This is an alphabetical index of articles related to painting.
The folklore of India encompasses the folklore of the nation of India and the Indian subcontinent. India is an ethnically and religiously diverse country. Given this diversity, it is difficult to generalize the vast folklore of India as a unit.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
The Bengal School of Art, commonly referred as Bengal School, was an art movement and a style of Indian painting that originated in Bengal, primarily Kolkata and Shantiniketan, and flourished throughout the Indian subcontinent, during the British Raj in the early 20th century. Also known as 'Indian style of painting' in its early days, it was associated with Indian nationalism (swadeshi) and led by Abanindranath Tagore (1871–1951), but was also being promoted and supported by British arts administrators like E. B. Havell, the principal of the Government College of Art and Craft, Kolkata from 1896; eventually it led to the development of the modern Indian painting.
Mughal painting is a style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings.
Indian painting has a very long tradition and history in Indian art, though because of the climatic conditions very few early examples survive. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old.
Madhubani art is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchsticks. The paint is created using natural dyes and pigments. The paintings are characterised by their eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shasti, Kali Puja, Upanayana, and Durga Puja.
Jivya Soma Mashe was an artist of the Maharashtra state in India, who popularised the Warli tribal art form.
Company style, also known as Company painting is a term for a hybrid Indo-European style of paintings made in India by Indian artists, many of whom worked for European patrons in the East India Company or other foreign Companies in the 18th and 19th centuries. The style blended traditional elements from Rajput and Mughal painting with a more Western treatment of perspective, volume and recession. Most paintings were small, reflecting the Indian miniature tradition, but the natural history paintings of plants and birds were usually life size.
A Muraqqa is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter. The album was popular among collectors in the Islamic world, and by the later 16th century became the predominant format for miniature painting in the Persian Safavid, Mughal and Ottoman empires, greatly affecting the direction taken by the painting traditions of the Persian miniature, Ottoman miniature and Mughal miniature. The album largely replaced the full-scale illustrated manuscript of classics of Persian poetry, which had been the typical vehicle for the finest miniature painters up to that time. The great cost and delay of commissioning a top-quality example of such a work essentially restricted them to the ruler and a handful of other great figures, who usually had to maintain a whole workshop of calligraphers, artists and other craftsmen, with a librarian to manage the whole process.
Government Museum and Art Gallery, Chandigarh, is a premier museum of North India having collections of Gandharan sculptures, sculptures from ancient and medieval India, Pahari and Rajasthani miniature paintings. It owes its existence to the partition of India in August, 1947. Prior to the partition, much of the collections of art objects, paintings and sculptures present here were housed in the Central Museum, Lahore, the then capital of Punjab. The museum has one of the largest collection of Gandharan artefacts in the world.
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used.
Waswo X. Waswo, is a photographer and writer most commonly associated with his chemical process sepia-toned photographs of India, and also hand-colored portraits made at his studio in Udaipur, Rajasthan. Waswo’s first major book, India Poems: The Photographs, was in part a challenge to politically correct notions of the western artist's role in responding to Asia, and his work has been critiqued in the light of cultural theories that stem from Edward Said and his book Orientalism.
Tribal art is the visual arts and material culture of indigenous peoples. Also known as non-Western art or ethnographic art, or, controversially, primitive art, tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums. The term "primitive" is criticized as being Eurocentric and pejorative.
Jangarh Singh Shyam (1962–2001) was a pioneering contemporary Indian artist credited with being the creator of a new school of Indian art called Jangarh Kalam. His work has been exhibited widely the world over including Bhopal, Delhi, Tokyo and New York. His most notable exhibitions include the Magiciens de la terre in Paris (1989) and Other Masters curated by Jyotindra Jain at the Crafts Museum, New Delhi (1998). His 1988 piece Landscape with Spider sold for $31,250 at Sotheby's, New York, in 2010—a first for an adivasi artist. Jangarh had also painted the interiors of the Legislative Assembly of Madhya Pradesh, the Vidhan Bhavan, and the dome of Bhopal's Bharat Bhavan—one of the most prestigious museums of tribal and contemporary Indian art. He was among the first Gond artists to use paper and canvas for his paintings, thereby inaugurating what is now known as Jangarh Kalam.
Arpana Caur is an Indian contemporary painter and graphic artist. Arpana Caur exhibits dynamism and deep insight in her depictions of women’s conditions in modern India. A self-taught artist, Caur’s portrayals of women in urban environments reflect her concerns with the issues of our time: life and death, violence, the environment, and women’s issues. Clothing is a recurring theme in her work, both reinforcing and undermining the established image of women.
Durga Bai Vyam is an Indian artist. She is one of the foremost female artists based in Bhopal working in the Gond tradition of Tribal Art. Most of Durga's work is rooted in her birthplace, Barbaspur, a village in the Mandla district of Madhya Pradesh.
Dulari Devi is an Indian artist and illustrator, working in the Mithila art tradition. In 2021, she was a recipient of the Padma Shri, a civilian honour granted by the Government of India, for her contributions to art.
Karpoori Devi was an Indian folk artist, painting in the Madhubani art tradition and creating textile art in the Sujni tradition. She belonged to an early generation of artists who sold Madhubani art with critical and commercial success, and her work has been archived in collections in India as well as Japan, Australia, and the United States of America.
Malvika Raj is an Indian artist and fashion designer. She works in the Madhubani style of art. As a Dalit, she has used art to express her experiences with caste-based discrimination in India, and uses traditional techniques to express themes relating to Dalit identity and the Buddhist religion.
