West Coast of Canada. He lives and paints in Tsawwassen, a suburb outside of Vancouver. He works from imagination and memory to depict semi-photographic, impressionistic, often suburban spaces that border on representation and abstraction. His work, he says, is about paying attention to what he sees. What he observes is a source for his art.
Michael Parke-Taylor is an independent art historian and curator who worked at the Art Gallery of Ontario in Toronto in various positions for twenty-three years, retiring as Curator of Modern Art in 2011. He has published widely and is a collector of popular culture. In 2024, he curated the retrospective exhibition and wrote the accompanying book for the exhibition Bertram Brooker: When We Awake! at the McMichael Canadian Art Collection in Kleinburg. He lives in Toronto.