Ian Dejardin | |
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Born | Ian A. C. Dejardin 26 August 1955 |
Alma mater |
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Known for | Dulwich Picture Gallery, Former director |
Scientific career | |
Fields | Art history |
Institutions |
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Ian A. C. Dejardin (born 26 August 1955) [1] is an art historian who was director of the Dulwich Picture Gallery in Dulwich, England. [2] In August 2016 Dulwich Picture Gallery announced that he would be leaving to become chief executive of the McMichael Canadian Art Collection in Ontario in April 2017. [3] He is married to Eric Pearson, his partner since 1987, and lives in Toronto, Canada. [4]
Ian Dejardin holds an MA in the history of art from the University of Edinburgh. [5] He started a doctorate in art history at the University of Warwick, but then spent seven years developing a designer knitwear business in Cumbria with former partner Brian Ashley. Subsequently, he completed a postgraduate diploma in art gallery and museum studies at Manchester University. This was followed by curatorial appointments at the Royal Academy of Arts, London, and with English Heritage (London Region).
In 1998, Dejardin was appointed as curator at Dulwich Picture Gallery and was responsible for the gallery's permanent collection of paintings, furniture and works on paper, and for delivering the gallery's exhibition programme. He succeeded Desmond Shawe-Taylor as director in 2005. [6] As director, he was responsible for coordinating several major exhibitions a year. He personally co-curated Henry Moore: at Dulwich Picture Gallery in 2004. In 2011, he was lead curator of the first major exhibition in Britain since 1925 dedicated to Canada's most famous artists: Painting Canada: Tom Thomson and the Group of Seven. This was followed in 2014 by another Canadian-themed show, From the Forest to the Sea: Emily Carr and British Columbia, co-curated with Sarah Milroy, with whom he was to further collaborate on Vanessa Bell (2016), and David Milne (2017). In August 2016 the Dulwich Picture Gallery announced that he would be leaving in April 2017 after 19 years at the gallery, 12 of them as director [3] to be director of the McMichael Canadian Art Collection in Canada. In 2020 he appeared in the television series Landscape Artist of the Year Canada as a commentator on the history of Canadian landscape art. [7]
On September 8 the McMichael Canadian Art Collection announced that he would be retiring on October 27, 2023.
The Group of Seven, once known as the Algonquin School, was a group of Canadian landscape painters from 1920 to 1933, with "a like vision". It originally consisted of Franklin Carmichael (1890–1945), Lawren Harris (1885–1970), A. Y. Jackson (1882–1974), Frank Johnston (1888–1949), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), and Frederick Varley (1881–1969). A. J. Casson (1898–1992) was invited to join in 1926, Edwin Holgate (1892–1977) became a member in 1930, and Lionel LeMoine FitzGerald (1890–1956) joined in 1932.
Thomas John Thomson was a Canadian artist active in the early 20th century. During his short career, he produced roughly 400 oil sketches on small wood panels and approximately 50 larger works on canvas. His works consist almost entirely of landscapes, depicting trees, skies, lakes, and rivers. He used broad brush strokes and a liberal application of paint to capture the beauty and colour of the Ontario landscape. Thomson's accidental death by drowning at 39 shortly before the founding of the Group of Seven is seen as a tragedy for Canadian art.
Dulwich Picture Gallery is an art gallery in Dulwich, South London. It opened to the public in 1817 and was designed by the Regency architect Sir John Soane. His design was recognized for its innovative and influential method of illumination for viewing the art. It is the oldest public art gallery in England and was made an independent charitable trust in 1994. Until then, the gallery was part of the College of God's Gift, a charitable foundation established by the actor, entrepreneur and philanthropist Edward Alleyn in the early 17th century. The acquisition of artworks by its founders and bequests from its many patrons resulted in Dulwich Picture Gallery housing one of the country's finest collections of Old Masters, especially rich in French, Italian and Spanish Baroque paintings, and in British portraits from the Tudor era to the 19th century.
Lawren Stewart Harris LL. D. was a Canadian painter, best known as a leading member of the Group of Seven. He played a key role as a catalyst in Canadian art and as a visionary in Canadian landscape art.
Desmond Philip Shawe-Taylor was Surveyor of the Queen's Pictures from 2005 to 2020. He succeeded Christopher Lloyd on Lloyd's retirement.
Lionel LeMoine FitzGerald D.F.A., also known as L. L. FitzGerald was a Canadian artist and art educator. He was the only member of the Group of Seven based in western Canada. He worked almost exclusively in Manitoba. Although he accepted the Group of Seven’s invitation to become a member in 1932, FitzGerald was less concerned than the rest of the group with the promotion of a unified Canadian identity. Instead he explored his surroundings, delving deeply into the forces he felt animated and united nature in order to make “the picture a living thing.”
Jan Dirksz Both was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting.
David Milne was a Canadian painter, printmaker, and writer. He was profoundly different from most of his Canadian art contemporaries, especially Tom Thomson and the Group of Seven. He is sometimes referred to as the Master of Absence and known for his ability to reduce a painting to its bare essentials.
Nicholas Charles Williams is an English painter and draughtsman. Born in Surrey, he trained at Richmond College, London. His work aims to examine aspects of human behaviour, conveyed through symbolism and direct observational painting. He has been the subject of solo shows at various galleries, including the Russell-Cotes Museum, Bournemouth, Royal Cornwall Museum, Truro Cathedral, and Liverpool Cathedral for European Capital of Culture 2008. In 2001 he was awarded the Hunting Art Prize and in 2008 shortlisted for the Threadneedle Figurative Prize.
The McNay Art Museum, founded in 1954 in San Antonio, is the first modern art museum in the U.S. state of Texas. The museum was created by Marion Koogler McNay's original bequest of most of her fortune, her important art collection and her 24-room Spanish Colonial Revival-style mansion that sits on 23 acres (9.3 ha) that are landscaped with fountains, broad lawns and a Japanese-inspired garden and fishpond.
The Petrobelli Altarpiece is an oil painting on canvas of c. 1563 by Paolo Veronese, the remaining fragments of which are now divided between four museums.
Joan Arden Charlat Murray is an American-born Canadian art historian, writer and curator who is an advocate for Canadian art and curators.
Ann Sumner is an art historian, exhibition curator, author and former museum director. She is currently Visiting Professor at Manchester Metropolitan University and Chair of the Methodist Modern Art Collection.
Michael Wutky was an Austrian landscape painter in the Rococo style who specialized in Italian scenes.
Tom Thomson (1877–1917) was a Canadian painter from the beginning of the 20th century. Beginning from humble roots, his development as a career painter was meteoric, only pursuing it seriously in the final years of his life. He became one of the foremost figures in Canadian art, leaving behind around 400 small oil sketches and around fifty larger works on canvas.
Spring Ice is a 1915–16 oil painting by Canadian painter Tom Thomson. The work was inspired by a sketch completed on Canoe Lake in Algonquin Park. The completed canvas is large, measuring 72.0 × 102.3 cm. Painted over the winter of 1915–16, it was completed in Thomson's shack behind the Studio Building in Toronto. The painting was produced as he was in the peak of his short art career and is considered one of his most notable works. While exhibited in a show put on by the Ontario Society of Artists, the work received mixed to positive reviews. In 1916 it was purchased by the National Gallery of Canada in Ottawa and has remained in the collection ever since.
Xavier F. Salomon is a British art critic and both Deputy Director and Peter Jay Sharp Chief Curator at the Frick Collection in New York.
Roald Nasgaard is a champion of abstract art in Canada.
Jennifer Scott has been director of Dulwich Picture Gallery since 2017. She was previously director of the Holburne Museum in Bath, and curator of paintings at Royal Collection Trust.
Sarah Milroy is the executive director and chief curator of the McMichael Canadian Art Collection in Kleinburg, Ontario, responsible for the 2021 exhibition and editor of the book Uninvited: Canadian women artists in the modern moment (2021), as well as co-editing with Ian Dejardin, the previous director, Tom Thomson: North Star (2023) and contributing to numerous books on art, including Mary Pratt, From the Forest to the Sea: Emily Carr in British Columbia, David Milne: Modern Painting and co-editing Early Days: Indigenous Art at the McMichael. She is a champion of the art of Canada.