Saswati Sen is an Indian dancer and choreographer, and an exponent of Kathak, an Indian classical dance form. She was a senior disciple of Pandit Birju Maharaj, and still teaches and performs at his Kalashram Institute in the Jor Bagh district of New Delhi. [1]
Saswati Sen received a Sangeet Natak Akademi Award in 2004. [2]
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Pandit Birju Maharaj was an Indian dancer, composer, singer, and exponent of the Lucknow "Kalka-Bindadin" Gharana of Kathak dance in India. He was a descendant of the Maharaj family of Kathak dancers, which includes his two uncles, Shambhu Maharaj and Lachhu Maharaj, and his father and guru, Acchan Maharaj. He also practised Hindustani classical music and was a vocalist. After working along with his uncle, Shambhu Maharaj at Bhartiya Kala Kendra, later the Kathak Kendra, New Delhi, he remained head of the latter, for several years, until his retirement in 1998 when he opened his own dance school, Kalashram, also in Delhi.
Munna Shukla was a Kathak guru and choreographer of Lucknow Gharana based in New Delhi, India. Born to a family who has been involved in dance for generations, Munna Shukla specialized in Kathak, a classical dance form of North India. He was a grandson of the noted Kathak Maestro, Late Achhan Maharaj, and a nephew of Birju Maharaj.
Pandit Bajinath Prasad also known as Pandit Lachhu Maharaj (1901–1978) was an Indian classical dancer and choreographer of Kathak dance. He came from a family of illustrious Kathak exponents in Lucknow, and also worked as film choreographer, Hindi cinema, most notably Mughal-e-Azam (1960) and Pakeezah (1972). He was awarded the 1957 Sangeet Natak Akademi Award, the highest award for performing artists, conferred by the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. He was paternal uncle of Pandit Birju Maharaj.
Damayanti Joshi was a noted renowned exponent of the Kathak dance form. She believed Kathak is the art of storytelling. She began in the 1930s dancing in Madame Menaka's troupe, which travelled to many parts of the world. She learnt Kathak from Sitaram Prasad of Jaipur Gharana and became an adept dancer at a very young age, and later trained under from Acchan Maharaj, Lacchu Maharaj and Shambhu Maharaj of Lucknow gharana, thus imbibing nuances from both the traditions. She became independent in the 1950s and achieved prominence in the 1960s, before turning into a guru at her dance school in Mumbai.
Pandit Shambhu Maharaj was a Guru of the Lucknow Gharana (school) of the Indian classical dance form, Kathak.
Pandit Durga Lal was a renowned Kathak dancer of the Jaipur Gharana. He was born in Mahendragarh, Rajasthan. He is known for playing the main role in the 1989 dance drama Ghanashyam, the music of which was composed by Pandit Ravi Shankar and was produced by Birmingham Opera Company. He had also received the Sangeet Natak Akademi Award for the year 1984.
Shashi Sankhla,, is an exponent of the Jaipur gharana of Kathak dance in India. She is a Senior Disciple of Guru Pt. Kundan Lal Gangani Ji. She has been awarded by Sangeet Natak Akademi Awards 2008 in Kathak dance. She was the principal of Jaipur Kathak Kendra. She founded Geetanjali music Society an institute devoted to Kathak.
Pandit Yogesh Samsi is an Indian tabla player.
Rajendra Gangani is an Indian Kathak dancer known for his innovative style and technical wizardry. Gangani is one of the leading exponents of the Jaipur Gharana style of Kathak. For his contributions to the field of Kathak, Gangani received the Sangeet Natak Akademi Award in 2003 from The President of India A. P. J. Abdul Kalam.
National Institute of Kathak Dance, also known as Kathak Kendra, is the premier dance institution for the Indian classical dance form of Kathak, and a unit of the Sangeet Natak Akademi, India's National Academy of Music, Dance and Drama, situated in New Delhi. Established in 1964, the institution is primarily dedicated to Kathak, though it also offers courses in Hindustani classical music (Vocal) and Pakhawaj and Tabla.
Shriram Bharatiya Kala Kendra (SBKK) is an Indian cultural institution which runs a school for music, dance and performing arts in New Delhi. It was founded by Sumitra Charat Ram in 1952, and imparts training in Indian classical dance styles and music, including Kathak, Bharatanatyam, Odissi, Chhau, Hindustani Classical music, both Vocal and Instrumental. Its associated organisation is the Shri Ram Centre for Performing Arts at Safdar Hasmi Marg, in the Mandi House area, the cultural hub of Delhi, the centre includes a theater for the performing arts, a theatre repertory company and an acting school.
Lady Irwin School for Girls is an educational institution in New Delhi, India, established in 1927. It is a composite English medium school from class I to class XII affiliated to the Central Board of Secondary Education (CBSE), New Delhi. It has a nursery section.
Tapas Sen was a noted Indian stage lighting designer, who was an important figure in 20th-century Indian theatre. He started working with Bengali theatre movement in Kolkata in the late 1940s, along with noted directors, Utpal Dutt and Shambhu Mitra. Later he became a founding member of the Indian People's Theatre Association's (IPTA), Delhi chapter, and worked closely with Hindi theatre. Through his career stretching five decades he worked theatre directors, Ebrahim Alkazi, Vijay Tendulkar, and also dancers Sadhana Bose, Chandralekha, Birju Maharaj and Kelucharan Mahapatra. He was known not only for his creative stage lighting, but also had a significant impact on the work of leading theatre director of the time.
Rohini Bhate was among the senior most Kathak dance exponents in India, who developed as a performer, teacher, writer, researcher and critic this Indian classical dance. During her career, she was awarded with several recognitions, such as the Sangeet Natak Akademi Award, and the Kalidas Samman.
Maya Rao was an Indian classical dancer, choreographer and educator, in Kathak dance. She is known for her pioneering work in Kathak choreography, especially in dance ballets, and is credited for bringing Kathak, a North Indian-dance style to South India, when she opened her dance school, Natya Institute of Kathak and Choreography (NIKC) in Malleswaram, Bangalore in 1987. She was also the founder director of her dance company, "Natya and Stem Dance Kampni", an amalgam of NIKC and the STEM Dance Kampni based in Bangalore. After her early training under Guru Sohanlal of Jaipur Gharana, followed by Guru Sunder Prasad also of the Jaipur Gharana, and went to train under Guru Shambhu Maharaj of Lucknow Gharana at National Institute of Kathak Dance in Delhi.
Yamunabai Waikar, née Yamunabai Vikram Jawle was an Indian folk artist, known for her expertise in the Marathi folk traditions of Lavani and Tamasha, folk art forms involving music and dance and reported to be one of the leading exponents of the art genres. A recipient of the Sangeet Natak Akademi Award, she was honored by the Government of India, in 2012, with the fourth highest Indian civilian award of Padma Shri.
Uma Dogra is an Indian exponent of Kathak, an Indian Classical Dance form. She is the senior most disciple of Pt. Durga Lal, the Kathak Maestro from Jaipur Gharana. She is a Kathak soloist, a choreographer and a teacher. She has been performing in India and abroad for more than 40 years.
Dr. Pt. Nandkishore Kapote is a leading senior exponent of Kathak, an Indian classical dance form. He is a senior disciple of Pandit Birju Maharaj. He is the Artistic Director of the Nandkishore Cultural Society. He is also the Director at Dr. D. Y. Patil School of Liberal Arts and Ph.D. guide at Sri Sri Centre for Kathak Research
Raghav Raj Bhatt is a renowned Kathak dancer, sketch artist and folk and tribal arts expert. He is the prime disciple of Padma Vibhushan Pt Birju Maharaj Ji. His solo, duet and group productions have been staged at numerous prestigious festivals in India and abroad.
