Schoeps

Last updated
Schalltechnik Dr.-Ing. Schoeps GmbH
Company type Private
Industry Audio electronics
FoundedJune 1948
Headquarters Karlsruhe, Deutschland
Products Audio equipment
Website schoeps.de

Schalltechnik Dr.-Ing. Schoeps GmbH, known as Schoeps or Schoeps Mikrofone, is a German manufacturer of professional studio condenser microphones for recording and broadcast. The privately owned company is based in Karlsruhe, south-west Germany, and was founded in 1948.

Contents

Microphones

All microphones made by Schoeps employ traditional (i.e. externally polarized, not electret) condenser transducers, and use small-diaphragm, single-diaphragm capsules, even in microphones which offer two or three different directional patterns. All models introduced since 1973, as well as some models from even earlier, have featured transformerless output circuitry.

Though a lesser-known brand in the Americas, Schoeps microphones are highly regarded in the classical sound recording and electronics industries of European broadcasting industry. [1] Media organisations such as the German Tagesschau and heute new programmes, as well as the German Bundestag, the Bundesrat and some state parliaments have all used Schoeps products. [2] [3] [4] Since 2005, the Harald Schmidt Show in Germany has utilised their microphones for facilitating guest appearances. This was followed in 2012 by Schoeps equipping the Berlin Phillharmonie with microphones for the live stream of the Digital Concert Hall. Most recently in 2014, the brand provided the main surround sound microphones, together with stereo and individual microphones for the 2014 Brazil World Cup. [5] [6]

Colette

Andrea Bocelli with a Colette microphone at a live concert Andrea Bocelli 20190511 017-2.jpg
Andrea Bocelli with a Colette microphone at a live concert

In 1973 the Schoeps "Colette" (CMC) series came out, a modular system of microphones that allowed the amplifier to be separated from the sound capsule. The microphone consisted of four amplifiers, for different powering schemes, and about 20 capsules, for different directional patterns and/or frequency response characteristics (any capsule of the series is compatible with any of the amplifiers). This was the first type of microphone to let the user separate the capsule from the amplifier (body) of the microphone, via "active" accessories, e.g. thin, flexible cables, or "goosenecks", for the sake of a less obtrusive microphone setup. In this type of arrangement, the initial amplification stage of the microphone is located in the accessory, at the point where the capsule is connected; this helps to prevent interference or signal losses.

Most capsules of the CMC series are also available as one-piece compact microphones ("CCM series"). The CCM compact microphone series was introduced by Schoeps in 1994. The circuitry is miniaturized so that each complete microphone is only a few millimeters longer than the corresponding "Colette" capsule would be. This simplifies installation and reduces the risk of interference in situations which would ordinarily require the use of Colette active accessories. However, since these microphones lack the modular construction of the CMC series, their capsules are not interchangeable.

Historical microphones

In the vacuum-tube era, Schoeps M 221-series microphones, especially the model M 221 B, were widely used in studios and for live orchestral recording. Their circuitry is based on the Telefunken AC 701k vacuum tube. They were introduced in 1954 and manufactured until the 1970s; many are still in use today.

One particular model of Schoeps microphone created for French radio (the CMT 20 series, 1964) has the historical distinction of being the first phantom-powered condenser microphone on the studio market. [7] [8]

See also

Related Research Articles

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<span class="mw-page-title-main">Microphone</span> Device that converts sound into an electrical signal

A microphone, colloquially called a mic, or mike, is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones, hearing aids, public address systems for concert halls and public events, motion picture production, live and recorded audio engineering, sound recording, two-way radios, megaphones, and radio and television broadcasting. They are also used in computers and other electronic devices, such as mobile phones, for recording sounds, speech recognition, VoIP, and other purposes, such as ultrasonic sensors or knock sensors.

<span class="mw-page-title-main">Phantom power</span> DC power through microphone cables

Phantom power, in the context of professional audio equipment, is DC electric power equally applied to both signal wires in balanced microphone cables, forming a phantom circuit, to operate microphones that contain active electronic circuitry. It is best known as a convenient power source for condenser microphones, though many active direct boxes also use it. The technique is also used in other applications where power supply and signal communication take place over the same wires.

<span class="mw-page-title-main">DI unit</span> Audio signal conversion device

A DI unit is an electronic device typically used in recording studios and in sound reinforcement systems to connect a high output impedance unbalanced output signal to a low-impedance, microphone level, balanced input, usually via an XLR connector and XLR cable. DIs are frequently used to connect an electric guitar or electric bass to a mixing console's microphone input jack. The DI performs level matching, balancing, and either active buffering or passive impedance matching/impedance bridging. DI units are typically metal boxes with input and output jacks and, for more expensive units, “ground lift” and attenuator switches.

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<span class="mw-page-title-main">Ribbon microphone</span> Type of microphone

A ribbon microphone, also known as a ribbon velocity microphone, is a type of microphone that uses a thin aluminum, duraluminum or nanofilm of electrically conductive ribbon placed between the poles of a magnet to produce a voltage by electromagnetic induction. Ribbon microphones are typically bidirectional, meaning that they pick up sounds equally well from either side of the microphone.

<span class="mw-page-title-main">Decca tree</span>

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<span class="mw-page-title-main">Boundary microphone</span> Microphone for use on or near a surface

A boundary microphone is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) are typically mounted in a flat plate or housing. The arrangement provides a directional half-space pickup pattern while delivering a relatively phase-coherent output signal.

<span class="mw-page-title-main">Shure SM58</span> Professional cardioid dynamic microphone

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<span class="mw-page-title-main">Blumlein pair</span> Stereo recording technique

Blumlein pair is a stereo recording technique invented by Alan Blumlein for the creation of recordings that, upon replaying through headphones or loudspeakers, recreate the spatial characteristics of the recorded signal.

<span class="mw-page-title-main">Electret microphone</span> Type of microphone design

An electret microphone is a type of electrostatic capacitor-based microphone, which eliminates the need for a polarizing power supply by using a permanently charged material.

<span class="mw-page-title-main">Neumann U 47</span> Microphone

The Neumann U 47 is a large-diaphragm condenser microphone. It is one of the most famous studio microphones and was Neumann's first microphone after the Second World War. The original series, manufactured by Georg Neumann GmbH between 1949 and 1965, employed a tube design; early U 47s used the M 7 capsule, then replaced by the K 47 from 1958. Units produced before 1950 were distributed by Telefunken and bear the Telefunken logo.

<span class="mw-page-title-main">AKG (company)</span> Acoustics engineering and manufacturing company

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<span class="mw-page-title-main">Røde Microphones</span> Australian-based designer and manufacturer of microphones

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<span class="mw-page-title-main">Gauge Precision Instruments</span>

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<span class="mw-page-title-main">Valve microphone</span> Type of condenser microphone

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<span class="mw-page-title-main">Shure SM7</span> Professional broadcasting microphone

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<span class="mw-page-title-main">Sennheiser MD 421</span> German dynamic microphone

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References

  1. Alexander, Dan (2021). Dan Alexander Audio: a vintage odyssey. Lanham: Rowman & Littlefield Publishers. p. 263. ISBN   978-1-5381-4202-8.
  2. "Professional Production - Technologie und Medienrealisation in Film und Video | Einzelansicht". 2014-11-08. Archived from the original on 2014-11-08. Retrieved 2023-06-08.
  3. "Die besten Rednerpult Mikrofone". Event Partner (in German). 2018-03-10. Retrieved 2023-06-08.
  4. "Mikrofone von Schoeps". 2016-01-10. Archived from the original on 2016-01-10. Retrieved 2023-06-08.
  5. "Seite nicht gefunden - 404". pma-magazin.de. Retrieved 2023-06-08.
  6. "SCHOEPS Is Once Again the Supplier of the Main Microphones for Football in Brazil | LIVE-PRODUCTION.TV". www.live-production.tv. Retrieved 2023-06-08.
  7. "The History of Condenser Microphones". Soyuz Microphones. 2022-08-17. Retrieved 2023-06-08.
  8. "What is Phantom Power and Do You Need It?". Vocalist. 2023-02-05. Retrieved 2023-06-08.