 | |
| Editor | Edward Kamau Brathwaite, Andrew Salkey, and John La Rose |
|---|---|
| Categories | Cultural-Political Magazine |
| Frequency | infrequently |
| Founded | 1970 |
| Final issue | 1980 |
| Company | Private |
| Country | Jamaica |
| Language | English |
| Website | Website |
Savacou: A Journal of the Caribbean Artists Movement was a journal of literature, new writing and ideas founded in 1970 [1] as a small co-operative venture, led by Edward Kamau Brathwaite, on the Mona campus of the University of the West Indies, Jamaica.
Characterised as "groundbreaking" by Alison Donnell, [2] Savacou grew out of The Caribbean Artists Movement (CAM) of the 1960s, which was mostly concerned with Caribbean artistic production and with consolidating a broad artistic alliance between all "Third World" peoples. The journal took its name from the bird-god in Carib mythology who controlled thunder and strong winds. Issue 1 of Savacou was published in June 1970, edited by Brathwaite, Kenneth Ramchand and Andrew Salkey. [3] Its advisory committee included John La Rose, Lloyd King, Gordon Rohlehr, Orlando Patterson, Sylvia Wynter, Paule Marshall and Wilfred Cartey, and among its early contributors were C. L. R. James, Michael Anthony, Derek Walcott, George Lamming, Martin Carter and John Figueroa. [4]
The journal was the subject of regional controversy in 1970, with the double issue 3/4, "New Writing 1970: An anthology of poetry and verse". Featuring oral-based poetics, performance poetry and Creole verse, the issue questioned traditional divisions between words and music, literature and street culture, textuality and orality, antagonizing standard literary formats and in turn provoking major debates and discussions in Caribbean literary circles. [5]
Between 1970 and 1979, fifteen issues of Savacou were published. The journal ceased publication in 1980 with issue 15.
The name Savacou also appears as a publishing imprint. [6]
This article uses text from the Chimurengal Library under the GFDL
Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound.
The Honourable Edward Kamau Brathwaite, CHB, was a Barbadian poet and academic, widely considered one of the major voices in the Caribbean literary canon. Formerly a professor of Comparative Literature at New York University, Brathwaite was the 2006 International Winner of the Griffin Poetry Prize, for his volume of poetry Born to Slow Horses.
Frank Appleton Collymore MBE was a Barbadian literary editor, writer, poet, stage performer and painter. His nickname was "Barbadian Man of the Arts". He also taught for 50 years at Combermere School, where he sought out and encouraged prospective writers in his classes, notably George Lamming and Austin Clarke. Collymore was the founder and long-time editor of pioneering Caribbean literary magazine BIM.
Caribbean literature is the literature of the various territories of the Caribbean region. Literature in English from the former British West Indies may be referred to as Anglo-Caribbean or, in historical contexts, as West Indian literature. Most of these territories have become independent nations since the 1960s, though some retain colonial ties to the United Kingdom. They share, apart from the English language, a number of political, cultural, and social ties which make it useful to consider their literary output in a single category. The more wide-ranging term "Caribbean literature" generally refers to the literature of all Caribbean territories regardless of language—whether written in English, Spanish, French, Hindustani, or Dutch, or one of numerous creoles.
Cyril Dabydeen is a Guyana-born Canadian writer of Indian descent. He grew up in Rose Hall sugar plantation with the sense of Indian indenture rooted in his family background. He's a cousin of the UK writer David Dabydeen.
Slade Hopkinson was a Guyana-born poet, playwright, actor and teacher.
Andrew Salkey was a Jamaican novelist, poet, children's books writer and journalist of Jamaican and Panamanian origin.
Nationality words link to articles with information on the nation's poetry or literature.
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose, fiction, drama, poetry, and including both print and digital writing. In recent centuries, the definition has expanded to include oral literature, also known as orature much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role.
Caribbean poetry is vast and rapidly evolving field of poetry written by people from the Caribbean region and the diaspora.
Anthony Kellman is a Barbados-born poet, novelist, and musician.
The Caribbean Artists Movement (CAM) was an influential cultural initiative, begun in London, England, in 1966 and active until about 1972, that focused on the works being produced by Caribbean writers, visual artists, poets, dramatists, film makers, actors and musicians. The key people involved in setting up CAM were Edward Kamau Brathwaite, John La Rose and Andrew Salkey. As Angela Cobbinah has written, "the movement had an enormous impact on Caribbean arts in Britain. In its intense five-year existence it set the dominant artistic trends, at the same time forging a bridge between West Indian migrants and those who came to be known as black Britons."
Caribbean Voices was a radio programme broadcast by the BBC World Service from Bush House in London, England, between 1943 and 1958. It is considered "the programme in which West Indian literary talents first found their voice, in the early 1950s." Caribbean Voices nurtured many writers who went on to wider acclaim, including Samuel Selvon, Edward Kamau Brathwaite, V. S. Naipaul, Derek Walcott, John Figueroa, Andrew Salkey, Michael Anthony, Edgar Mittelholzer, Sylvia Wynter, and others.
BIM is a distinguished "little magazine" first published in Barbados in 1942. It was one of two pioneering Caribbean literary journals to have been established in the 1940s, the other being A. J. Seymour's Kyk-Over-Al in British Guiana in 1945. According to the Barbados National Register, on the submission of 16 volumes of BIM magazine together with the associated Frank Collymore Collection of correspondence in 2008:
New Beacon Books is a British publishing house, bookshop, and international book service that specializes in Black British, Caribbean, African, African-American and Asian literature. Founded in 1966 by John La Rose and Sarah White, it was the first Caribbean publishing house in England. New Beacon Books is widely recognized as having played an important role in the Caribbean Artists Movement, and in Black British culture more generally. The associated George Padmore Institute (GPI) is located on the upper floors of the same building where the bookshop resides at 76 Stroud Green Road, Finsbury Park, London.
Alison Donnell is an academic, originally from the United Kingdom. She is Professor of Modern Literatures and Head of the School of Literature, Drama and Creative Writing at the University of East Anglia. She was previously Head of School of Literature and Languages at the University of Reading, where she also founded the research theme "Minority Identities: Rights and Representations". Her primary research field is anglophone postcolonial literature, and she has been published widely on Caribbean and Black British literature. Much of her academic work also focuses questions relating to gender and sexual identities and the intersections between feminism and postcolonialism.
Donald Hinds was a Jamaican-born writer, journalist, historian and teacher. He is best known for his work on the West Indian Gazette and his fiction and non-fiction books portraying the West Indian community in Britain, particularly his 1966 work Journey to an Illusion, which has been called a groundbreaking book that "captured the plight of Commonwealth immigrants and foresaw the multicultural London of today".
Marina Ama Omowale Maxwell, also known as Marina Maxwell and Marina Maxwell Omowale, is a Trinidadian playwright, performer, poet and novelist. She was associated with the Caribbean Artists Movement in London in the late 1960s, working with Edward Kamau Brathwaite, while back in the Caribbean she was responsible for developing the experimental Yard Theatre, which was "an attempt to place West Indian theatre in the life of the people [...] to find it in the yards where people live and are." The concept of "yard theatre" was considered revolutionary, according to Brathwaite, because it not only "rejected/ignored... traditional/ colonial Euro-American theatre," it also "provided a viable and creative alternative."
Anne Walmsley is a British-born editor, scholar, critic and author, notable as a specialist in Caribbean art and literature, whose career spans five decades. She is widely recognised for her work as Longman's Caribbean publisher, and for Caribbean books that she authored and edited. Her pioneering school anthology, The Sun's Eye: West Indian Writing for Young Readers (1968), drew on her use of local literary material while teaching in Jamaica. A participant in and chronicler of the Caribbean Artists Movement, Walmsley is also the author of The Caribbean Artists Movement: A Literary and Cultural History, 1966–1971 (1992) and Art in the Caribbean (2010). She lives in London.
Barabajan Poems, 1492–1992 is a collection of various types of writing, authored by the Barbados postcolonial author Kamau Brathwaite and published by Savacou Publications in 1994.