| Scanderbeg | |
|---|---|
| Written by | William Havard |
| Date premiered | 15 March 1733 [1] |
| Place premiered | Goodman's Fields Theatre |
| Original language | English |
| Genre | Tragedy |
Scanderbeg, A Tragedy is a 1733 tragedy by the British writer William Havard. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Another play about him George Lillo's The Christian Hero was produced two years later.
It was staged at the Goodman's Fields Theatre in Whitechapel, which was at that time attempting to challenge the dominant two patent theatres at Drury Lane and Covent Garden by producing new and ambitious works. The original cast included Henry Giffard as Scanderberg, William Giffard as Abdalla, Dennis Delane as Amurat, Richard Winstone as Selim, James Rosco as Heli, Charles Hulett as Hali-Vizem, Anna Marcella Giffard as Deamira and Sarah Hamilton as Zaida.
The Imperial Captives is a 1720 tragedy by the British writer John Mottley.
Antiochus is a 1721 tragedy by the British writer John Mottley. The play is set in Ancient Greece, revolving round the relationship between Stratonice of Syria and Seleucus I Nicator and his son Antiochus I Soter, the leaders of the Seleucid Empire.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
The Independent Patriot is a 1737 comedy play by Francis Lynch.
King Charles I is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.
Fatal Curiosity is a 1737 tragedy by the British writer George Lillo. It is also known by the alternative title Guilt Its Own Punishment.
Marina is a 1738 tragedy by the British writer George Lillo. It is a reworking of Shakespeare's Pericles, Prince of Tyre, produced at a time when Covent Garden was experimenting with a summer season.
The Christian Hero is a 1735 tragedy by the British writer George Lillo. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Two years earlier William Havard had written Scanderbeg, another work based on his life.
Regulus is a 1744 tragedy by the British writer William Havard. It portrays the career of Marcus Atilius Regulus, a Roman Consul at the time of the First Punic War. It ran for seven performances during the season.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
All Alive and Merry is a 1737 comedy play by the British writer Samuel Johnson. The original Lincoln's Inn Fields cast included William Giffard, Charlotte Charke and Anna Marcella Giffard. It was staged by Henry Giffard's company which had recently moved from the Goodman's Fields Theatre in Whitechapel.
The Parricide is a 1736 tragedy by the Irish writer James Sterling.
The Fashionable Lady is a 1730 comedy play by James Ralph.
Mustapha is a 1739 tragedy by the British writer David Mallet. It is based on Mustafa, the son of Ottoman ruler Suleiman the Magnificent.
The Fall of the Earl of Essex is a 1731 tragedy by the writer James Ralph. It was inspired by Restoration-era drama The Unhappy Favourite by John Banks about the downfall of the Earl of Essex, a military commander and former favourite of Elizabeth I.
The Triumphs of Love and Honour is a 1731 tragedy by the British writer Thomas Cooke.
Love the Cause and Cure of Grief is a 1743 tragedy by the British writer Thomas Cooke. It is a revised version of Cooke's earlier published but unperformed play The Mournful Nuptials.
The Non-Juror is a 1717 comedy play by the British writer Colley Cibber. It is inspired by Molière's 1664 work Tartuffe.
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