Related Research Articles
The Tragedy of Lady Jane Grey, often shortened to Lady Jane Grey, is a 1715 tragedy by the British writer Nicholas Rowe. It portrays the brief reign of Lady Jane Grey, a pretender to the English throne following the death of Edward VI and her defeat and execution by Mary I in 1554. The title role was played by the prominent actress Anne Oldfield. The cast also included John Mills as the Duke of Northumberland, Barton Booth as Lord Guilford Dudley and Lacy Ryan as the Earl of Sussex, Colley Cibber as Bishop Gardiner, James Quin as the Lieutenant of the Tower and Mary Porter as the Duchess of Suffolk.
Humphrey, Duke of Gloucester is a 1723 tragedy by the British writer Ambrose Philips. It is based on the life of Humphrey, Duke of Gloucester, youngest brother of Henry V.
The Imperial Captives is a 1720 tragedy by the British writer John Mottley.
Antiochus is a 1721 tragedy by the British writer John Mottley. The play is set in Ancient Greece, revolving round the relationship between Stratonice of Syria and Seleucus I Nicator and his son Antiochus I Soter, the leaders of the Seleucid Empire.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson.
The Revenge is a 1721 tragedy by the British writer Edward Young. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
King Charles I is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.
Fatal Curiosity is a 1737 tragedy by the British writer George Lillo. It is also known by the alternative title Guilt Its Own Punishment.
Marina is a 1738 tragedy by the British writer George Lillo. It is a reworking of Shakespeare's Pericles, Prince of Tyre, produced at a time when Covent Garden was experimenting with a summer season.
Elmerick, or Justice Triumphant is a 1740 tragedy by the British writer George Lillo. It was performed posthumously following his death the year before. It portrays the rivalry between the medieval Hungarian brothers Emeric, King of Hungary and Andrew II.
Scanderbeg, A Tragedy is a 1733 tragedy by the British writer William Havard. It is based on the life of Skanderbeg who led a rebellion against the Ottoman Empire in the fifteenth century. Another play about him George Lillo's The Christian Hero was produced two years later.
Regulus is a 1744 tragedy by the British writer William Havard. It portrays the career of Marcus Atilius Regulus, a Roman Consul at the time of the First Punic War. It ran for seven performances during the season.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
Orestes is a 1731 tragedy with musical elements by the British writer Lewis Theobald, based on the Ancient Greek story of Orestes.
Art and Nature is a 1738 comedy play by the British writer James Miller. The play received a rough reception from what Miller described a "faction" in the Drury Lane audience, and its run was not extended beyond a single night. He described its subsequent publication as an attempt to vindicate himself.
The Mother-in-Law is a 1734 comedy play by the British writer James Miller. Also known by the longer title The Mother-in-Law, or the Doctor the Disease it debuted at the Haymarket Theatre in London.
Mustapha is a 1739 tragedy by the British writer David Mallet. It is based on Mustafa, the son of Ottoman ruler Suleiman the Magnificent.
Agamemnon is a 1738 tragedy by the British writer James Thomson. It is based on the story of Agamemnon from Greek Mythology.
Timoleon is a 1730 tragedy by the British writer Benjamin Martyn. It is based on the life of the Greek statesman Timoleon, leader of Syracuse during the Sicilian Wars against Carthage.
The Countess of Salisbury is a 1767 tragedy by Hall Hartson. It is inspired by the 1762 novel Longsword by Irish writer Thomas Leland, who had been Hartson's tutor. It is based on the life of William Longespée, 3rd Earl of Salisbury, son of Henry II of England, and his wife Ela of Salisbury, 3rd Countess of Salisbury.
References
- ↑ Burling p.168
