Schelter & Giesecke Type Foundry Last updated October 07, 2025 Typefaces A poster for the International Bartenders Association competition of 1965 uses the company's popular Breite halbfette Grotesk. These foundry types were produced by Schelter & Giesecke: [ 1]
Accidenz-Zierat (1902)Akantrea (1883), borders and ornamentsAkropolis Ornamente (1907)Alt Latein (1924) [ 3] Baldur Baldur (1895) open and shaded variant of Wodan (1894). Revived by Alan Prescott as New Baldur APT (1996). Belwe Roman (1907, Georg Belwe ) [ 4] Biedermeierzierat (1905)Borghese (1904) An Art Nouveau face, revived by Ralph M. Unger as Borghese (2015).Breite Grotesk (1886) This typeface influenced the Bauhaus movement and was a forerunner of Helvetica . Revived by Nick Curtis as Schelter Grotesk NF (2010), and by Arve Båtevik as Sagen Grotesk, Breite Halbfette Grotesk and Breite magere Grotesk (2015).Breite Kanzlei (1835; other publications mention 1890) + Halbfette Kanzlei (1860)Die Zierde (1913, F.H. Ernst Schneidler ), ornamentsDolmen (1922, Max Salzmann ) Edelgotisch (1901, Albert Knab )Fafner + Schraffierte (1905) Revived by Oliver Weiss / Walden Font Co. as WF Fafner (2020)Fanal (1933), angular blackletterish script faceFee (1907), handwriting.Flamme (1933), brush-like scriptGnom + breite Gnom (1928)Gravira (1935, Herbert Thannhaueser ) [ 6] Gudrum The bicolor combination of Wodan (fill) and Baldur (open). Gutenberg-Gotisch (1885) + Halbfette Gutenberg-Gotisch (1890) The original by F.W. Bauer and Th. Friebel dates from 1880.Hispania Script (1890), a pirate map faceInitialen zur Rousseau (1907)Italian Renaissance (1883) a black-letter faceJugend-Fraktur (ca. 1900)Kalender Vignetten (1907, Max Salzmann )Kartuschen Einfassung serie 72 (1887), ornamentsKolibri (1928)Koralle (1929 [ 1] Georg Kraus mentions the date 1915, as does Nick Curtis . Curtis based his Koralle NF (2012) and Koralle Rounded NF (2014) on this typeface; see also the recent revival Koralle RMU (2018) by Ralph M. Unger .Leipziger Lateinschrift (1908)Liane (1908) Revived by Oliver Weiss / Walden Font Co. as WF Fafner (2020)Meierschrift (1904-1908, C.F. Meier ) Revived by Oliver Weiss / Walden Font Co. as WF Meierschrift (2020)Mimosenzierat (1909, Heinz Keune )Moderne enge halbfette Fraktur (1886)Monos (1912)Münster-Gotisch (1896) Revived by Paulo W as Münster Gotische (2009). Gerhard Helzel also did a revival.Patriz Huber Ornamente (1906, Patriz Huber ) Revived by Oliver Weiss / Walden Font Co. as WF Border Patriz Huber (2020)Perkeo (1928)Reklameschrift Radium (1904-1906) Revived by Oliver Weiss / Walden Font Co. as WF Radium (2020)Roland Grotesk (1910)Roland Kursiv (1910)Romanisch , later copied by the Central Type Foundry of Saint Louis as De Vinne . [ 7] Rosenzierat Serien 534 und 535 (1905, Heinz Keune )Rundgotisch (1909; others say 1902-1903)Salzmann Antiqua (1913, Max Salzmann )Salzmann Fraktur + Kräftige Salzmann Fraktur (1911, Max Salzmann )Salzmann Kursiv (1911, Max Salzmann )Salzmannschrift + Salzmannschrift halbfette + schmale Salzmannschrift (1910, Max Salzmann )Saskia (1931, Jan Tschichold ) [ 8] Schelter Antiqua (1906) Revived by Oliver Weiss / Walden Font Co. as WF Schelter Antiqua (2020). Leipziger Lateinschrift (1907) a variant of Schelter Antiqua .Tauchnitz-Antiqua (1907) a variant of Schelter Antiqua .Schelter Kursiv (1906)Schlanke Grotesk (1886)Schlanke Grotesk (1886)Schmale Anker Romanisch (1908), a German Romanesque.Schmale fette Edelgotisch und Zierat (1907)Schmale fette Schelterantiqua (1908)Schmale Medieäval (1840) Rived in 2020 by Ralph M. Unger as Schmale Mediaeval .Schmale Steinschrift (1898)Schul-Fraktur (1886) + Fette (1890) + Schmale fette (1918) Digitization by Delbanco as DS-Schulfraktur (2001).Shakespere Mediäval (1927–1929, Georg Belwe ) [ 9] Shieldface A (1881) caps onlyShieldface Combinationpieces (1881), ornamentalSilhouette Border Series 63 (1884)Tauperle (1928)Titan + Titan Gnom (1915)Walgunde mit Zieraten (1908, Eduard Lautenbach )Walküre The grey variant of Wodan .Watteau-Schrift + Watteau Schmuck (1913), aka Kartenschrift Watteau , a non-connected script.Wieland (1926, Georg Belwe )Wodan (1894),Zierschrift 1328 (1889)Zierschrift 1400 (1889)The foundry claimed by the twentieth century to have been one of the first to offer general-purpose sans-serif typefaces with lower-case, as early as 1825. [ 10] [ 11] This was repeated by some authors, but is now known to be untrue: Wolfgang Homola dates it to 1882 based on a study of Schelter & Giesecke specimens. [ 2] [ a]
Press Manufacturing Villa Georg Giesecke, the Leipzig house of foundry co-owner Georg Giesecke Beginning in 1827 Schelter & Giesecke manufactured letterpress presses, cylinder proof presses and platen presses; and after World War I also of web-fed, letterpress and flexo printing presses.
The Leipzig house of foundry co-owner Georg Giesecke, designed by Berlin architect Max Hasak, survives and is listed. [ 14]
References 1 2 3 "J.G. Schelter&Giesecke" . Luc Devroye . School of Computer Science, McGill University, Montreal, Canada. Retrieved 7 January 2021 . 1 2 Homola, Wolfgang. "Type design in the age of the machine. The 'Breite Grotesk' by J. G. Schelter & Giesecke" (PDF) . University of Reading (archived). Archived from the original on 12 January 2011. Retrieved 17 January 2018 . {{cite web }}
: CS1 maint: bot: original URL status unknown (link ) ↑ Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces . Blandford Press Lts.: 1953, 1983, ISBN 0-7137-1347-X p. 5. ↑ Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces . Blandford Press Lts.: 1953, 1983, ISBN 0-7137-1347-X p. 19. ↑ Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces . Blandford Press Lts.: 1953, 1983, ISBN 0-7137-1347-X p. 263. ↑ Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces. Blandford Press Lts.: 1953, 1983, ISBN 0-7137-1347-X p. 109. ↑ Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces. Blandford Press Lts.: 1953, 1983, ISBN 0-7137-1347-X p. 67. ↑ Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces. Blandford Press Lts.: 1953, 1983, ISBN 0-7137-1347-X p. 201. ↑ Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces. Blandford Press Lts.: 1953, 1983, ISBN 0-7137-1347-X p. 205. ↑ Lawson, Alexander S., Anatomy of a Typeface, David R. Godine , Publisher, Boston, Massachusetts, 1990, ISBN 0-87923-333-8 , p. 296. ↑ Handbuch der Schriftarten . Leipzig: Seeman. 1926. ↑ Mosley, James . "Comments on Typophile thread - "Unborn: sans serif lower case in the 19th century" " . Typophile (archived) . Archived from the original on 28 June 2014. Retrieved 15 October 2016 . {{cite web }}
: CS1 maint: bot: original URL status unknown (link ) ↑ Tracy, Walter. Letters of Credit . p. 86. ↑ Sabine Knopf (2011). Buchstadt Leipzig: der historische Reiseführer . Ch. Links Verlag. pp. 80– 81. ISBN 978-3-86153-634-5 . This page is based on this
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